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Bezig met laden... The Voices of Silencedoor Andre Malraux
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When I read Malraux I know that his observation in matters concerning the visual arts must necessarily be defective. It would be natural to him to suppose that a painter was (like himself) fired by politics, when this painter was, in reality, 'mad about drawing', as was Hokusai, or mad about certain combinations of black and white, as was one of Malraux's favourites, Franz Hals... Malraux analyses very well the art-scene of our time. He groups primitivism (African, Sumerian, etc.), infantilism, the art of the lunatic, as well as that of the Child. He sees the diabolic principle inhering in the grouping. I could not, myself, have dissected with more understanding the major impetus responsible for much of the painting, sculpture, and design in our time. God is dead, Sartre asserts; and so does Malraux. But the latter perceives the Devil brought in by some of the contemporary artists and he applauds the coming back into currency of the diabolic. Onderdeel van de reeks(en)Le musée imaginaire / André Malraux (19 51, 1/1) Onderdeel van de uitgeversreeks(en)Bollingen Series (24)
The description for this book, The Voices of Silence: Man and his Art. (Abridged from The Psychology of Art), will be forthcoming. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)701.15The arts Modified subdivisions of the arts Philosophy and theory of fine and decorative arts Appreciative aspects Psychological principlesLC-classificatieWaarderingGemiddelde:
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This survey is so exciting, shows such an immense grasp of its subject in its great contours and its concrete detail, that one is swept by it through snags and opacities. You have not only extended studies of the most important schools of art but also picture-by-picture accounts of the careers of certain important painters.