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Bezig met laden... Sweet Tooth: A Novel (origineel 2012; editie 2013)door Ian McEwan
Informatie over het werkSuikertand door Ian McEwan (2012)
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Soms lastig te lezen roman over liefde en bedrog en misschien ook wat te lang, maar met een verrassend, aansprekend einde ( ) Een studente wordt door een van haar professoren enthousiast gemaakt om voor MI5 te gaan werken. Eerst betreft het vooral administratief werk, maar dan komt het "echte" werk, een veelbelovende schrijver zodanig beïnvloeden dat hij positief schrijft over zijn land en dergelijke. Ze worden verliefd, en het loopt allemaal fout af. En waarom? Omdat de leidinggevenden van MI5 voor zichzelf spelletjes lijken te spelen, ver van de 'gewone" wereld. De sterkte van Suikertand schuilt vooral in de staart, die een echte aha-erlebnis teweegbrengt, maar het inkijkje in de wereld van de spionnen - en het leven tout court - anno 1970 is in feite niet minder boeiend. Ik blijf 'm volgen, onze McEwan. Volledige bespreking via http://wraakvandedodo.blogspot.be/2013/01/ian-mcewan-suikertand.html
A satisfying spy novel with a literary twist provides both surprises and sly references to McEwan's early work Ian McEwan has never been a spy (or, if he has, that fact remains classified), but of today's novelists he may be the most uniquely suited to the profession. He has a scientific, technical mind drawn to structural ploys and complicated scene engineering. . . . Mr. McEwan likes manipulating readers as much as plots. . . . Ultimately, like his bloodless previous novel, Solar (2010), there is little point to Sweet Tooth beyond Mr. McEwan's low-level authorial deceptions. . . . The book is soon overwhelmed by its own narrative ruse, which revealed in the final pages, is clever but not meaningful. In playing these mirror games, Mr. McEwan seems to want to make the reader think about the lines between life and art, and the similarities between spying and writing. He also seems to want to make us reconsider the assumptions we make when we read a work of fiction. As usual his prose is effortlessly seductive. And he does a nimble job too of conjuring London in the 1970s — with its economic woes, worries about I.R.A. bombings and uneasy assimilation of the countercultural changes of the ’60s. These aspects of “Sweet Tooth” keep the reader trucking on through the novel, but alas they’re insufficient compensation for the story’s self-conscious contrivance and foreseeable conclusion. The combination of all these nose-tapping hints suggests to the alert reader that there’s something clever-clever coming along at the end, which makes it feel even more like a gimmick. I won’t spoil things if you’re going to read the book, but just remember that one of the central characters is a novelist. OK? But Sweet Tooth – which has been misleadingly hyped as a thriller – is a different kind of work altogether. It’s McEwan’s version of metafiction, his exploration of what it could mean to write a postmodern-realist novel for a wide (mainstream and literary) readership. It’s also rather biographical. . . . . but this novel could be seen as his way of reaching beyond the easy labels without abandoning the style his readers love. He’s intelligent, has popular and literary appeal, manages credibly and interestingly to include politics in his writing, and has a gift for making an enormous range of readers feel as though he is writing about them, about their own particular life of the mind. He observes the tiny tragedies of growing up and growing old with humour and insight. PrijzenOnderscheidingenErelijsten
Recruited into MI5 against a backdrop of the Cold War in 1972, Cambridge student Serena Frome, a compulsive reader, is assigned to infiltrate the literary circle of a promising young writer whose politics align with those of the government, a situation that is compromised when she falls in love with him. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.914Literature English English fiction Modern Period 1901-1999 1945-1999LC-classificatieWaarderingGemiddelde:
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