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Der Fürst der Welt

door Erika Mitterer

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"The Prince of Darkness, written by Erika Mitterer (1906-2001) in 1939, is a veiled criticism of the contemporary political system. It was meant to show how evil can rise and take hold of people who are not intrinsically bad but let themselves be carried away by indifference." "The novel offers a tapestry of early sixteenth-century life in pre-Reformation Germany. It was the time of decline for the nobility, of peasant revolts, of the rise of mercantile capitalism, of free-thinking scholars, artists and scientists, and of the Inquisition. Theresa, one of the two protagonists, is suspected of sorcery because of simple acts of everyday kindness and is eventually burned at the stake as a witch. Her sister, Maria Michaela, who had entered the convent and become its prioress, lets herself be manipulated by her father confessor. The reader experiences and comes to understand how the winds of mass hysteria and frustration can sway a solid citizenry to vicious gossip and acts of madness, of revenge by denunciation, of denunciation for reward, splitting lovers and families, as the one intellectual in the novel stands by helplessly." "So striking was this element of the book in its implicit association with the Hitler regime that, after its publication in Norway, a sudden absence of paper prevented it from being republished in Germany."--BOOK JACKET.… (meer)
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"The Prince of Darkness, written by Erika Mitterer (1906-2001) in 1939, is a veiled criticism of the contemporary political system. It was meant to show how evil can rise and take hold of people who are not intrinsically bad but let themselves be carried away by indifference." "The novel offers a tapestry of early sixteenth-century life in pre-Reformation Germany. It was the time of decline for the nobility, of peasant revolts, of the rise of mercantile capitalism, of free-thinking scholars, artists and scientists, and of the Inquisition. Theresa, one of the two protagonists, is suspected of sorcery because of simple acts of everyday kindness and is eventually burned at the stake as a witch. Her sister, Maria Michaela, who had entered the convent and become its prioress, lets herself be manipulated by her father confessor. The reader experiences and comes to understand how the winds of mass hysteria and frustration can sway a solid citizenry to vicious gossip and acts of madness, of revenge by denunciation, of denunciation for reward, splitting lovers and families, as the one intellectual in the novel stands by helplessly." "So striking was this element of the book in its implicit association with the Hitler regime that, after its publication in Norway, a sudden absence of paper prevented it from being republished in Germany."--BOOK JACKET.

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