Terrible that the end of the trilogy has to be so poor. Luckily, all the books existed largely independent of one another, so the impact is minimal. The problem was that the prose seemed to have changed. Where before the book used the voice of Cley, now Misrix was writing. His character is well read enough to have been clear, but Ford was probably unable to use the different style.
In addition, there was a lot of wasted white space on each page. The whole thing was off, taking way too long to start the interesting part of the book. Nevertheless, besides the boring adventure, the high-level plot seemed reasonable. Will still read Ford: 2/3 isn't bad. ( )

http://speculiction.blogspot.com/2016/03/review-of-beyond-by-jeffrey-ford.html ( )

Originally posted at FanLit http://www.fantasyliterature.com/reviews/the-beyond/

The Beyond is the last book in Jeffrey Fordƒ??s WELL-BUILT CITY trilogy. This bizarre story began with The Physiognomy in which Cley, an arrogant and cruel physiognomist, is sent by the evil ruler Drachton Below on a mission to the mining town of Anamasobia. While there, Cley makes a bad decision which destroys the beautiful face of Arla, the woman he has fallen in love with. This humbles and devastates Cley (drastically changing his personality for the better) and leads to the destruction of Drachton Belowƒ??s Well-Built City.

In the second book, Memoranda, we find Cley in a new life ƒ?? acting as herbalist and midwife in the village of Wenau. When Drachton Below, still living in the ruins of his Well-Built City, poisons the people of Wenau, Cley is the only person who can help, but he has to go into Belowƒ??s warped mind to find the antidote. He gets some help from Misrik, Belowƒ??s charming demon son.

In The Beyond, guilt-ridden Cley is compelled to seek forgiveness and redemption by searching for Arla, the woman whose face he ruined. To do this, he must traverse the mysterious Beyond, the huge cold wasteland that lies north of the Well-Built City. At first he sets out with Misrix and Wood, his old dog, but the northern wastes are teeming with demons and Misrix, a tame and well-educated demon, must turn back as he feels himself losing the civility and culture heƒ??s learned. Cley and Wood go on without him while Misrix returns to the Well-Built City and uses a hallucinogen to watch their progress. Cley meets a few people and some strange creatures in the Beyond, learns that the Beyond is conscious and has plans for him, and then something weird and profound happens to Cley at the end.

Most of the plot of The Beyond consists of Misrix recounting Cleyƒ??s journey, but Misrix has his own subplot, too. Heƒ??s been alone and lonely in the decay of the Well-Built City because the people in the few surrounding villages think he and the city are evil. But when Misrix saves the life of a little girl, he makes a friend. This relationship brings him much joy and much pain.

Up to this point, Fordƒ??s WELL-BUILT CITY trilogy has been inventive, exciting, and surreal. Thereƒ??s so much to like: the pseudoscience of physiognomy, mechanical monsters, revived corpses, polite soul-sucking creatures, an academically-minded demon, a city built to be a memory palace, hallucinogenic drugs, thought-provoking ideas and plenty of symbolism and humor. I was hoping for more of the same creativity and bizarreness in The Beyond.
While I enjoyed the story, The Beyond didnƒ??t quite meet my expectations. Much of the plot involves the mundane aspects of Cleyƒ??s journey ƒ?? acquiring food and shelter, being cold, waiting for snow to thaw, etc, and these parts were sometimes dull. When Cleyƒ??s story finally gets going, much of it is so surreal that itƒ??s hard to become engaged. There may have been some connections and symbolism that I missed, but, frankly, I just wasnƒ??t engrossed enough to meditate on it. Misrixƒ??s story, on the other hand, has more impact because itƒ??s lucid, suspenseful and emotional, but itƒ??s definitely the minor plot.

I love Jeffrey Fordƒ??s style and imagination, and the audio version of The Beyond that I listened to was beautifully read by Christian Rummel. The Beyond wasnƒ??t as good as its predecessors, but it was still worth my time. ( )

"The Beyond exists on many planes and in many times," says the plant-man ("foliate") Vasthasha, speaking of the wilderness that exists beyond the realm and civilization, and sometimes, it seems, out of reality altogether. So too does The Beyond.

The third volume of Ford's Well-Built City trilogy sends his protagonist Cley in a final bid for redemption into the Beyond. This vector is complemented by that of the demon Misrix, a native of the Beyond, who discovers and pursues his aspiration to become civilized, human, and humane. I'm floored by the profound wonderfulness of this adult fantasy saga, which doesn't even seem to notice that it has discarded all of the threadbare conventions of its genre. Ford combines straightforward prose and a storyteller's pacing with exotically proliferating images and ideas. The result is truly engaging fiction with characters and situations that encode true dilemmas of the human experience.

One of the things I've really enjoyed about Ford's Well-Built City trilogy is that every book is completely different from the rest. This concluding part has me thinking about Kafka -again- but also Michael Ende. Becuase Ford goes all out here, taking it further than in the first two books, letting Cley travel from weird isolated environment to weird isolated environment, bothering much less with world-building than situation and striking imagery. The use of objects loaded with meaning and symbolism used throughout the series is taken further in The Beyond, and it works. It creates a sense of mystery that puzzles without excluding.

At the same time the cast is cut back to a minimum here, a lot of the book dealing with just Cley and Wood the dog in the wilderness of the Beyond. It's effective and captivating to read a fantasy world that actually benefits from feeling small, isolated and fragmented. The opposite tends to be true.

The narrative level, about Misrix the demon's dealing with being falsely (?) accused of a crime and through this experience actually consolidating his humanity is just another example of Ford's unusual talent for creating universal moral dilemmas from weird premises (remember the "cure the disease by making everyone a drug addict" problem in Memoranda?).

Which is the forte of this whole series. Not just exciting, fun and different, but also profound and moving and engaging in it's own way, dealing with real issues and never resorting to a simple black-white view of things. And the concluding sentences, deeply satisfying in their enigmatic way, actually gave me goosebumps. ( )