Delaney makes takes on challenging themes in challenging ways and yet always carries you along for the ride. In this case on a dragon. ( )

I love reading the third volume and looking forward to read the fourth book. ( )

The third volume of Delany's Nevèrÿon stories was supposed to be his last, although there is a fourth book in the trilogy. Flight from Nevèrÿon has three numbered sections, the third of which consists of two appendices and makes up half the book.

I read and enjoyed the putative body text of "The Tale of Fog and Granite" and "The Mummer's Tale," both of which built on the the characters and settings of Delany's previous stories, within the established fictional context of the antediluvian realm of Nevèrÿon, while carrying forward a project of postmodern theorizing embedded in the narratives.

The acme of the book, though, and perhaps of the whole series, was longest piece, "Appendix A: The Tale of Plagues and Carnivals, or, Some Informal Remarks toward the Modular Calculus, Part Five." This part features a complete Nevèrÿon story centered around an AIDS-like plague and the social responses it provokes. Interleaved with that story are several other registers of writing, including lightly fictionalized anecdotes from Delany's own life, a running account of his gay junky acquaintance "Joey," tail-devouring criticism of the book in hand by the imaginary academic S. L. Kermit, and a closing note about the public health facts of AIDS as they were understood at the time of writing in mid-1984.

In addition to the intended reflections of 1980s New York in Nevèrÿon, Appendix A brings up occasional irruptions of Nevèrÿon in 1980s New York. But my favorite passage of "Plagues and Carnivals" was section 9.6, detailing relations between the Mummer and the Master of the academy. In these seven pages (261-7) Delany tacitly supplies an interpretive frame for the canon of Classical Greek philosophy from Heraclitus through Plato. It's an impressive feat and delightful for the informed reader.

"Clearly the Nevèrÿon series is a model of late twentieth-century (mostly urban) America. The question is, of course: What kind of model is it?" (377) The far shorter Appendix B collapses into the more "factual" and explicatory matter of the author's reflections on the three volumes, answers to readers about the nature of the "modular calculus," citation of sources and inspirations, theory of semiotics/semiology grounding Delany's writing, and a list of Delany's corrections to the three books then in print--when he thought that the work was "complete."

I came across the first book in the Return to Neveryon series (Tales of Neveryon) at random in a small bookstore in Stratford-upon-Avon in England. It looked interesting, so I bought it and read it on the flight back to the States. This novel sparked a love affair with the writings of Samuel R. Delany - both fiction and non-fiction, across multiple genres - that continues to this day.

One of the best reasons to read the series, though, are the appendices in each book in which he shows us the inspiration behind his creative process, his fascination with writing and its history, and his staggering intellect. Absolutely fascinating! ( )