Indeholder "Barndom", "Ungdom".

???
Erindringer. Den slutter med udbruddet af anden verdenskrig. Hun får udgivet "Pigesind" og Viggo F. Møller hjælper hende meget med at få den udgivet. De bliver gift i 1940, men ægteskabet holder ikke.

Opholdet på det psykiatriske hospital Sct. Hans, hvor hun skrev "Barndom" og "Ungdom", kalder hun for "den hidtil lykkeligste periode i mit liv". ( )

I have to admit to not having heard of Tove Ditlevsen until this book came into my life, which happened quite by chance. I was putting together a prize for the bookcrossing event I have just attended. It was a prize of translated works, and a friend passed on a copy of this book which had already been registered on bookcrossing. I decided I wanted to read it myself, and as I wasn’t sure I would finish it in time, I went in search of another copy. I was fortunate to find one, so my original edition went into the prize bundle as intended.

“In the morning there was hope. It sat like a fleeting gleam of light in my mother’s smooth black hair that I never dared touch; it lay on my tongue with the sugar and the lukewarm oatmeal I was slowly eating while I looked at my mother’s slender, folded hands that lay motionless on the newspaper, on top of the reports of Spanish flu and the Treaty of Versailles.”

Tove Ditlevsen was a prolific Danish poet and author, writing poetry, novels, short stories and works of memoir. Born in 1917, she grew up in a working-class neighbourhood of Copenhagen and her childhood became very important throughout her work. Early Spring is a memoir of her childhood, and in it we can see the touch of a poet. This volume contains the first two of Tove Ditlevsen’s memoirs, Childhood and Youth, both published in 1967, the third volume Gift (not included here) came out in 1971.

“Childhood is long and narrow like a coffin, and you can’t get out of it on your own. It’s there all the time and everyone can see it just as clearly as you can see Pretty Ludvig’s harelip.”

Written in a straight forward, no nonsense style, shot through with beautiful descriptive passages and humour – Early Spring faithfully recreates the sights and sounds of Tove Ditlevsen’s 1930s childhood environment. Her community is a tough, conventional working class one where childhood ends with the confirmation ceremony. After which the adult world beckons, with many girls engaged or married in their late teens. The subject of childhood is a recurring one, Tove thinks about that thing that is her childhood constantly, speaking as if she were still in the midst of those turbulent years – it is easy to forget that she was writing from a distance of some years. Young Tove is confounded by her childhood years but she also treasures her childhood, knowing it to be a privilege and fearing the end of it, and the world which may lay beyond. Tove makes friends with the girl from downstairs, two years younger and with a nicer family, she is a little bit of relief in Tove’s loneliness. Life and death surround her – she witnesses the death of her aunt, begins to see the differences between her family and those of the other children at school. As we all do, Tove begins to understand the world around her.

“I always think that when I’m grown up my mother will finally like me the way she likes Edvin now. Because my childhood irritates her just as much as it irritates me, and we are only happy together whenever she suddenly forgets about its existence.”

Tove grew up in a home where she was a lonely, clumsy child. She had an elder brother – who was the more favoured of the two siblings. The family were poor, and there was little in the way of joy or excitement in Tove’s life. Yet, she had the soul of a poet, a rich imagination, and an unflagging determination to be who she knew she could be and achieve the things she wanted to. In the privacy of her room, young Tove began to write her poetry, scribbling them down in her private poetry album and hiding it away. For Tove, the idea of writing was her one chance to escape the narrow confines of her family and community.

Few of the people in Tove’s life appreciate or understand what she is trying to do, they dismiss or ridicule her poetry writing, but Tove is never swayed. In time, boyfriends begin to rear their heads, and Tove must face the traditional end of childhood. Her mother arranges for her to start work as a mother’s help straight away – but she only lasts a day. All the time she writes, showing her poems to just a trusted few, and hanging on to every word of their praise – clinging to each last bit of hope of future publication.

We watch Tove grow and develop into a young woman who never loses the hope that has slowly built up in her over her first eighteen years of life.

“Istedgade is my childhood street – it’s rhythm will always pound in my blood and its voice will always reach me and be the same as in those distant times when we swore to be true to each other. It’s always warm and light, festive and exciting, and it envelops me completely, as if it were created to satisfy my personal need for self-expression.”

Early Spring is a delightful little memoir full of hope and courage it is poignant and compelling at the same time. We know of course, that Tove Ditlevsen survived the poverty and isolation of her childhood and became the writer she dreamed of. To see where and how it began is quite lovely. ( )