Ricardo Gutierrez Mouat, "Jose Donoso: An Introduction and Checklist"/Ricardo Gutierrez Mouat, "Beginnings and Returns: An Interview with Jose Donoso"/Jose Donoso, "A Small Biography of The Obscene Bird of Night"/Jose Donoso, "Nobody Wears Fedoras Anymore"/Marco Antonio de la Parra, "Portrait of a Donoso Apprentice"/Alastair Reid, "Meta-Donoso"/Antonio Benitez Rojo, "The Obscene Bird of Night as a Spiritual Exercise"/Luisa Valenzuela, "From Manuela to the Marchioness the Writer Moves on Guarded (or not) by the Dogs of Desire"/Djelal Kadir, "Next Door: Writing Elsewhere"/Marjorie Agosin, "The Poems of Jose Donoso"/Fernando Alegria, "Good-bye to Metaphor: Curfew"/Marie-Lise Gazarian Gautier, "A Dialogue in Three Voices: An Interview with Maria Pilar Donoso"/Patrick O'Donnell, "An Introduction to the Fiction of Jerome Charyn"/Frederic Tuten, "An Interview with Jerome Charyn"Parkview"/Albert J. Guerard, "Charyn's Azazian Prose"/Michael Woolf, "Charyn in the 1960s: Among the Jews"/David Seed, "Performance, Play, and the Open Form in Going to Jerusalem and The Tar Baby"/David W. Madden, "The Isaac Quintet: Jerome Charyn's Metaphysics of Law and Disorder"/Robert L. Patten, "Waltzing with Witches"/A Jerome Charyn Checklist/Jerome Charyn, "Ma petite reine nazie"/Jerome Charyn, "Three Critical Notes"/Stanley Elkin, "On Jerome Charyn"/Edouard Roditi, "The Fiction of James Bowles as a Form of Self-Expression"