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Bezig met laden... Woede (2001)door Salman Rushdie
Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Het verhaal van Malik Solanka, een historicus die een moeizaam huwelijk ontvlucht door zich in New York te vestigen waar hij zich bezighoudt met zijn hobby: poppen maken. Hij blijkt het slachtoffer te zijn van seksueel misbruik door zijn vader.
Set mostly in New York Fury is perhaps the fruit of Rushdie’s move to the US after the restrictions necessitated by the fatwā made life in the UK less than congenial for him. It is not a vintage work, no Midnight’s Children nor Shame. Too much is told, not shown. It also begins inauspiciously; with a very Dan Brownesque first sentence, “Professor Malik Solanka, retired historian of ideas, irascible dollmaker, and since his fifty-fifth birthday celibate and solitary by his own (much criticised) choice, in his silvered years found himself living in a golden age.” Now, it could be said that Rushdie is playing with the reader, essaying a fable, but, really, three of those crudely dumped slivers of information are examples of newspaper prose and the knowledge they bring us ought to have emerged more organically during the course of the novel. The novel deals with Solanka’s life after leaving his second wife. He was so full of fury he had almost killed her and their young son and he fled to New York to escape that horror becoming reality. He was also the creator of a TV series in which a doll called Little Brain hosted a kind of chat show where various historical and philosophical figures were interviewed. It became a cult hit, was taken up further, spawning the usual commercial opportunities attendant on success, but in the process was dumbed down. The doll masks which are one of the manifestations of the show’s popularity later become a plot point. Rushdie’s usual scatter shot referencing is present, not only to the Erinyes (Furies) of Greek myth - along with allusions to more popular culture - but also copious descriptions of SF stories (eg The Nine Billon Names of God) and films (Solaris, even - heaven help us - Star Wars.) The three Furies have their counterparts in the three women whom Solanka is involved with in the course of the book. There is a sub-plot involving a republic known as Lilliput-Blefescu (where the doll masks take on a political significance) and which allows Rushdie ample scope for Swiftian allusions. As a novel, Fury is too tied up in itself. Rushdie is riffing on his concerns but here his orotund, fabular style is distracting, the characters are not as rounded as in his earlier works and the plot not as engaging.
Malik Solanka, a middle-aged ex-philosophy professor and millionaire creator of a hugely popular doll, seeks refuge from his unwanted fame and disintegrating marriage in New York City. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999LC-classificatieWaarderingGemiddelde:
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