Onze site gebruikt cookies om diensten te leveren, prestaties te verbeteren, voor analyse en (indien je niet ingelogd bent) voor advertenties. Door LibraryThing te gebruiken erken je dat je onze Servicevoorwaarden en Privacybeleid gelezen en begrepen hebt. Je gebruik van de site en diensten is onderhevig aan dit beleid en deze voorwaarden.
"The First World War produced an extraordinary flowering of poetic talent. Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war. This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context."--Publisher's description.… (meer)
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden.
▾Discussies (Over links)
Op dit moment geen Discussie gesprekken over dit boek.
▾Besprekingen door leden
They shall grow not old, as we that are left to grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. – “For the Fallen”, Laurence Binyon
Poetry of the First World War: An Anthology edited by Tim Kendall is a collection of British poems on the First World War. Kendall is Head of English at the University of Exeter and former editor of the poetry journal Thumbscrew. He has served as a lecturer and has published two collections: one of poetry and the other of essays.
Anyone who has read my reviews knows my position on World War I. It was the starting part of the the twentieth century. Mechanized warfare, air-power, armor all saw their start as tools of war. Alliances that started the war would become alliances that kept the peace in the Cold War. Empires fell and communism rose. It would directly contribute to the start of World War II and indirectly to the Cold War. It was the decade the world lost it innocence. War lost its romance. World War I was the last war where wrote songs to support the war. It was the last war that the poets would honor.
Each poet's poems begin with a short biography of the poet. The poets come from all walks of life -- from landed gentry to a tailor's son. Kendall, in his introduction, goes into other aspects of the war like the change from youthful idealism to bitterness of the technological slaughter on the grandest scale. The writing of the poems range from 1914 to 1966. The poets are all from Britain or Ireland. Some lived long lives and some did not make it home from the war. There has never been a war like World War I and never one like it since. Wars have been more violent, more technological, more devastating, but never more critical in changing mankind's view of war and of man himself.
The poets had different views. Yeat's wanted to see Germany defeated, but was hesitant to throw his support behind an imperialist empire that had not given his home country of Ireland Home Rule. May Sinclair was a volunteer in an Ambulance corps in Belgium. She felt betrayed and and expressed her betrayal in her poem “Journal” after finding out she was no longer welcome in the ambulance corps. Thomas Hardy only wrote three patriotic poems because he claimed he did not write patriotic poems well; most of his poems were darker and much sadder. Kipling recalled and compared the war to the Boer War and expanded to “Tin Fish” (submarines) and the well known poem “My Boy Jack.”
Wilfrid Gibson manages to capture life of the front line soldier in “Between the Lines”although he only drove trucks in the war, in London. Margaret Postgate Cole wrote the moving “The Falling Leaves” far removed from the war. Wilfred Owen experienced the war first hand. “Anthem for Doomed Youth” and “Disabled” show the realities of the war. That reality is reinforced by the fact that Owen was killed one week before the armistice.
Kendall combines some well known wartime poets with some obscure poets. Not every poet is in this collection, but the range and variety are very well done. This collection is an excellent reference for anyone interested in World War I or poetry of the early twentieth century. This is a book worthy of any bookshelf. ( )
"The First World War produced an extraordinary flowering of poetic talent. Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war. This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context."--Publisher's description.
Google Books — Bezig met laden...
(4.11)
2
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
– “For the Fallen”, Laurence Binyon
Poetry of the First World War: An Anthology edited by Tim Kendall is a collection of British poems on the First World War. Kendall is Head of English at the University of Exeter and former editor of the poetry journal Thumbscrew. He has served as a lecturer and has published two collections: one of poetry and the other of essays.
Anyone who has read my reviews knows my position on World War I. It was the starting part of the the twentieth century. Mechanized warfare, air-power, armor all saw their start as tools of war. Alliances that started the war would become alliances that kept the peace in the Cold War. Empires fell and communism rose. It would directly contribute to the start of World War II and indirectly to the Cold War. It was the decade the world lost it innocence. War lost its romance. World War I was the last war where wrote songs to support the war. It was the last war that the poets would honor.
Each poet's poems begin with a short biography of the poet. The poets come from all walks of life -- from landed gentry to a tailor's son. Kendall, in his introduction, goes into other aspects of the war like the change from youthful idealism to bitterness of the technological slaughter on the grandest scale. The writing of the poems range from 1914 to 1966. The poets are all from Britain or Ireland. Some lived long lives and some did not make it home from the war. There has never been a war like World War I and never one like it since. Wars have been more violent, more technological, more devastating, but never more critical in changing mankind's view of war and of man himself.
The poets had different views. Yeat's wanted to see Germany defeated, but was hesitant to throw his support behind an imperialist empire that had not given his home country of Ireland Home Rule. May Sinclair was a volunteer in an Ambulance corps in Belgium. She felt betrayed and and expressed her betrayal in her poem “Journal” after finding out she was no longer welcome in the ambulance corps. Thomas Hardy only wrote three patriotic poems because he claimed he did not write patriotic poems well; most of his poems were darker and much sadder. Kipling recalled and compared the war to the Boer War and expanded to “Tin Fish” (submarines) and the well known poem “My Boy Jack.”
Wilfrid Gibson manages to capture life of the front line soldier in “Between the Lines”although he only drove trucks in the war, in London. Margaret Postgate Cole wrote the moving “The Falling Leaves” far removed from the war. Wilfred Owen experienced the war first hand. “Anthem for Doomed Youth” and “Disabled” show the realities of the war. That reality is reinforced by the fact that Owen was killed one week before the armistice.
Kendall combines some well known wartime poets with some obscure poets. Not every poet is in this collection, but the range and variety are very well done. This collection is an excellent reference for anyone interested in World War I or poetry of the early twentieth century. This is a book worthy of any bookshelf. (