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April 1919. Six months have passed since the armistice that ended the Great War. But new battles face those who have survived. Only 23, former soldier Riley Purefoy and his bride, Nadine Waveney, have their whole lives ahead of them. But Riley's injuries from the war have created awkward tensions between the couple, scars that threaten to shatter their marriage before it has truly begun. Peter and Julia Locke are facing their own trauma. Peter has become a recluse, losing himself in drink to forget the horrors of the war. Desperate to reach her husband, Julia tries to soothe his bitterness, but their future together is uncertain. Drawn together in the aftermath of the war, the couples become tightly intertwined. Haunted by loss, guilt, and dark memories, contending with uncertainty, anger, and pain, they are left with the question: is love strong enough to help them move forward? The incandescent follow up to the international bestseller My Dear I Want to Tell You, The Heroes' Welcome is a powerful and intimate novel chronicling the turbulence of 1919--a year of perilous beginnings, disturbing realities, and glimmerings of hope.… (meer)
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The Great War has ended only five months before, and Riley Purefoy bears its scars in the most obvious spot: at the Somme, part of his jaw was blown away. Reconstructive surgery has worked marvels, yet children flee from him, he can’t speak clearly, and must drink his tea from a brass tube.
Nevertheless, his prewar sweetheart, Nadine Waveney, marries him, trusting to their mutual honesty and understanding to carry them through. No physical wound can obscure from Nadine the kind, courageous, caring man beneath, and she served as a nurse, after all–though she worries, to herself, whether he’ll ever be able to kiss her or make love.
The newlyweds’ parents don’t know what shocks them most: Riley’s appearance, that the young couple married without telling them, or that they married at all. Isn’t it obvious Riley’s in no condition to be anyone’s husband or provider? And what of their class differences, since she comes from money, and he, from nothing?
Meanwhile, his close friend and commanding officer, Peter Locke, has returned from war outwardly whole but a psychological wreck, victim of what today would be called post-traumatic stress. He drinks constantly, has recurrent nightmares about the men he commanded who died in battle, and shuts himself away from his wife, Julia, and their toddler son, Tom.
He’s a hard case, Peter, but Julia’s too shallow and self-absorbed to help him. Having sensed their growing estrangement during the war, she decided that she, and not the stress of war, must be the cause, and applied carbolic acid to her face as a beauty treatment. Naturally, she doesn’t get the results she wanted.
The juxtaposition of the two disfigured characters, one of whom can see inside himself and others, while the other sees only surfaces, is a brilliant stroke. It’s one of many in this excruciatingly painful, tender, lyrical, and, by turns, uplifting novel. All four main characters, plus Peter’s cousin Rose, a maternal woman who thinks her role is to pick up the pieces that others let drop, have well-drawn inner lives.
Nadine and Riley come across most clearly, and their wakening to one another and the world where beauty and love for life still exist makes for a satisfyingly real romance. For those interested in such things, Nadine means “hope,” and Riley, “courageous,” while Purefoy suggests the French for “pure faith.” (Contrast with the Malfoys of Harry Potter fame.)
Nadine and Riley live up to their names, but only with struggle. Riley hates even the suggestion of pity and is so determined to accept nothing that could even remotely imply charity that he tries the patience of everyone who cares for him. As for Peter and Julia, they’re not finished with each other, despite what it looks like, though it take a while for even a glimmer of hope to show itself.
The Heroes’ Welcome makes difficult reading, at times. The grimness of Riley’s appearance and prospects hit hard, early, putting the reader in the parents’ and in-laws’ places, seeing him for the first time since his wound. Peter’s nightmares are duly horrific, and his behavior hard to take. But I sensed a wave of warmth, compassion, and zest for life gently lapping at the characters’ pain, so that their suffering is by no means all you see. And the lyrical prose helps make this novel exceptional. ( )
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
"Joy, warm as the joy shipwrecked sailors feel when they catch sight of the land...only a few escape, swimming and struggling out of the frothing surf to reach the shore, their bodies crusted with salt but buoyed up with joy as they plant their feet on solid ground again, spared a deadly fate. So joyous now to her the sight of her husband, vivid in her gaze, that her white arms, embracing his neck would never for a moment let him go..."
from The Odyssey trs Fagles
"I knew that I was more than the something which had been looking out all that day upon the visible earth and thinking and speaking and tasting friendship. Somewhere - close at hand in that rosy thicket or far off beyond the ribs of sunset - I was gathered up with an immortal company, where I and poet and lover and flower and cloud and star were equals, as all the little leaves were equal ruffling before the gusts, or sleeping or carved out of the silentness. And in that company I learned that I am something which no fortune can touch, whether I be soon to die or long years away. Things will happen which will trample and pierce, but I shall go on, something unconquerable, something not to be separated from the dark earth and the light sky, a strong citizen of infinity and eternity. The confidence and ease had become a deep joy; I knew that I could do without the Infinite, nor the Infinite without me."
"The Stile" from Light and Twilight, by Edward Thomas
"It has taken some ten years for my blood to recover." from Goodbye to All That by Robert Graves
Opdracht
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
RJL RIP
Eerste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
London, March 1919 Riley Purefoy did not think very much about the war. He didn't have to. It was part of him.
Citaten
Laatste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
It' a difficult tune and he couldn't make all the high notes, but it served its purpose.
April 1919. Six months have passed since the armistice that ended the Great War. But new battles face those who have survived. Only 23, former soldier Riley Purefoy and his bride, Nadine Waveney, have their whole lives ahead of them. But Riley's injuries from the war have created awkward tensions between the couple, scars that threaten to shatter their marriage before it has truly begun. Peter and Julia Locke are facing their own trauma. Peter has become a recluse, losing himself in drink to forget the horrors of the war. Desperate to reach her husband, Julia tries to soothe his bitterness, but their future together is uncertain. Drawn together in the aftermath of the war, the couples become tightly intertwined. Haunted by loss, guilt, and dark memories, contending with uncertainty, anger, and pain, they are left with the question: is love strong enough to help them move forward? The incandescent follow up to the international bestseller My Dear I Want to Tell You, The Heroes' Welcome is a powerful and intimate novel chronicling the turbulence of 1919--a year of perilous beginnings, disturbing realities, and glimmerings of hope.
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Nevertheless, his prewar sweetheart, Nadine Waveney, marries him, trusting to their mutual honesty and understanding to carry them through. No physical wound can obscure from Nadine the kind, courageous, caring man beneath, and she served as a nurse, after all–though she worries, to herself, whether he’ll ever be able to kiss her or make love.
The newlyweds’ parents don’t know what shocks them most: Riley’s appearance, that the young couple married without telling them, or that they married at all. Isn’t it obvious Riley’s in no condition to be anyone’s husband or provider? And what of their class differences, since she comes from money, and he, from nothing?
Meanwhile, his close friend and commanding officer, Peter Locke, has returned from war outwardly whole but a psychological wreck, victim of what today would be called post-traumatic stress. He drinks constantly, has recurrent nightmares about the men he commanded who died in battle, and shuts himself away from his wife, Julia, and their toddler son, Tom.
He’s a hard case, Peter, but Julia’s too shallow and self-absorbed to help him. Having sensed their growing estrangement during the war, she decided that she, and not the stress of war, must be the cause, and applied carbolic acid to her face as a beauty treatment. Naturally, she doesn’t get the results she wanted.
The juxtaposition of the two disfigured characters, one of whom can see inside himself and others, while the other sees only surfaces, is a brilliant stroke. It’s one of many in this excruciatingly painful, tender, lyrical, and, by turns, uplifting novel. All four main characters, plus Peter’s cousin Rose, a maternal woman who thinks her role is to pick up the pieces that others let drop, have well-drawn inner lives.
Nadine and Riley come across most clearly, and their wakening to one another and the world where beauty and love for life still exist makes for a satisfyingly real romance. For those interested in such things, Nadine means “hope,” and Riley, “courageous,” while Purefoy suggests the French for “pure faith.” (Contrast with the Malfoys of Harry Potter fame.)
Nadine and Riley live up to their names, but only with struggle. Riley hates even the suggestion of pity and is so determined to accept nothing that could even remotely imply charity that he tries the patience of everyone who cares for him. As for Peter and Julia, they’re not finished with each other, despite what it looks like, though it take a while for even a glimmer of hope to show itself.
The Heroes’ Welcome makes difficult reading, at times. The grimness of Riley’s appearance and prospects hit hard, early, putting the reader in the parents’ and in-laws’ places, seeing him for the first time since his wound. Peter’s nightmares are duly horrific, and his behavior hard to take. But I sensed a wave of warmth, compassion, and zest for life gently lapping at the characters’ pain, so that their suffering is by no means all you see. And the lyrical prose helps make this novel exceptional. (