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Bezig met laden... Mister Johnson (1939)door Joyce Cary
Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Masterful character depictions not limited to the titular character nor other native people of Nigeria, but the white "overlords" as well--from Pig's-Neck to his wife and even barelly sketched minor characters. Mister Johnson himself is a tragi-comic character who makes us laugh along with, and a bit *at,* and love this absurd man who, in the end, just wants to make everyone happy. Using colourful words that may be politically incorrect today, Cary can be forgiven for using words of his generation; the book was published 1939. And he (i neer knew Joyce was a 'he') shows great empathy for his character. Truly a pleasure. Problematic in the same fashion as Conrad's Heart of Darkness, Cary's presentation of Africans is questionable at best, and racist at worst. Yet, his style and the story give this novel some heavy worth even so, even regardless of this historical worth of such novels. Whether viewed as a simple story, as a metaphor, or as allegory, the story explores characters whose adaptations (and lack thereof) end up driving their fates. And, in some ways, Cary explores an immoral example of Myshkin, the prince from Dostoevsky's Idiot. If you're interested, this might well be worth your while--just keep in mind what you're walking into. geen besprekingen | voeg een bespreking toe
Heeft de bewerking
Johnson, een jonge Afrikaan, is bediende bij een Brits stadsdeelkantoor in Fada, Nigeria. Hij komt uit een andere wijk en wordt er beschouwd als een buitenlander. Hij probeert zich in te werken in de lokale samenleving. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.912Literature English & Old English literatures English fiction Modern Period 1901-1999 1901-1945LC-classificatieWaarderingGemiddelde:
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Mister Johnson suffers from the "Big Man" syndrome. He imagines wealth and the good things in life are his due because he has a chief clerk's job in a District office of the Nigerian Colonial Service. He is inept; he steals, he borrows irresponsibly, he lies and is a farcical husband.
Meanwhile, the District Officer sees the opportunity of a road building project as a lasting memorial to his term of tenure at his otherwise tedious posting.
All transactions are corrupt in this dusty set-up. Accounts are falsified, money diverted, the roading project brings only overcrowding and no prosperity.
There is no resolution to the colonial divide, and it is Cary's genius that drives home the futility of colonial administration amid the chronically corrupt and mean culture of the native population. The final scenes are a devastating commentary on the whole sorry story.