I don't remember anything about this book which was written in 1981. But Farmer always writes good science fiction so I recommend it based on that. ( )

Interesting but ultimately unsatisfying. ( )

While reading The Unreasoning Mask by Philip Jose Farmer I was reminded of a science fiction novel from the preceding century, Jules Verne's Twenty Thousand Leagues Under the Sea. In Verne's novel the powerful character of Captain Nemo and his mighty submarine, The Nautilus, develop a relationship that may have been inspiration for Captain Ramstan and his living space ship, al-Buraq. I have no evidence of this connection, but Farmer's vision in creating Ramstan is on a level worthy of the comparison. It is this vision that makes The Unreasoning Mask stand above most space operas; for in addition to the Captain and his ship there is a plot that literally encompasses the nature of our universe and others as well. In the future the fate of the universe rests upon this man's shoulder -- Ramstan. a thoughtful and moral man, becomes a fascinated yet reluctant pawn in the hands of the strange forces which rise to fight the deadly destroyer. Ultimately Ramstan is the one man who, in a fearful race against time, can stop the destruction. But what price must he pay for becoming the savior of intelligent-kind?

In this exceptional race to save the Universe the protagonist is one Hud Ramstan, Muslin captain of an extraordinary space ship known as al-Buraq. The ship is a living entity capable of changing shape and seemingly embodying affection for its master as evidenced by walls that quiver with excitement. The connection between the Captain and his ship, with its special abilities which include an instantaneous drive called alaraf, is a key aspect of one of the most exciting action sequences in the plot of the novel. However, the main action of the book is on another scale--one that is metaphysical in nature with Ramstan dealing with god through an intermediary called the glyfa which is a sentient egg-shaped object that is older than the universe. Ramstan's dealings with the glyfa, are aided by three aliens called the Vwoordha that are almost stranger than the glyfa. The imaginative nature of this metaphysical plot is beyond my descriptive capabilities and I would not spoil the story even if I could, but the plot was able to keep this reader on edge with wonder at what mysterious complications would ensue next. The story was leavened with supporting characters whose relationship with Ramstan provided depth for both his character and the nature of the world in which he was living. One of these, a Dr. Toyce, commented, "You can't turn around in this world without bumping into a question."(p 222) This could be taken in both a serious and a light-hearted way, at least until the ultimate enemy, known simply as the Bolg, appeared.

Few novels this short (less than two-hundred-fifty pages) have as many intriguing ideas, complex discussions about the fate of universes, and fascinating alien entities. There is even a mystic named Benagur who is Ramstan's bete noir and who succeeds in making his trials even more difficult. The novel combines aspects of an archetypal heroic journey with the action of a metaphysical space opera. In doing so The Unreasoning Mask becomes a masterpiece that provides both the serious and amateur interested in Science Fiction with an above average reading experience. ( )

Fantastic premise and incredibly grand in scale, this is one of those books that takes you through one end of existence and out the other (only scraping the sides due to the author's occasionally stale prose) into the realms of the infinite. Nice egg too ;) ( )

Philip José Farmer, creatore del Mondo del Fiume e di tanti altri capolavori fantascientifici, non è certo autore che abbia bisogno di presentazione. Più d'una volta si è parlato del suo coraggio nel rompere con la tradizione stabilita, dei suoi tentativi di andare controcorrente, di infrangere tabù sessuali e religiosi.
Questo Il distruttore (The Unreasoning Mask, 1981), compendia mirabilmente tutti le sue caratteristiche: da una parte abbiamo un'avventura galattica con tutti gli elementi utili per divertire e affascinare il lettore (un capitano di religione musulmana, un'astronave di natura organica capace di repentine metamorfosi nelle forme più adatte ai vari tipi di volo e in grado di viaggiare istantaneamente da un punto all'altro dello spazio, e infine addirittura il furto di un dio planetario); dall'altra un'approfondita esposizione di alcuni aspetti del misticismo e della filosofia musulmana, tema nuovo per un 'opera di fantascienza.