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For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans--tending rotting wounds, battling alcoholism, campaigning for paltry pensions--tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche.… (meer)
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
For my Mom
Eerste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
Introduction On a humid July afternoon in 1913, a knot of Union veterans gathered near the spot where the low stone fence that rambled down Gettysburg's Cemetery Ridge pointed sharply east.
The volleys of thunder continued well into the evening, but with sunrise the clouds broke, leaving behind an unbroken canvas of blue.
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Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
The living remain'd and suffer'd, the mother suffer'd, And the wife and the child and the musing comrade suffer'd, And the armies that remain'd suffer'd. - Walt Whitman, "When Lilacs Last in the Door yard Bloom'd"
Laatste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
Huddled around the grave, the old soldiers mouthed the words: He sleeps his last sleep; He has fought his last battle; No sound can awake him; To glory again."
For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans--tending rotting wounds, battling alcoholism, campaigning for paltry pensions--tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche.