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Alleen de wolken.Cultuur en crisis in het Westen 1918 - 1938 (2014)

door Philipp Blom

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2174124,338 (4.12)8
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When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief.
In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler's The Decline of the West; from Fritz Lang's Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War.
Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today.

.… (meer)
Onlangs toegevoegd doorronaldbeat, PermanentBlue, Den85, vikingidi
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Toon 4 van 4
Philipp Blom's 2008 book Vertigo Years: Change and Culture in the West, 1900-1914 was among my very favorite books. When its successor, Fracture: Life and Culture in the West, 1918-1938, arrived in 2015 I added it to The List. Sadly, books too often linger on The List while undisciplined me chases after the latest new thing. Only now did I turn back to Fracture. I'm very glad I did.

Fracture displays all the strengths of its predecessor. Blom is a marvelous writer. His sentences work the way sentences are supposed to work. He is unsurpassed at finding the telling anecdote or illustrative story and integrating it into a broader thesis. And those theses are well-reasoned and just.

I can't recommend these books more highly. Blum delivers real history for intelligent general readers. ( )
1 stem Dreyfusard | Sep 9, 2021 |
This book is a very good introduction to the interwar period (1918-1938) in the West. The West there means western Europe, the USA and, maybe surprisingly, the USSR. The main theme is culture and ideology, but overall scope is wider, including fashion, politics, science etc.

The book structured pseudo-chronologically, i.e. it takes something tied to a specific date and then extrapolates both backward and forward in time. For example, chapter ‘1936: Beautiful Bodies’ is about Olympic games in berlin in 1936, but it also looks at questions of ideal man and Ubermensch, fascination with pseudo-Greek sculpture of perfect body specimen in Germany, USSR and Italy, as well as racism toward Jesse Owens in both Germany [which is well known] and the USA [which hasn’t been known by me].

Maybe a special mention should be given to the Chapter on Holodomor, as a Ukrainian I highly appreciate it.

While the book is good, it has several serious flows
1. Eastern Europe is almost non-existent, there has been nothing of value to be mentioned in Poland, Czechoslovakia, Yugoslavia, Hungary, hasn’t there?
2. Conflict between ideologies, fascism and communism is given as a binary, there is no third way. What about anarchism of different types?
3. As a consequence of the previous one, civil war in former Russian empire is only between whites and reds, as well as majority of other conflicts of the period.
4. The final chapter, in summing up the situation, the author moves to the present day with vitriolic invective against the modern capitalism. He is a historian and quite a good one, but economics is not his forte

Recommended to anyone, who wants an introduction to the period
( )
  Oleksandr_Zholud | Jan 9, 2019 |
Picking up where "Vertigo" left off, Blom continues his examination of the impact of Modernity on Western civilization. The difference here with this year-by-year examination of the shocks of the Twenties & Thirties is that with "Vertigo" Blom could adopt the pose that history was an unwritten book, and that World War I was not inevitable. With this book you're dealing with an environment where the question was not whether the war would come, but when. This is also keeping in mind that Blom regards the world wars of the 20th century as being more symptom than cause. While I'm not really the person that this book is written for, I enjoy Blom's writing style and even for an experienced student of the period there are the little details that illuminate. As for Blom's final conclusions, he notes that the great political faiths of the period in question really failed to get to grips with the continuous revolution of Modernity, but the current stasis of the "end of history" seems to mostly hope to hide from the next onslaught, whereas everything suggests that the current era of the global market and the "shock economy" is likely to be as shaken by events as the eras ending in 1914 & 1939 were. ( )
  Shrike58 | Oct 30, 2015 |
Fracture is the 5th book by Blom I have read, he is one of my favorite historians. Blom shows the interwar period was characterized by social and technological revolution that started in 1900 and continued well into the 1950s. Called modernity (or modernism) it was destructive to centuries old traditions and beliefs. The interwar period was not peaceful there were conflicts on many levels, the fighting didn't stop in 1918. Blom covers all aspects of these conflicts from the arts, philosophy, science, economics. The first and last chapters tie together the book's core which is a year by year retelling of events from 1918 to 1938.

The period is useful for understanding our own time. The 1900-1950 conflicts were catalyzed by the second industrial revolution, which started around 1870 but didn't reach critical mass until the turn of the century. It resulted in the Second Thirty Years War (1914-1945). Today we are at the cusp of a third (4th?) revolution brought on by new high technology in computing, biology, materials science etc.. It started a few decades ago but only recently reached critical mass. Autonomous cars and machines etc.. disruptive changes are looming and people are unsure about the future. The old ways are being upended, markets are constantly crashing (or enriching the few), global warming threatens the planet and GDP growth, consumerism has become a hollow pursuit. As Blom says "Our future has become a threat. All we want is to live in a present that never ends." It's like the mood of the 1930s has returned. History doesn't repeat but it does rhyme. The ideologues today are not Communism and Fascism, rather the strongest ideologies are in Silicon Valley - the technocratic Libertarians and the Singularity. It's there where we have both the greatest hope and the most concern.

Curious to note the book's other titles: in Dutch Alleen de wolken ("Just the Clouds"); Die zerrissenen Jahre ("The Torn Years") and it's working English title "The Wars Within" which I think is the best because the interwar period was really a continuous "inner" war - riots, culture wars, ideological disputes, labor disputes, etc.. ( )
  Stbalbach | Jul 20, 2015 |
Toon 4 van 4
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When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief.
In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler's The Decline of the West; from Fritz Lang's Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War.
Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today.

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