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The Brontë Cabinet: Three Lives in Nine Objects (2015)

door Deborah Lutz

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Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontes through the things they wore, stitched, wrote on, and inscribed.
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This was a nice brief , accessible way to learn about the Brontes. Sometimes, I think the author was a bit overly speculative, but the objects were interesting and the research well done. ( )
  cspiwak | Mar 6, 2024 |
Oh man, I wanted to love this, but I kind of didn't. I think it was just too hindered by trying to connect the biographical information to the stuff. I think this would be a great read for a new entrant into the world of the Brontes, but obsessives won't really find any new scholarship. ( )
  JessicaReadsThings | Dec 2, 2021 |
An interesting twist on the usual biography, with tons of historical context beyond the Brontë family, as well as information about each of the Brontës which I didn't know before. A worthwhile, introspective read. ( )
  bookwyrmqueen | Oct 25, 2021 |
quite interesting but sometimes too long. ( )
  mahallett | Mar 6, 2021 |
Lutz shapes her biography of the Bronte sister (Charlotte, Emily, and Anne) around nine common objects that they owned, including a walking stick, tiny books they created as children, a silver dog collar, a lap desk, a collection of pressed ferns, and more. With some insight, some research, and a considerable amount of speculation, she connects the objects both to known events in their lives and to their novels and characters. The dog collar, for example, may have belonged to Emily's fierce companion, Keeper, but Lutz also connects it to the various dogs in Wuthering Heights: Cathy's favorite dog, Isabel's spaniel, and Heathcliffe's vicious guard dogs, among others. She also spends time discussing the role of dogs in Victorian society: which breeds were most popular, what kinds of dogs were owned by various famous persons, a notorious dognapping ring, etc. One might say that, like Emily wandering familiar territory (the moors), so Lutz wanders through each chapter, keeping her eye on the central object but often straying far afield. It's an interesting approach but might be frustrating to readers who were hoping for a well-researched and detailed biography or those already familiar with the Victorian era and its milieu. ( )
  Cariola | Feb 21, 2020 |
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The strange bed in Emily Brontë's Wuthering Heights has always haunted me.
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Every spirit passing through the world fingers the tangible and mars the mutable, and finally has come to look and not to buy. As shoes are worn and hassocks are sat upon...finally everything is left where it was and the spirit passes on.
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I took my dingy volume by the scroop, and hurled it into the dog-kennel, vowing I hated a good book. Heathcliff kicked his to the same place.
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Reading is my favourite occupation, when I have leisure for it and books to read.
- Anne Brontë, Agnes Grey
She by no means thought it waste of time to devote unnumbered hours to fine embroidery, sight-destroying lace-work, marvelous netting and knitting, and, above all, to most elaborate stocking-mending. She would give a day to the mending of two holes in a stocking any time, and think her "mission" nobly fulfilled when she had accomplished it.
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Victorian literature scholar Deborah Lutz illuminates the complex and fascinating lives of the Brontes through the things they wore, stitched, wrote on, and inscribed.

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