My blog is called History and Books and Dance and Stuff so a historical fiction book about tango ticks pretty well all the boxes. And The Gods of Tango has quite a lot of Stuff too. In fact it’s a vast, sprawling work about tango and Buenos Aires and Italy and sexuality and those old tango perennials, love and death.

I can’t begin to discuss the plot, partly because there are twists and turns and I don’t want to spoil it for you and partly because the 384 packed pages defy synopsification. (Is that a word? It should be.)

What you need to know is that the story starts in 1913 with Leda arriving in Buenos Aires, leaving a narrow life in a village just outside Naples in search of opportunity in the New World. In the first of many shocks in the book, all her plans are thrown into disarray before she has even left the boat and she finds herself struggling to survive in a city that seems to teeter forever on the edge of madness.

It’s a story packed with characters, all so perfectly drawn that you never get lost, but one of the biggest, most important, characters is Buenos Aires itself and particularly San Telmo, a part of the city I feel particularly at home in. The danger, excitement and opportunity of the city is perfectly captured. It is overcrowded and filthy (even more so in 1913 than now). Yet, as today, it holds you. Leda knows that Buenos Aires destroys its children, yet she cannot bring herself to leave. A peaceful life in a small Italian village is no longer something she can settle for.

Leda falls in love with tango. The music, she thinks, can save her. And it does, though it means she must sacrifice everything. (No spoilers, but ‘everything’ isn’t too much of a stretch here.) She carves out a life in the violent world of tango. She is there as tango moves from the bars and the brothels to the dance halls and eventually the grand clubs and cabarets, even achieving an international respectability. But for Leda, it is always about the music of the people, starting with the rhythms brought from Africa with slavery. (The Gods of Tango is unusual in featuring a black bandoneon player whose grandfather was probably a slave. Argentina used to have a substantial black population but no one talks about that now.)

If you are interested in the history of tango (you’ve probably realised I am), then The Gods of Tango is worth reading just for its description of how and why the music developed through the Golden Age. But the book is much, much more than that. I’ve never read a book by a woman which understands so well the reality of being a man. And when she deals with different aspects of sexuality, she writes better than anyone else I have read, or ever expect to read.

De Robertis has won prizes and fellowships and is definitely a ‘literary author’, a label I am generally suspicious of. But this is someone who has earned their reputation through extraordinary hard work as well as an exceptional ability to write. Leda’s life in Italy was researched in Italy. De Robertis reached Italian emigration to Argentina and Afro-Argentinian history (an area which, as I’ve mentioned, is generally overlooked). She studied the violin as well as tango history and learned to dance. She has explored Buenos Aires today and developed a deep understanding of its history. And she writes fantastic prose. (I just said that, but I’m saying it again.)

I’m getting carried away. All I can say is that this is an astonishing book.

Read it. ( )

Leda leaves Italy to travel to Argentina to live with her new husband Dante but when she arrives she learns he has died. Unable to go home she does her best to make a living sewing for others but she wants to play the violin. Tango is the rage in Argentina and as she listens to it she learns to play it. She then takes bold action to dress and act as a man so she can live by playing the tango. Her life becomes very different after that.

I love the tango. I liked how this is a story of more than Leda. It gives the history of tango and how it changed through the years. Ms. DeRobertis has captured the flavor of the time and the dance that I felt I was back in Argentina listening as the tango was played in the courtyards while dancing it myself. Showing the precariousness of Leda's life as a man, how carefully she has to guard herself, and how she eventually takes over that life was fascinating to watch especially when things go south for her but she does pick herself up and goes on. The characterization is wonderful to watch as Leda goes from a girl of her times to a man to make a living and to protect herself.

This book was so good that I cannot wait to read more of Ms. DeRobertis. Fortunately I just picked up her newest book ( )

I've read both of de Robertis' previous novels, The Invisible Mountain and Perla. I adored them both. These tales of dictatorships and strong, decisive women have stuck in my heart for years now. I was disappointed that I did not enjoy The Gods of Tango the same way. I think primarily, it was a case of my expectations being too high – this was still a good book, and dealt with a theme I find interesting (namely, women in history refusing to comply with the norms forced on them by virtue of their sex)… it just didn't meet the dizzying heights of the others.

So. This novel tells the story of Dante, who starts out as Leda, a seventeen-year-old widow who's just travelled across the seas from small-town Italy to Buenos Aires to be with her cousin-husband, only to discover he'd been shot dead at a protest just before her arrival. This poses a problem, since for a single, working-class woman in 1910s Buenos Aires, there is no way to keep oneself afloat besides prostitution, a fate Leda naturally wishes to avoid.

So she reinvents herself. She takes a violin she brought over from Italy and her husband's clothes, and becomes Dante. Through persistence and a highly fortunate prodigious talent for the violin, she joins a tango orquesta and earns a living as a professional musician. She quickly adjusts to the masculine world, one of boozing, smoking and whoring. She finds other women alluring, irresistible, but is distressed by her inability to truly be intimate with them, seeing as she can't ever risk her secret being exposed. At last, she meets another woman, one who found a different way of transgressing those feminine gender norms, and they share a happily ever after together.

Put like that, I very much enjoyed this story. On the other hand, the plot moved very slowly (and the entire first half held nothing that you didn't already know from the blurb, which seemed like a poor choice on the publisher's part) and the characters were less than strongly portrayed. At times I felt like the author got too caught up in her beautiful melodic prose (and really, it is lovely) and forgot to ensure the plot was rock-solid. There were a couple of sections where she switched to the point of view of another character, not Leda/Dante, when that wasn't really necessary. There was a fairly prominent subplot that ultimately proved pointless (all we learned was that sometimes girls are raped by their fathers… was that necessary?). The ending seemed to move a bit too quickly, and be a bit too neat. I felt that Leda/Dante herself was a bit of a cipher, someone who adapted her entire being to her circumstances rather than having a strong core identity of her own… which was, perhaps, the point, but I found it somewhat unsatisfying.

Overall, I'd call this a worthwhile read if the themes or setting particularly interest you, but the story itself seems a bit on the weak side. A solid three-star book. (Jun 2018) ( )

I love this author - her books are engrossing, always teach me something, and her writing is gorgeous. This book wavered between 4 and 4.5 stars for me. It's the story of a young woman who arrives in Buenos Aires Argentina in 1910 to begin life with her new husband only to learn upon arrival that he had been killed in a human rights demonstration. Instead of focusing on returning home to Italy, she falls in love with the tango and begins identifying herself as a man in order to play the music that opens her heart.

The story line was slow to start, but I'm glad I persevered as it became more interesting as Dante began playing music and joining a band. This is the story of following dreams,acting out of courage rather than fear, gender fluidity, music, and the culture of the salons of Buenos Aires in the early 1900s. ( )

As historical fiction, The Gods of Tango is an interesting subject with a solid execution. It was well paced and without any sections that I felt a need to skim.

For most of the book, Dante's character is defined by his relationships to other people, and considering the dangerous position that Dante occupied in early 20th century Argentinian society, it is understandable the he would avoid confronting those truths. The relationship with Rosa is lovely, and the freedom that Dante finds in it finally makes him a complete character. ( )