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Bezig met laden... Stommelen stampen slaan (2015)door Sara Baume
Bezig met laden...
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In many ways, Baume’s book resembles another debut novel, Mark Haddon’s The Curious Incident of the Dog in the Night-Time (2003). Like Ray, Haddon’s protagonist has a single father who’s concealed crucial details of his mother’s death from his son. The unexpected intervention of an unassuming dog helps both characters find their way to a better understanding of their families and themselves. But where Curious Incident takes its narrative cues from a logical, rule-bound perspective on an overwhelming reality, Spill Simmer Falter Wither does the opposite. Baume’s novel revels in aesthetic leaps and dives, embracing the poetry of sensory experience in all its baffling beauty from the title onward. Ray, a disabled man, adopts One Eye, a rescue dog injured while badger baiting, in this debut novel. We get to know Ray as he speaks to One Eye: “I’m fifty-seven. Too old for starting over, too young for giving up.” We learn he leaves his lonely home on the coast of Ireland once a week to visit the post office and the grocery store. He used to attend Mass, but he hasn’t been lately. He’s a reader and uses the “mobile library.” Ray is alone and both appears and feels different than other people. He tells One Eye, “Sometimes I see the sadness in you, the same sadness that’s in me….My sadness isn’t a way I feel but a thing trapped inside the walls of my flesh, like a smog.” In another passage he explains, “The nasturtiums have it figured out, how survival’s just a matter of filling the gaps between sun up and sun down.” This fine debut novel, originally published by the independent Irish publisher Tramp Press, now in a Heinemann paperback edition, and longlisted for this year’s Guardian first book award, is a fascinating portrait of the friendship a man develops with his dog and the companionship he also finds in books. (“I longed to be left to my books,” he reminisces. “I wish you could understand when I read to you,” he tells his dog.) The man and dog are both outsiders in a claustrophobic coastal community and both are weighed down by fear and sadness. Baume is not one of those storytellers who supply the entire picture. She drops clues and leaves gaps. You deduce that the narrator’s name is Ray, that his late father was Robin. The action begins in coastal east Co Cork, perhaps near the oil refinery at Whitegate, before narrator and dog are forced by local misunderstanding or mishap to take to the road as fugitives. Ray includes his phone number in the novel, but I was afraid to ring it. Baume writes him so persuasively that I felt he would answer. So confident is this extraordinary debut that the reader doesn’t notice how much of it is narrated in the second person. The “you” intensifies a tone of great intimacy and tact. It’s impossible to write about a “you” without revealing whole reservoirs about the “I”, one of fiction’s loveliest paradoxes. Onderdeel van de uitgeversreeks(en)rororo (27297) PrijzenOnderscheidingenErelijsten
"This captivating story follows -- over the course of four seasons -- a misfit man who adopts a misfit dog. It is springtime, and two outcasts -- a man ignored, even shunned by his village, and the one-eyed dog he takes into his quiet, tightly shuttered life -- find each other, by accident or fate, and forge an unlikely connection. As their friendship grows, their small, seaside town suddenly takes note of them, falsely perceiving menace where there is only mishap; the unlikely duo must take to the road. Gorgeously written in poetic and mesmerizing prose, Spill Simmer Falter Wither has already garnered wild support in its native Ireland, where the Irish Times pointed to Baume's "astonishing power with language" and praised it as "a novel bursting with brio, braggadocio and bite." It is also a moving depiction of how -- over the four seasons echoed in the title -- a relationship between fellow damaged creatures can bring them both comfort. One of those rare stories that utterly, completely imagines its way into a life most of us would never see, it transforms us not only in our understanding of the world, but also of ourselves."-- Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-LC-classificatieWaarderingGemiddelde:
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