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Bezig met laden... Sophie and the Sibyl: A Victorian Romancedoor Patricia Duncker
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Berlin, September 1872. The Duncker brothers, Max and Wolfgang, own a thriving publishing business in the city. Clever, irresponsible Max is as fond of gambling and brothels as the older, wiser, Wolfgang is of making a profit. When Max's bad habits get out of hand, Wolfgang sends him to Homburg, to attend to a celebrity author--the enigmatic Sibyl, also known as George Eliot. Enthralling and intelligent, she soon has Max bewitched. Yet Wolfgang has an ulterior motive: he wants his brother to consider Countess Sophie von Hahn, daughter of a wealthy family friend, as a potential wife. At first, Max is lured by Sophie's beauty and his affectionate memories of their shared childhood, but she is nothing like the vision of angelic domesticity Max was expecting. Mischievous, willful, and daring, Sophie gambles recklessly and rides horses like a man. Both women have Max in thrall-- one with her youth and passion, the other with her wisdom and fierce intelligence. Out of his depth, Max finds himself precariously balanced between Sophie and the Sibyl. What's more, Sophie worships the great novelist of questionable morals and is determined to meet her. Combining a tale of courtship and seduction with a lively imagining of George Eliot at the end of her boldly conventional life and height of her fame, [this] is both a compelling Victorian novel and a playful meditation on the creation of literature"--Front jacket flap. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-LC-classificatieWaarderingGemiddelde:
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The other strong female character is Countess Sophie von Hahn, a young heiress determined to escape the narrow conventional expectations of the day, and her marriage to Max Duncker, the younger of the brothers who run the publishing house, who develops something of an obsession with Eliot. All of this is linked to an exploration of how real events may have influenced the plot of Daniel Deronda (which I must admit I have not read) and subplots about the gambling spa of Homburg, Wagner, the Roman governor Lucian (and his relationship with a Christian slave girl) and the Scottish ballad Tam Lin.
If all of this sounds dry and academic that would be a misrepresentation - there are plenty of comic episodes and none of the characters is entirely spared. ( )