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Elisha Rex

door E. C. Ambrose

Reeksen: The Dark Apostle (3)

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E.C. Ambrose's gritty, sharp historical fantasy series, The Dark Apostle, follows Elisha Barber through a magical reimagining of 14th-century England Elisha was a skillful barber-surgeon, cutting hair and stitching wounds for poor peasants like himself in 14th century London. But that was before catastrophe ruined his family. Before he was falsely accused of murder, and sent to die in an unjust war. Before he discovered his exceptional potential for a singularly deadly magic, and was forced to embrace his gifts and end that war...by using his newfound abilities to kill the tyrannical king. Elisha is no longer the lowly barber he was, but it is hard to tell exactly who he is now. The beautiful witch Brigit, his former mentor, claims him for the magi, all those who have grasped the secrets of affinity and knowledge to manipulate mind and matter, and who are persecuted for it. Duke Randall, the man who first rose against the mad King Hugh, has accepted him as a comrade and ally in the perilous schemes of the nobility. Somehow, he has even become a friend to Thomas, both the rightful king and, something rarer, a good man. But he is still a regicide, and in order to solidify Thomas's authority among the restive barons, he had to let the new king sentence him to a horrific public execution. With Thomas's covert aid, Elisha faked his death and went into hiding, but the peasants of London are beginning to call it a martyrdom, as legends of Elisha's spectacular "miracles" in the service of his country have spread. Yet Elisha is finally beginning to understand the dreadful power within him, and he has never felt less holy--or more terrified. Because there is another force at work in the world, a shadowy cabal beyond the might of kings and nobles, that sees its opportunity in the chaos of war and political turmoil--and sees its mirror in Elisha's indivisible connection with Death. For these necromancers, Elisha is the ultimate prize, and the perfect tool. When the necromancers' secret plans begin to bear black fruit, England teeters on the brink of a hellish anarchy that could make the previous war look like a pleasant memory, and it appears Elisha is the only man who can stop it. But if he steps forward and takes on the authority he is offered to save his nation once again, is he playing right into the mancers' hands? Why does it seem like his enemies are the ones most keen to call him Elisha Rex?… (meer)
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The story continues with Elisha involved with a cabal of necromancers who focus on influencing the kingdom and their enemies. The beginning of the story picks up quickly. The story is fast and exciting. Then about halfway through it became more difficult to read. It almost moved too quickly where events and decisions didn't make sense. I wasn't a fan of this book and will likely not finish this series. ( )
  renbedell | Jul 31, 2020 |
Ambrose has never shied away from the brutality of the medieval period. Here in the third book, it fully lives up to the 'dark' in dark fantasy. Elisha has been a sympathetic and heavily flawed character from the start, a man blessed and cursed with power he doesn't want. His magic has evolved from healing to power over death itself, but his many enemies may have a greater power yet through their combined strength.

Elisha goes through sheer hell in these pages. It was one of those books where I felt the need to read faster, faster, faster, because it was so intense I needed to get it over with and see how things turned out. It's the full GRRM effect (but better, really, because this is more focused). The ending was full of surprises. ( )
  ladycato | Aug 14, 2015 |
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E.C. Ambrose's gritty, sharp historical fantasy series, The Dark Apostle, follows Elisha Barber through a magical reimagining of 14th-century England Elisha was a skillful barber-surgeon, cutting hair and stitching wounds for poor peasants like himself in 14th century London. But that was before catastrophe ruined his family. Before he was falsely accused of murder, and sent to die in an unjust war. Before he discovered his exceptional potential for a singularly deadly magic, and was forced to embrace his gifts and end that war...by using his newfound abilities to kill the tyrannical king. Elisha is no longer the lowly barber he was, but it is hard to tell exactly who he is now. The beautiful witch Brigit, his former mentor, claims him for the magi, all those who have grasped the secrets of affinity and knowledge to manipulate mind and matter, and who are persecuted for it. Duke Randall, the man who first rose against the mad King Hugh, has accepted him as a comrade and ally in the perilous schemes of the nobility. Somehow, he has even become a friend to Thomas, both the rightful king and, something rarer, a good man. But he is still a regicide, and in order to solidify Thomas's authority among the restive barons, he had to let the new king sentence him to a horrific public execution. With Thomas's covert aid, Elisha faked his death and went into hiding, but the peasants of London are beginning to call it a martyrdom, as legends of Elisha's spectacular "miracles" in the service of his country have spread. Yet Elisha is finally beginning to understand the dreadful power within him, and he has never felt less holy--or more terrified. Because there is another force at work in the world, a shadowy cabal beyond the might of kings and nobles, that sees its opportunity in the chaos of war and political turmoil--and sees its mirror in Elisha's indivisible connection with Death. For these necromancers, Elisha is the ultimate prize, and the perfect tool. When the necromancers' secret plans begin to bear black fruit, England teeters on the brink of a hellish anarchy that could make the previous war look like a pleasant memory, and it appears Elisha is the only man who can stop it. But if he steps forward and takes on the authority he is offered to save his nation once again, is he playing right into the mancers' hands? Why does it seem like his enemies are the ones most keen to call him Elisha Rex?

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