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Cockfosters

door Helen Simpson

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562463,368 (3.18)11
"A wickedly wry, tender new collection from one of our finest internationally acclaimed short story writers. Nine virtuoso stories that take up the preoccupations and fixations of time's passing and of middle age and that take us from today's London and Berlin to the wild west of the USA and the wilder shores of Mother Russia; stories finely balanced between devastation and optimism. In the title story, long-ago school pals take the London Underground to the end of the Piccadilly line--Cockfosters Station--to retrieve a lost pair of newly prescribed bifocals ("The worst thing about needing glasses is the bumbling," says Julie. "I've turned into a bumbler overnight. Me! I run marathons!"); each station stop prompting reflections on their shared past, present, and possible futures. In "Erewhon," a gender-role flip: after having sex with his wife, who has turned over and instantly fallen asleep, a man lies awake fretting about his body shape, his dissatisfaction with sex, his children, his role in the marriage. In "Kythera," lemon drizzle cake is a mother's ritual preparation for her (now grown) daughter's birthday as she conjures up memories of all the birthday cakes she has made for her, each one more poignant than the last; this new cake becoming a memento mori, an act of love, and a symbol of transformation ... And in "Berlin," a fiftysomething couple on a "Ring package" to Germany spend four evenings watching Wagner's epic, recalling their life together, reckoning with the husband's infidelity, the wife noting the similarity between their marriage and the Ring Cycle itself: "I'm glad I stuck it out but I'd never want to sit through it again.""-- "Helen Simpson's sixth collection of short stories"--… (meer)
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Cockfosters is a collection of short stories by Helen Simpson. There are nine stories all named after a place. Yes, Cockfosters is a place, a London suburb. Most of them are quite short. Berlin is more a novella, occupying almost half the book – a middle-aged couple who are in Germany to see the Ring Cycle in its entirety, a vacation planned with his mother before she died, but they could not get a refund. One is in the fictional Erewhon, as fictional as Samuel Butler’s as gender roles are completely reversed.

The stories are mostly enjoyable, though too often the conversations seem contrived, structured to say something about women, sexism, inequality, war, government, and politics. These conversations do not feel relaxed and normal. They are serious conversations. A book club discussion is actually about Tory restructuring the economy and betraying the promises of the past. A visit to the acupuncturist is about menopause and women’s value in the world.

A lot of the book is focused on the second class position women hold in society which is why so many of the conversations seem awkward. Sure, women talk about it, but this forthright expression sounds more like pronouncements on Facebook than conversations. But that is my only complaint. I like the politics, I like the people and the topics. Sometimes the prose is so beautiful for example, a wife thinking about how a long-married couple have two histories, sliding layers, “tectonic plates of it shifting over the decades together.”

Here is this from Arizona, “Sometimes when she woke from a flabbergasting dream Liz would lie very still to see if she could net it before it fled; perfectly still, eyes closed, not moving her head, as if the slightest shift would tip the story-bearing liquid, break its fragile meniscus and spill the night’s elusive catch”

Beautiful, original metaphors and prose makes me happy. Many things about Cockfosters, in particular that name, Cockfosters make me happy. I would wish for more real conversations, but this is otherwise a good collection of stories.

★★★
http://tonstantweaderreviews.wordpress.com/2017/06/22/9780451493071 ( )
  Tonstant.Weader | Jun 22, 2017 |
As far as I remember, I first came across Helen Simpson in an anthology of “best short stories” of some sort – I do know, however, that it was her story ‘Heavy Weather’, and I fell in love with it. This was in Abu Dhabi. So on a later visit to the library, I checked out one of her collections – her second, in fact, Dear George & Other Stories. And I’ve been a fan ever since. And yet, the only place I’ve read her fiction has been in her collections – the stories in Cockfosters, for example, originally appeared in Granta, New Statesman and daily newspapers, none of which I read. But hey, that’s what collections are for. There are nine stories in Cockfosters, one of which is genre. In ‘Erewhon’, a husband lies awake at night, worrying about the day ahead, while his wife sleeps oblivious beside him. It’s only as the story progresses, and the hours tick away, that you realise the gender roles are reversed in the world of the story. ‘Kentish Town’, a discussion amongst the members of a book group, is a particularly scathing criticque of Tory Britain. The longest piece, ‘Berlin’, is about a party of middle-aged tourists visiting Germany to see various of Wagner’s Ring Cycle, and how the narrator and her husband slowly come to an appreciation of the operas. Those are the stand-outs, but the others are still highly-polished pieces of prose. Simpson is very, very good at what she does, and Cockfosters amply demonstrates it. ( )
  iansales | Mar 9, 2016 |
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"A wickedly wry, tender new collection from one of our finest internationally acclaimed short story writers. Nine virtuoso stories that take up the preoccupations and fixations of time's passing and of middle age and that take us from today's London and Berlin to the wild west of the USA and the wilder shores of Mother Russia; stories finely balanced between devastation and optimism. In the title story, long-ago school pals take the London Underground to the end of the Piccadilly line--Cockfosters Station--to retrieve a lost pair of newly prescribed bifocals ("The worst thing about needing glasses is the bumbling," says Julie. "I've turned into a bumbler overnight. Me! I run marathons!"); each station stop prompting reflections on their shared past, present, and possible futures. In "Erewhon," a gender-role flip: after having sex with his wife, who has turned over and instantly fallen asleep, a man lies awake fretting about his body shape, his dissatisfaction with sex, his children, his role in the marriage. In "Kythera," lemon drizzle cake is a mother's ritual preparation for her (now grown) daughter's birthday as she conjures up memories of all the birthday cakes she has made for her, each one more poignant than the last; this new cake becoming a memento mori, an act of love, and a symbol of transformation ... And in "Berlin," a fiftysomething couple on a "Ring package" to Germany spend four evenings watching Wagner's epic, recalling their life together, reckoning with the husband's infidelity, the wife noting the similarity between their marriage and the Ring Cycle itself: "I'm glad I stuck it out but I'd never want to sit through it again.""-- "Helen Simpson's sixth collection of short stories"--

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