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Stepin Fetchit: The Life and Times of Lincoln Perry

door Mel Watkins

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The first African American movie star, Lincoln Perry, a.k.a. Stepin Fetchit, is an iconic figure in the history of American popular culture. In the late 1920s and 30s he was both renowned and reviled for his surrealistic portrayals of the era's most popular comic stereotype; the lazy, shiftless Negro. After his breakthrough role in the 1929 film Hearts in Dixie, Perry was hailed as the best actor that the talking pictures have produced by the critic Robert Benchley. Having run away from his Key West home in his early teens, Perry found success as a vaudevillian before making his way to California. The tall, lanky actor became the first millionaire black movie star when he appeared in a string of hit movies as the whiny, ever-perplexed, slow-talking comic sidekick. Perry was the highest paid and most popular black comedian in America during Hollywood's Golden Age, but his ongoing battles with movie executives, his rowdy offscreen behavior, and his extravagant spending kept him in gossip column headlines. Perry's spendthrift ways and exorbitant lifestyle hastened his decline and, in 1947, having squandered or given away his fortune, he was forced to declare bankruptcy. In 1964 Perry was discovered in the charity ward of Chicago's Cook County Hospital; he later turned up in Muhammad Ali's entourage. In 1972 he unsuccessfully sued CBS for defamation because of a television program that ridiculed the type of characters he had portrayed. But his achievements were eventually acknowledged; in 1976 the Hollywood chapter of the NAACP gave him its Special Image Award for having opened the door for many a succeeding African American film star, and in 1978 he was inducted into the Black Filmmakers Hall of Fame. In Stepin Fetchit, Mel Watkins has given us the first definitive, full-scale biography of an entertainment legend.… (meer)
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A deeply sympathetic biography of the cinema and stage figure whose persona of "Stepin' Fetchit" has proven controversial and divisive over many decades; as the author quite rightly points out, the very name has become a byword for a particular type of racial caricature. Watkins argues a number of points, including that Perry's character was slyly putting on the man (so to speak); I, for one, wasn't totally convinced by the argument, since Perry didn't have much control over his material (I don't find Watkins' arguments to the contrary terribly convincing), and Perry was not the most reliable narrator (which Watkins, in his fairness, does point out multiple times), which makes Perry's claims to be a certain kind of mold-breaker a bit dubious. On the other hand, Watkins does reveal that there is a great deal more to Perry that meets the eye, and he does a good job of discussing the split in the African-American community of the 20s and 30s as to their reactions to Perry's character. As an animation fan, I note that he did make a nod to Perry's caricatures, though he could have done more on this, especially since many of these "appearances" came during periods when Perry's star was in eclipse. Well worth a read to decide for yourself whether Watkins is right or not. ( )
1 stem EricCostello | Jul 2, 2018 |
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The first African American movie star, Lincoln Perry, a.k.a. Stepin Fetchit, is an iconic figure in the history of American popular culture. In the late 1920s and 30s he was both renowned and reviled for his surrealistic portrayals of the era's most popular comic stereotype; the lazy, shiftless Negro. After his breakthrough role in the 1929 film Hearts in Dixie, Perry was hailed as the best actor that the talking pictures have produced by the critic Robert Benchley. Having run away from his Key West home in his early teens, Perry found success as a vaudevillian before making his way to California. The tall, lanky actor became the first millionaire black movie star when he appeared in a string of hit movies as the whiny, ever-perplexed, slow-talking comic sidekick. Perry was the highest paid and most popular black comedian in America during Hollywood's Golden Age, but his ongoing battles with movie executives, his rowdy offscreen behavior, and his extravagant spending kept him in gossip column headlines. Perry's spendthrift ways and exorbitant lifestyle hastened his decline and, in 1947, having squandered or given away his fortune, he was forced to declare bankruptcy. In 1964 Perry was discovered in the charity ward of Chicago's Cook County Hospital; he later turned up in Muhammad Ali's entourage. In 1972 he unsuccessfully sued CBS for defamation because of a television program that ridiculed the type of characters he had portrayed. But his achievements were eventually acknowledged; in 1976 the Hollywood chapter of the NAACP gave him its Special Image Award for having opened the door for many a succeeding African American film star, and in 1978 he was inducted into the Black Filmmakers Hall of Fame. In Stepin Fetchit, Mel Watkins has given us the first definitive, full-scale biography of an entertainment legend.

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