The untold story of acoustic effects in popular music. Echo and Reverb is the first history of acoustically imagined space in popular music recording. The book documents how acoustic effects - reverberation, room ambience, and echo - have been used in recordings since the 1920s to create virtual sonic architectures and landscapes. Author Peter Doyle traces the development of these acoustically-created worlds from the ancient Greek myth of Echo and Narcissus to the dramatic acoustic architectures of the medieval cathedral, the grand concert halls of the 19th century, and those created by the humble parlor phonograph of the early 20th century, and finally the revolutionary age of rock'n'roll. Citing recordings ranging from Gene Austin's My Blue Heaven to Elvis Presley's Mystery Train, Doyle illustrates how non-musical sound constructs, with all their rich and contradictory baggage, became a central feature of recorded music.