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Somebody with a Little Hammer: Essays door…
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Somebody with a Little Hammer: Essays (editie 2017)

door Mary Gaitskill (Auteur)

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1052259,211 (3.3)2
"Engaging, unusual essays written over the last two decades, on matters literary, social, cultural, and personal--from the explosive date rape debates of the '90s to the ubiquitous political adultery of the '00s, from Anton Chekhov to Celine Dion. Here is Mary Gaitskill the essayist: witty, direct, penetrating to the core of each issue, personality, or literary trope (On Updike: "It is as if [he] has entered a tiny window marked 'Rabbit,' and, by some inverse law, passed into a universe of energies both light and dark, expanded and contracted, infinite and workaday." On Elizabeth Wurtzell: "If this kooky, foot-stamping, self-loathing screed is meant to be, as it claims, a defense of 'difficult women,' i.e. women who 'write their own operating manuals' . . . all I can say is, bitches best duck and run for cover.") Gaitskill writes about the ridiculous and poetic ambition of Norman Mailer, about the socio-sexual cataclysm embodied by porn star Linda Lovelace, and, in the deceptively titled "Lost Cat," about how power and race can warp the most innocent and intimate of relationships. Appearing in chronological order, the essays offer their thoughts and reactions, always with the heat-seeking, revelatory understanding for which we value the author's fiction"--… (meer)
Lid:girlunderglass
Titel:Somebody with a Little Hammer: Essays
Auteurs:Mary Gaitskill (Auteur)
Info:Pantheon (2017), Edition: First Edition, 288 pages
Verzamelingen:Jouw bibliotheek, Aan het lezen
Waardering:
Trefwoorden:American lit, essays, 2010s

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Somebody with a Little Hammer: Essays door Mary Gaitskill

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The core of this book is the long (17,000 word) thoroughly engrossing essay (originally published in Granta) called "Lost Cat," which is one of the best things Gaitskill has ever written. Unfortunately, nearly everything else in this collection is so minor in comparison to this masterly piece of narrative non-fiction, it tends to come across as filler.

Mostly previously published capsule reviews (of books and films), liner notes, introductions, etc. - there are not that many essays in fact, and nothing newly written for this collection.

I enjoyed the two pieces on Nabokov (though her 1995 essay on him in Salon, the first piece I ever read from her, is not included) and the introduction to Bleak House, but her engagement with contemporary writers is less interesting somehow. There are a few pieces that touch on politics, feminism, art, media, consent, and rape - these are mostly of interest to see how the threads of her thoughts and sentiments changed (or didn't) over the 20 year period in which she wrote them...you can also see a transition in her writing from pre to post social media ubiquity. ( )
  augustgarage | Sep 26, 2017 |
Stumbled upon this new book, so read without expectations. All the material appears to be previously published although some edited for inclusion in this book is acknowledged. I don't recall previously reading Mary Gaitskill and found the collection, covering twenty-two years, extremely uneven. It is labeled as "essays", but many are book reviews. I did appreciate the writer's general concept that people are too nuanced and conflicted to be easily categorized. In my opinion, the longer essays were best, but overall have to agree with an ironic quote from the author "Gaitskill may herself be not unguilty of relentlessly small-focus self-blathering". ( )
  MM_Jones | Apr 13, 2017 |
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"Engaging, unusual essays written over the last two decades, on matters literary, social, cultural, and personal--from the explosive date rape debates of the '90s to the ubiquitous political adultery of the '00s, from Anton Chekhov to Celine Dion. Here is Mary Gaitskill the essayist: witty, direct, penetrating to the core of each issue, personality, or literary trope (On Updike: "It is as if [he] has entered a tiny window marked 'Rabbit,' and, by some inverse law, passed into a universe of energies both light and dark, expanded and contracted, infinite and workaday." On Elizabeth Wurtzell: "If this kooky, foot-stamping, self-loathing screed is meant to be, as it claims, a defense of 'difficult women,' i.e. women who 'write their own operating manuals' . . . all I can say is, bitches best duck and run for cover.") Gaitskill writes about the ridiculous and poetic ambition of Norman Mailer, about the socio-sexual cataclysm embodied by porn star Linda Lovelace, and, in the deceptively titled "Lost Cat," about how power and race can warp the most innocent and intimate of relationships. Appearing in chronological order, the essays offer their thoughts and reactions, always with the heat-seeking, revelatory understanding for which we value the author's fiction"--

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