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Bezig met laden... The Birth of Modernism: Ezra Pound, T.S. Eliot, W.B. Yeats, and the Occultdoor Leon Surette
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While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that Pound's editing of T.S. Eliot's The Waste Land was not motivated primarily by stylistic concerns, as has generally been contended by the New Critics, but by thematic considerations. In fact, it was precisely because Eliot knew Pound to be well informed about the occult that he asked for Pound's assistance with The Waste Land. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)821.912091Literature English English poetry 1900- 1900-1999 1900-1945 History, description, critical appraisal Poetry displaying specific qualities of style, mood, viewpointLC-classificatieWaarderingGemiddelde:
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