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Bezig met laden... The Case of the Crooked Candle (1944)door Erle Stanley Gardner
Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Best-Selling American Author Of The Twentieth Century In 1970, the New York Times called Erle Stanley Gardner "the best selling American author of the century," apparently based on the sales of 170 million copies of his books at that time. That alone makes his opus worth investigating, but I was particularly drawn to this novel by my recent interest in re-watching Perry Mason TV shows. I'm a retired trial lawyer who never really liked watching trial dramas on film or TV, but I've come to enjoy Perry Mason offerings as clever, witty and fairly accurate depictions of the life of a trial lawyer (albeit exaggerated a bit for dramatic purposes). The Case Of The Crooked Candle did not disappoint me. The text is nearly all dialog, and the descriptions are spare, but the dialog is well-crafted. Mason of the book is exactly the way Raymond Burr depicted him: everyone's ideal of their lawyer. He appears to work twenty-four hours a day on his most recent client's case, apparently needing no sleep and aided by a a similarly tireless secretary (Della Street) and investigator (Paul Drake). He wins his cases predominantly at the preliminary hearing stage, wringing confessions from the guilty and thereby avoiding lengthy incarceration and the agony of trial for his client. He is more than willing to play fast and loose with the district attorney, investigating detective and courtroom evidence if that's what his client needs. We might deplore some of these tendencies, except that they would be a welcome relief if deployed on our own behalf! Of course, these novels fit within the broad genre of pulp fiction, and I can't say that I'm interested in reading a dozen more, but I heartily recommend a dose of Erle Stanley Gardner to anyone who thinks they want to understand American fiction. This is the stuff people actually read. geen besprekingen | voeg een bespreking toe
Onderdeel van de reeks(en)Perry Mason Novels (Book 24) Onderdeel van de uitgeversreeks(en)Vampiro (200) Onderscheidingen
Time and tide wait for no man--neither does Perry Mason.... A mystery in the best Gardner tradition chock full of action (mighty fast), angles (inventive and voluptuous), and aqua pura (meaning watertight solution as well as H20). On his way to finding out, Mason meets Mrs. Milfield, a barely distraught widow, and a slew of suspicious characters all intimately connected to the recently deceased, a man murdered on someone else's yacht. As the surprising scenario unravels, it takes a sharp mind like Mason's, the savvy of his secretary Della Street, and the legwork of investigator Paul Drake to pull all the clues out of the water before the case sinks like a deadweight. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.52Literature English (North America) American fiction 20th Century 1900-1944LC-classificatieWaarderingGemiddelde:
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So much for the set-up, but when one of the syndicate is killed on a boat, Perry has to figure out why the obvious culprit is innocent. Once again he goes against Lt. Trask and the D.A.’s office to find the real killer. The case, set on a yacht in a shallow lagoon, involves the tides, the position of the body, what is quite possibly the killer’s bloody footprint, and the mystery of the crooked candle.
Reading this novel almost 80 years after its debut I still found it compelling. Mason, Della Street, Paul Drake and the entire cast act with a sense of style that is very often lacking in a modern novel. Having seen so many of the television dramas (including this case) I am perhaps reading with Raymond Burr et.al. in mind, which isn’t a bad thing. The puzzle herein needs close examination to follow the logic, but Perry is an adept guide and takes us through what is a bewildering series of events to the truth.
And Perry Mason appears more of a bad-ass in print than in the T.V. series, which is also a good thing. ( )