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Sootface door Robert D. San Souci
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Sootface (origineel 1994; editie 1997)

door Robert D. San Souci (Auteur)

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Although she is mocked and mistreated by her two older sisters, an Indian maiden wins a mighty invisible warrior for her husband with her kind and honest heart.
Lid:SerenaC7
Titel:Sootface
Auteurs:Robert D. San Souci (Auteur)
Info:Dragonfly Books (1997), Edition: Reprint, 32 pages
Verzamelingen:Jouw bibliotheek
Waardering:
Trefwoorden:ojibwa, native american, cinderella

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Sootface: An Ojibwa Cinderella Story door Robert D. San Souci (1994)

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Sootface is an Ojibwa Cinderella story. The youngest daughter of three is treated poorly by her two sisters (cruel and lazy). Sootface’s kind and honest heart leads her to the strong invisible warrior.
  SerenaC7 | Feb 21, 2023 |
The youngest of the three daughters of a widowed hunter, Sootface was made to do all of the hard work by her elder sisters, and ridiculed for the dirty appearance that resulted from her constant attendance to the fire. Despite this mistreatment, and her poor appearance, she never gave up on her dream of finding a husband. When the mysterious invisible hunter who lived across the stream from her village announced that he would marry any maiden who could see him, and describe his bow, every girl in the village made an attempt to win him as husband, all to no avail. Then Sootface, clothed only in the finery provided by the forest, crossed the river and, through her kind and honest heart, won her heart's desire...

One of a number of picture-book retellings of this widespread Native American folktale with which I am familiar - see also: Rafe Martin's The Rough-Face Girl and Terri Cohlene's Little Firefly: An Algonquian Legend - Sootface: An Ojibwa Cinderella Story pairs an engaging story from author Robert D. San Souci with appealing artwork from illustrator Daniel San Souci. According to the author's brief note, the sources consulted for this telling include C.G. Leland's Algonquin Legends of New England, E.N. Patridge's Glooscap the Great Chief and Other Stories of the Micmacs, and Idries Shah's World Tales. The artwork was meticulously created after research at the Anthropology Department of UCLA, and reflects the clothing, design and setting of an 18th-century Ojibwa village. I have not yet read the Rafe Martin telling of this tale, but I can certainly say that I infinitely preferred this version from the San Soucis to that done by Cohlene, which I have also reviewed. Recommended to young folklore enthusiasts, and to readers interested in the 'Cinderella' tale type in world lore. ( )
  AbigailAdams26 | Sep 19, 2020 |
A Native American version of the Cinderella story, this title is by the award-winning author and illustrator team of many popular books, including "The Legend of Scarface" and "Song of Sedna", also based on Native American folklore.
  riselibrary_CSUC | Aug 14, 2020 |
This is an Ojibwa version of Cinderella. The father is still alive and she's bullied by her two older sisters. Her purity gives her the opportunity to see the best hunter that was looking for a bride.
I love this version because it still has the aspect of a Cinderella story, but with the culture difference of the Ojibwa tribe.
  Y-NhiVu | Oct 2, 2014 |
The Native American folktale tells one culture's version of Cinderella. It is a clever, sweet tale with one hardworking girl who is mistreated by her family, and a mighty warrior who is looking for a spouse. While many Cinderella tales fail to give the heroine any real redeeming qualities beyond her victimization and beauty, this tale paints the picture of the sort of gentle, compassionate, determined woman girls could look up to. ( )
  Laene | Apr 27, 2013 |
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AuteursnaamRolType auteurWerk?Status
Robert D. San Souciprimaire auteuralle editiesberekend
San Souci, DanielIllustratorSecundaire auteuralle editiesbevestigd
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Note: This well-known story seems to be primarily a tale of the Northeast and Great Lakes tribes, such as the Ojibwa and other Algonquian (Algonkian) groups, Canada’s Micmac people, and so on. I have also come across a variant from a Pueblo storyteller in the Southwest, indicating that this popular tale has traveled widely among Native Peoples.
Among the more than two dozen versions I consulted, some of the most helpful were “Invisible One” in C. G. Leland’s Algonquin Legends of New England (Boston: Houghton Mifflin Co., 1884), “Oochigeaskw, the Little Scarred Girl” in E. N. Partridge’s Glooscap the Great Chief and Other Stories of the Micmacs (New York: Macmillan Co., 1913), and “The Algonquin Cinderella” in Indries Shah’s World Tales (New York: Harcourt Brace Jovanovich, 1979).
The illustrations are based on extensive research at the Anthropology Library of the University of California at Berkeley. Details of clothing, traditional design, and setting reflect mid-eighteenth-century Ojibwa village life.
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For Allen Say, in friendship and admiration — D.S.S.
For Frances Graves, with warmest thanks for her friendship, support, and unfailing good humor — R.S.S.
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Once, an Ojibwa man whose wife had died raised three daughters alone.
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Although she is mocked and mistreated by her two older sisters, an Indian maiden wins a mighty invisible warrior for her husband with her kind and honest heart.

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