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Bezig met laden... Drie verhalen (1877)door Gustave Flaubert
Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. With his allegedly "immoral" first novel [b:Madame Bovary|2175|Madame Bovary|Gustave Flaubert|https://d.gr-assets.com/books/1335676143s/2175.jpg|2766347] Flaubert established himself as a leading exponent of the budding realist approach to literature with its emphasis on the sometimes sordid details of everyday life. The same elements recur in [b:Sentimental Education|2183|Sentimental Education|Gustave Flaubert|https://d.gr-assets.com/books/1327788473s/2183.jpg|314156] but, in contrast, the historical novel [b:Salammbô|221597|Salammbô|Gustave Flaubert|https://d.gr-assets.com/books/1387717681s/221597.jpg|47789734] , is an exercise in over-the-top exotic Orientalism. This edition of Flaubert's late "Three Tales" features a high-profile guest foreword by Margaret Drabble, as well as an introduction by translator Howard Curtis. Both emphasize the fact that these short stories are a distillation of Flaubert's craft and reflect the two extremes of his literary style. The collection opens with "A Simple Heart", a blow-by-blow description of the life and hardships of humble Normandy servant Felicite. The detached, sphinx-like third person narration is tantalisingly ambiguous - are we meant to feel sorry for the protagonist? Contemptuous at her ignorance? Angry at her too easy resignation in the face of adversity? Or should we admire her humility and loyalty? Much is made of Felicite's quasi-blasphemous mental association between the Holy Ghost and her stuffed parrot. Said parrot makes a final appearance in the final pages, when Flaubert abandons the matter-of-fact storytelling in favour of a glimpse of the dying protagonist's ecstatic visions. What are we make of this? It is unlikely that the secularist Flaubert wanted us to take these mystic passages at face value - on the other hand, the heightened language suggests that rather than being demented ravings of a gullible old woman, these "visions" give Felicite a hard-earned dignity at the moment of death. Certainly, for an anti-clerical agnostic, Flaubert's tales show a strange fascination with religion. "Saint Julian the Hospitaller" is a retelling of the medieval legend of the patron saint of hunters in which Flaubert resorts to Gothic tropes for heightened effect - dark forests, rambling castles, talking animals and last but not least a curse which haunts Julian. "Herodias" is an account of the beheading of St John. An excuse to indulge in Salammbô-style exoticism, the colourfully-described orgies would influence later writers including Oscar Wilde. This Hesperus classics edition is highly recommended, particularly for Howard Curtis's idiomatic translation, which was nominated for the Oxford-Weidenfeld Translation Prize. With his allegedly "immoral" first novel [b:Madame Bovary|2175|Madame Bovary|Gustave Flaubert|https://d.gr-assets.com/books/1335676143s/2175.jpg|2766347] Flaubert established himself as a leading exponent of the budding realist approach to literature with its emphasis on the sometimes sordid details of everyday life. The same elements recur in [b:Sentimental Education|2183|Sentimental Education|Gustave Flaubert|https://d.gr-assets.com/books/1327788473s/2183.jpg|314156] but, in contrast, the historical novel [b:Salammbô|221597|Salammbô|Gustave Flaubert|https://d.gr-assets.com/books/1387717681s/221597.jpg|47789734] , is an exercise in over-the-top exotic Orientalism. This edition of Flaubert's late "Three Tales" features a high-profile guest foreword by Margaret Drabble, as well as an introduction by translator Howard Curtis. Both emphasize the fact that these short stories are a distillation of Flaubert's craft and reflect the two extremes of his literary style. The collection opens with "A Simple Heart", a blow-by-blow description of the life and hardships of humble Normandy servant Felicite. The detached, sphinx-like third person narration is tantalisingly ambiguous - are we meant to feel sorry for the protagonist? Contemptuous at her ignorance? Angry at her too easy resignation in the face of adversity? Or should we admire her humility and loyalty? Much is made of Felicite's quasi-blasphemous mental association between the Holy Ghost and her stuffed parrot. Said parrot makes a final appearance in the final pages, when Flaubert abandons the matter-of-fact storytelling in favour of a glimpse of the dying protagonist's ecstatic visions. What are we make of this? It is unlikely that the secularist Flaubert wanted us to take these mystic passages at face value - on the other hand, the heightened language suggests that rather than being demented ravings of a gullible old woman, these "visions" give Felicite a hard-earned dignity at the moment of death. Certainly, for an anti-clerical agnostic, Flaubert's tales show a strange fascination with religion. "Saint Julian the Hospitaller" is a retelling of the medieval legend of the patron saint of hunters in which Flaubert resorts to Gothic tropes for heightened effect - dark forests, rambling castles, talking animals and last but not least a curse which haunts Julian. "Herodias" is an account of the beheading of St John. An excuse to indulge in Salammbô-style exoticism, the colourfully-described orgies would influence later writers including Oscar Wilde. This Hesperus classics edition is highly recommended, particularly for Howard Curtis's idiomatic translation, which was nominated for the Oxford-Weidenfeld Translation Prize. geen besprekingen | voeg een bespreking toe
Onderdeel van de uitgeversreeks(en)Centopaginemillelire (198) — 14 meer Clube de Literatura Clássica (CLC) (43.1 [November 2023]) Gallimard, Folio (424) Gallimard, Folio Classique (3245) Medallion Penguin Classics (L106) New Directions Classics (NC7) Penguin Classics (L106) Prisma Klassieken (12) Reclams Universal-Bibliothek (8972) Is opgenomen inOeuvres, Vol I et II door Gustave Flaubert (indirect) BevatHerodias door Gustave Flaubert Heeft als studiegids voor studenten
The three works in this book are each strikingly different. Death, Satan and Nero (the fifth Roman emperor) converse in a prose poem; a Medieval saint encounters trial and struggle before attaining divinity; the life of a selfless maid in 19th-century France shows the horror of true altruism. Geen bibliotheekbeschrijvingen gevonden. |
Deelnemer aan LibraryThing Vroege RecensentenGustave Flaubert's boek Three Tales was beschikbaar via LibraryThing Early Reviewers. Actuele discussiesGeenPopulaire omslagen
Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)843.8Literature French French fiction Later 19th century 1848–1900LC-classificatieWaarderingGemiddelde:
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Unfortunately the other two stories don't quite match it - Saint Julien has an interesting ending and some vivid imagery though the sheer amount of animal cruelty can become a bit stomach-turning, while Herodias quickly becomes confusing and even outright tedious at points in what I hope isn't a harbinger for how I'm going to feel when I get to Salammbo. ( )