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Bezig met laden... 'Don We Now Our Gay Apparel': Gay Men's Dress in the Twentieth Centurydoor Shaun Cole
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. A straight man in a drag troupe may be unusual, but then neither Kellan nor any of his fellow “Fabulettes” want to fit into a stereotype. And that is really what this story is about, blurring lines of sexuality included. It may be listed as a “gay erotic romance”, but I think that label doesn’t quite do this story justice. It’s a glimpse into Kellan and Casey’s life as friends, but it neither resolves anything regarding their friendship nor does it change Kellan’s sexuality. What it does do is show how Kellan discovers that he may not be as straight as he thought, and in that sense his world at the end of the story is a completely different place. Kellan has always enjoyed dressing in girls’ and later women’s clothes. For him it’s about feeling sexy, and he considers it a hobby. Most of his fellow troupe members are gay men, but one is a transwoman, so Kellan is used to being around people with varying sexual orientations and gender identities, He just never assumed the same applies to him, and I loved how a “close encounter of the personal kind” with his best friend Casey changes his self-perception. If you like stories outside the traditional boxes of gender and sexuality identity, if two men who are friends, and maybe more, discovering a new part of their relationship sounds interesting, and if you’re looking for a read that is as entertaining and hot as it is thought-provoking, then you will probably like this short story. NOTE: This book was provided by JMS Books for the purpose of a review on Rainbow Book Reviews. geen besprekingen | voeg een bespreking toe
Onderdeel van de reeks(en)
Gay style actually sets trends. Its what straight people take fashion from. Tony Woodcock From the New Edwardians and muscle boys to Radical Drag and Genderfuck, gay mens dress has had a profound impact on fashion. However, it is easy to forget that, with few exceptions, gay men earlier in the century took great pains to conceal their sexual identity. Men such as Quentin Crisp, while highly influential, were far from the norm. Most gay men resorted to a number of subtle dress codes to identify themselves to other gay men -- from Oscar Wildes famous green carnation, which was still being worn in the 1930s, through to suede shoes. Beginning with a look at the subcultural world of gay men in the early part of this century -- particularly in New York and London -- this fascinating book analyzes the trends in dress adopted by gay men as well as the challenge gay style has made to mainstream mens fashion. The importance of dress choice to the formation of sexual identity is highlighted, as is gay influence on punk and the fashion industry as a whole. The rise of new dress choices in the wake of gay liberation is analyzed with particular emphasis on the masculinization of gay dress. The importance of the body to gay culture is addressed, from the physique magazines of the 1950s, through to tattooing and body piercing, and their origins in the SM scene. Anyone interested in gay culture or the history of dress will find this book to be essential reading. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)391.1Social sciences Customs, Etiquette, Folklore Costume and personal appearance Costumes of menLC-classificatieWaarderingGemiddelde:
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It explains hidden and implicit cultural meanings, is sourced from interviews, magazines, and lots and lots of other books and articles. I can't overstate how in-depth and conscientously the information is presented.
While being very descriptive, it's also to the point, and comes with a huge bibliography and lots of footnotes. I'll follow up a couple of those, and I like I have a much better understanding of the evolution and context of a lot of gay … traditions, I guess?
My only niggle: I had the impression that the issue of race could've been tackled more: It's a part of the book, and occasionally mentioned in terms of how black gay men's dress was different from others, but not very much/often. I can't judge how much of this is just a scoping or sourcing issue, and I appreciated that it was mentioned repeatedly.
Since this book focuses on dress, it skirts the issue of differentiating between gay men and trans women – I completely understand and support this choice, but you should be aware that naturally a lot of the descriptions of late 19th/early 20th century dress sounds like a fair share of the gay men back then may have prefered to be trans women today, and if you don't want to engage in that topic, you may want to skip the book or the earlier chapters. ( )