Following the foreword are two very brief essays which discuss Sargent's background and his work. A sensitive and intelligent appraisal of the artist and his approach to the studies under consideration here, one that especially in the light of the context does not skirt around the inclinations of the artist's heart, and addresses the possibility of a relationship with his loyal and devoted lithe young Italian valet and occasional model who resided in the Sargent household for twenty six years.

The work presented here is superb; sensitive yet dynamic drawings and paintings; the text makes an interesting observation to the observer's response to them, but however one views them one cannot deny their beauty. One of the first illustrated is an oil painting of a young boy lying on the beach, and the pose immediately brings to mind similar subject matter painted by Joaquin Sorolla, produced some twenty or so years after Sargent's effort.

The plates run from page twelve to page seventy eight, and include sketches, charcoal drawings, watercolours and oils, of which eighteen are in full colour, occasionally accompanied by a few relevant notes. The book concludes with a chronology and selected bibliography.

This is a delightful book, slim and not over large; the work contained within is unrestrained, evocative, seemingly effortless; unquestionably the work of a great master. ( )

Worth it for the Nude Study of Thomas E. McKeller, though its reproduction pales in comparison to the life-sized version in Boston's MFA. ( )