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A collection of both previously unpublished works and classic essays includes discussions of recent cultural and political events, social networking, libraries, and the failure to address global warming.
"Since she burst spectacularly into view with her debut novel, White Teeth, almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers, but also as a brilliant and singular essayist. She contributes regularly to The New Yorker and The New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right. Arranged into five sections--In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free--this new collection poses questions we immediately recognize. What is The Social Network--and Facebook itself--really about? 'It's a cruel portrait of us: 500 million sentient people entrapped in the recent careless thoughts of a Harvard sophomore.' Why do we love libraries? 'Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay.' What will we tell our granddaughters about our collective failure to address global warming? 'So I might say to her, look: the thing you have to appreciate is that we'd just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes--and this had taken the fight out of us somewhat.' Gathering in one place for the first time previously unpublished work, as well as already classic essays, such as, 'Joy,' and, 'Find Your Beach,' Feel Free offers a survey of important recent events in culture and politics, as well as Smith's own life. Equally at home in the world of good books and bad politics, Brooklyn-born rappers and the work of Swiss novelists, she is by turns wry, heartfelt, indignant, and incisive--and never any less than perfect company. This is literary journalism at its zenith."--Dust jacket.… (meer)
Knap geschreven, een aantal verhelderende essays over het leven in London, in Groot-Brittannië, verduidelijkend over Brexit. Een aantal ontoegankelijk wegens gebrek aan kennis over het leven op het eiland of minder samenvallend met eigen biotoop. Een selectieve aanrader!
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
“People can be slave-ships in shoes.”
—Zora Neale Hurston
“The eyes are not windows. There are nerve impulses, but no one reads them, counts them, translates them, and ruminates about them. Hunt for as long as you want, there’s nobody home. The world is contained within you, and you’re not there.”
—Daniel Kehlmann”
Opdracht
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
For Kit and Hal and For Robert B. Silvers, in memoriam
Eerste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
FOREWORD
I was having dinner with old friends in Rome when one of them turned to me and said: “But of course your writing so far has been a fifteen-year psychodrama.”
Last time I was in Willesden Green I took my daughter to visit my mother.
Citaten
Laatste woorden
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
The end of a pleasure brings no great harm to anyone, after all, and can always be replaced with another of more or less equal worth.
A collection of both previously unpublished works and classic essays includes discussions of recent cultural and political events, social networking, libraries, and the failure to address global warming.
"Since she burst spectacularly into view with her debut novel, White Teeth, almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers, but also as a brilliant and singular essayist. She contributes regularly to The New Yorker and The New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right. Arranged into five sections--In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free--this new collection poses questions we immediately recognize. What is The Social Network--and Facebook itself--really about? 'It's a cruel portrait of us: 500 million sentient people entrapped in the recent careless thoughts of a Harvard sophomore.' Why do we love libraries? 'Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay.' What will we tell our granddaughters about our collective failure to address global warming? 'So I might say to her, look: the thing you have to appreciate is that we'd just been through a century of relativism and deconstruction, in which we were informed that most of our fondest-held principles were either uncertain or simple wishful thinking, and in many areas of our lives we had already been asked to accept that nothing is essential and everything changes--and this had taken the fight out of us somewhat.' Gathering in one place for the first time previously unpublished work, as well as already classic essays, such as, 'Joy,' and, 'Find Your Beach,' Feel Free offers a survey of important recent events in culture and politics, as well as Smith's own life. Equally at home in the world of good books and bad politics, Brooklyn-born rappers and the work of Swiss novelists, she is by turns wry, heartfelt, indignant, and incisive--and never any less than perfect company. This is literary journalism at its zenith."--Dust jacket.