StartGroepenDiscussieMeerTijdgeest
Doorzoek de site
Onze site gebruikt cookies om diensten te leveren, prestaties te verbeteren, voor analyse en (indien je niet ingelogd bent) voor advertenties. Door LibraryThing te gebruiken erken je dat je onze Servicevoorwaarden en Privacybeleid gelezen en begrepen hebt. Je gebruik van de site en diensten is onderhevig aan dit beleid en deze voorwaarden.

Resultaten uit Google Boeken

Klik op een omslag om naar Google Boeken te gaan.

Bezig met laden...

Something Wonderful: Rodgers and Hammerstein's Broadway Revolution (2018)

door Todd S. Purdum

LedenBesprekingenPopulariteitGemiddelde beoordelingAanhalingen
2166124,225 (4.31)14
"A revelatory portrait of the creative partnership that transformed musical theater and provided the soundtrack to the American Century They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch. Todd S. Purdum's portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and lovers in general. He shows that what Rodgers and Hammerstein wrought was truly something wonderful" --… (meer)
Bezig met laden...

Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden.

Op dit moment geen Discussie gesprekken over dit boek.

» Zie ook 14 vermeldingen

1-5 van 6 worden getoond (volgende | toon alle)
From their early success with Oklahoma! through flops and triumphs, this book takes a look at Rodgers and Hammerstein's collaborations and how they were received by critics and the public. The author's tone is respectful of the duo's achievements, while making note of some of their flaws and foibles (Rodgers' womanizing, for instance, and Hammerstein's temper). Purdum makes the case that Rodgers and Hammerstein were revolutionary for their era, and paved the way for the creators who would follow in their footsteps on the Broadway stage.

I was introduced to The Sound of Music when I was probably 8 or 9 years old, and have been a fan ever since. I've seen most of the films of their major works, though I wish I could have seen the original staged versions. I do generally consider the R&H musicals as "safe," sentimental, and a little old-fashioned, so it was interesting to see the ways in which they were groundbreaking and perhaps a little shocking in their time. Moreover, it had me singing bits of some favorite melodies whenever they were mentioned. I'd recommend this to theatre buffs and musical aficionados. ( )
  foggidawn | Mar 25, 2024 |
An interesting and fun read. Anyone who appreciates musical theater should enjoy this book. ( )
  KateFinney | Jul 10, 2021 |
Much like its title, it's a wonderful read indeed! A thoroughly researched book about the creative partnership between Richard Rodgers and Oscar Hammerstein II that revolutionized Broadway musicals. While most of the musical comedies in that era opened by a chorus number with dancing boys and girls in flashy costumes, Oklahoma! opens with the main character’s grandmother churning butter in an empty stage and a cowboy singing about the beautiful morning. As Purdum said on the prologue, "Oklahoma! was as radical in its way as Lin-Manuel Miranda's hip-hop, genre-bending Hamilton would be more than seventy years later." But Purdum doesn't over-glorify the writing duo. He doesn't shy away from the harsh realities behind their success, such as alcoholism, infidelity, backstage drama, and depression that Rodgers & Hammerstein respectively experienced.

As this is the first biography I've read about R&H, there are many interesting facts that I didn't know before regarding the many alterations in the lyrics, casting processes, and people who have worked beside them but not getting the recognition they deserved. Or the tickets for South Pacific were such hot items for many years like Hamilton‘s are now. I've also just learned that they rarely wrote the numbers in the same room unlike Al Hirschfeld's illustration in the cover shown. "To the ends of their days, each maintained that he'd never been sure whether the other really liked him."

Perhaps I cherish their works because I can remember vividly a five-year-old me crawling to the VCD player to replay The Sound of Music countless times and writing the lyrics in my diary. And throughout time, I watched their musicals (bootlegs or pro shots) and movie adaptations, but have no one to fangirl with except my grandmother. With the Broadway revival of The King and I (2015), Carousel (2018), and ongoing Oklahoma (2019), I found many young people with the same adoration too. It's no longer a question whether their musicals will stand the test of time or not. Purdum notes, "On a single spring evening in 2014, in the United States alone, there were 11 productions of Carousel, 17 of The King and I, 26 of South Pacific, 64 of Oklahoma!, and 106 of The Sound of Music." Their works still very dear to many people across generations, and this book will satisfy both newcomers or long-time fans. Reading this will transport you back to the moment in which these masterpieces were being written and produced, just in your own little corner.

"There's a common misconception that you can stand on the top of a mountain and look at a sunset and sit down and write something beautiful. I don't think it goes that way. I think the sunset, the mountain, the experience all go inside and may not come out for fifty years. But they become part of your knowledge, part of your personality…part of your education, part of your technique…and, eventually, you express yourself." -Richard Rodgers ( )
  bellacrl | Jan 19, 2021 |
Deze bespreking is geschreven voor LibraryThing Vroege Recensenten.
Todd Purdum's Something Wonderful: Rodgers and Hammerstein's Broadway Revolution, though ultimately an affectionate portrait (indeed the title gives it away) of the legendary songwriting team, does not ignore their theatrical missteps and failures, their personal fears and foibles, or their professional shortcomings, making this a very enjoyable read and surely the definitive biography of this unparalleled duo.

After the obligatory opening chapters on Richard Rodgers's and Oscar Hammerstein III's lives prior to their collaboration, the book hits its stride, exploring of the creative process that produced their songs, as well as the behind-the-scenes machinations required to bring the shows to opening night. It's fascinating to see how the well known smash hits like "Oklahoma!" and "South Pacific" came to be, but it's especially revealing to see what caused efforts such as the more obscure "Allegro" and "Juliet and Me" to be critical and financial disappointments. Threads of the personal lives of Rodgers and Hammerstein are woven in smoothly, providing insight into how their personal and professional lives intertwined. And the sprinkling of backstage lowdown on casting decisions, tempermental divas, dangerous liaisons, and festering feuds and grudges along the way adds some welcomed spice to the narrative. ( )
  ghr4 | Aug 4, 2018 |
I loved this book. I was already predisposed to like the story, because I am a great fan of musicals and in particular, those of Rodgers and Hammerstein. This is the incredibly talented team that came up with Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, inter alia.

But biographies and histories can be dry no matter how appealing the subject might be. This book, however, written in a spritely manner, is consistently entertaining. It took me a while to read it only because I kept having to break off for trips to YouTube to listen to the music. The whole neighborhood must have heard me sobbing while I watched videos of “You’ll Never Walk Alone,” “If I Loved You,” and “Something Wonderful.” Richard Rodgers once said art could be defined “as the expression of an emotion by means of a technique.” This description encapsulates for me exactly why their songs are so appealing.

The book is full of background on where the duo got their ideas, how they came up with the music and the lyrics, their working relationship, how they staged the productions and found the stars for their shows, and the ways in which the other collaborators - from arrangers, conductors, choreographers, and scenic designers - contributed so much to the productions - often without appropriate or adequate credit.

The author also explains the basic format of the American popular song, and how Rodgers and Hammerstein altered it depending on the culture or period they were depicting. For example, for “The King and I,” Rodgers needed to change the notes and the tempos to create a more exotic sounds. Even the instruments used to play the music needed to change. The author also adds earlier versions of lyrics when they are available, to show how they evolved and improved with each rewrite.

Most of the story takes off when Larry Hart, Rodgers long-time lyricist, was hardly functioning anymore because of an advanced state of alcoholism. Rodgers was asked to develop “Green Grow the Lilacs” into a musical, and he needed a partner. Hammerstein had previously worked on the masterpiece Show Boat with Jerome Kern, which opened in 1927 to rave reviews, but then Hammerstein hit a long dry patch and even Hammerstein thought his career in musical theater was over.

It was 1942. Rodgers and Hammerstein met over lunch; agreed to become partners; “Green Grow the Lilacs” became “Oklahoma!”; and Broadway theater would never be the same. “Oklahoma!” won a special honorary Pulitzer Prize and would run for over five years, breaking all previous records. The author observes that the show was more than a Broadway hit - it was “a cultural phenomenon, and much of that had to do with World War II.” As a member of the New York State Federation of Women’s Clubs told one of the stars, it carried a necessary message, “when people are going out to fight for this country, and may die for it, to be reminded of the kind of courage, the unselfconscious courage, that settled this country.” Indeed, Purdum records, men in uniform flocked to the show.

The team went on to win a total of 34 Tony Awards, 15 Academy Awards, two Pulitzer Prizes, two Grammys, and two Emmys, a record unmatched by any other writing team. Stephen Sondheim, who was Oscar’s surrogate son and later protégé, thought Hammerstein’s lyrics were simplistic. But there is no doubt about their staying power, or that of Rodgers’ music. Purdum notes:

“On a single spring evening in 2014, in the United States alone, there were 11 productions of Carousel, 17 of The King and I, 26 of South Pacific, 64 of Oklahoma!, and 106 of The Sound of Music."

Oscar Hammerstein died in 1960 and while Rodgers kept busy, he never again experienced the degree of success he had with Hammerstein. In addition, the nature of what the public wanted had changed. Rodgers died in 1979.

A critic in 1993 wrote deprecatingly that the world of Rodgers and Hammerstein was too much of a wholesome and saccharine place in which good triumphed over evil. Parodying their music he explained:

“If you kept on whistling a happy tune, you would never walk alone. And on some enchanted evening, you might even find your true love. Those who climbed every mountain, beginning with foothills that were alive with the sound of music, would surely find their dreams.”

He concluded that in the light of today’s sexual and racial politics, this perspective seemed no longer relevant. And yet. There is a reason the plays and the music endure. As Julie Andrews said in an interview:

“Rodger’s music was always melodically glorious, simple yet soaring. . . . Hammerstein’s lyrics were equally rich [and] brilliantly constructed…. Their shows managed to be both timely and timeless - the epitome of classic.”

The book includes photos.

Evaluation: You may ask, how can I objectively evaluate this book when clearly I loved it even before I cracked open the cover? Yes, true indeed. But I would also observe that I have a number of other books on musical theater, Broadway, Tin Pan Alley, and Hollywood musicals, and none of them are as well-written as this one. This one does what Rodgers and Hammerstein did at their best: it comes up with a unified story and peppers it with details that are interesting, inspiring, instructive, sentimental, gossipy, and even salacious. It throws in unforgettable lyrics, and thanks to the internet, stirring background music is only as far away as your computer or smart phone. ( )
1 stem nbmars | Jul 11, 2018 |
1-5 van 6 worden getoond (volgende | toon alle)
geen besprekingen | voeg een bespreking toe
Je moet ingelogd zijn om Algemene Kennis te mogen bewerken.
Voor meer hulp zie de helppagina Algemene Kennis .
Gangbare titel
Oorspronkelijke titel
Alternatieve titels
Oorspronkelijk jaar van uitgave
Mensen/Personages
Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
Belangrijke plaatsen
Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
Belangrijke gebeurtenissen
Verwante films
Motto
Opdracht
Eerste woorden
Citaten
Laatste woorden
Ontwarringsbericht
Uitgevers redacteuren
Auteur van flaptekst/aanprijzing
Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
Oorspronkelijke taal
Gangbare DDC/MDS
Canonieke LCC

Verwijzingen naar dit werk in externe bronnen.

Wikipedia in het Engels

Geen

"A revelatory portrait of the creative partnership that transformed musical theater and provided the soundtrack to the American Century They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch. Todd S. Purdum's portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and lovers in general. He shows that what Rodgers and Hammerstein wrought was truly something wonderful" --

Geen bibliotheekbeschrijvingen gevonden.

Boekbeschrijving
Haiku samenvatting

Deelnemer aan LibraryThing Vroege Recensenten

Todd S. Purdum's boek Something Wonderful: Rodgers and Hammerstein's Broadway Revolution was beschikbaar via LibraryThing Early Reviewers.

Actuele discussies

Geen

Populaire omslagen

Snelkoppelingen

Waardering

Gemiddelde: (4.31)
0.5
1
1.5
2
2.5
3 2
3.5 2
4 15
4.5 3
5 12

Ben jij dit?

Word een LibraryThing Auteur.

 

Over | Contact | LibraryThing.com | Privacy/Voorwaarden | Help/Veelgestelde vragen | Blog | Winkel | APIs | TinyCat | Nagelaten Bibliotheken | Vroege Recensenten | Algemene kennis | 203,215,104 boeken! | Bovenbalk: Altijd zichtbaar