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Bezig met laden... Lupercal (1960)door Ted Hughes
Books Read in 2021 (3,975) Bezig met laden...
Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. When I sat down to write about my first reading of this collection of poetry, I drew a blank. I knew nothing of Ted Hughes until he was mentioned in a comment about my reading of T.S. Eliot's The Waste Land, along with Sylvia Plath. I'd heard of Plath! I didn't hate the poetry, nor did I like it. But it seemed strange. I knew it was about animals, but that was the extent of the experience of my first reading. So I took to some research and made some enlightening discoveries. Hughes was the UK's Poet Laureate, just like Alfred, Lord Tennyson. There had to be something I was missing. In an interview with The Paris Review from 1995, Hughes mentions a number of issues concerning "The Art of Poetry", such as the differences in drafting verse in handwriting versus typing. In response to the question "Is a poem ever finished?", Hughes mentions a struggle he has had with the singular or plural in the middle of the poem, "Hawk Roosting". Neither worked satisfactorily. So I start there: My feet are locked upon the rough bark. And he's right. Swap feet for foot and back again, and neither works grammatically. But it works as it is in the poem. I tried another poem, "Urn Burial". On the first reading, my mind was clouded by seeing some of the oldest remnants of human urn burials in Bahrain on a visit during my sabbatical in 2009. All I could picture were the skeletal remains curled up in the large stone urns. No animals in sight. Then, like a 3D picture, the symbolism became clear: Oh, it's a weasel! (It even reads "weasel", but I was off in another dimension.) It started to make sense. This was not entirely my own doing. I had to digress with Hughes' ars poetica, "The Thought Fox". Hughes basically tells me how to read his poetry. It's very clever, but maybe a little more academic than I was expecting. Hughes' fascination with animals came from his childhood experience. His older brother, ten years his senior, loved to hunt. Hughes acted as his older brother's retriever and this continued for something like twenty years. Hughes is also famous for his children's books. Like many readers these days, I had fallen victim to the general decline in reading poetry for fun. (Except epic and didactic poetry such as Homer, Virgil, and Hesiod.) This year I have read Frank O'Hara, Sir Walter Ralegh, T.S. Eliot, and Alfred Lord Tennyson, and I am now a convert. I also read Nietzsche's The Gay Science and I am currently reading Harold Bloom's The Anxiety of Influence, both works about poetry. It makes more sense to read poetry more than once, and with some study in between. (Hughes said this in his Paris Review interview, too.) Had I not read up about Hughes, I would have been none the wiser. And I would certainly be missing out. The icing on the cake was the name of the collection, Lupercal, is derived from an ancient Roman pastoral or fertility festival, Lupercalia, held annually on my birthday. This made more sense of the numerous classical references that had confused me in my first reading. Perhaps I am now a Ted Hughes fan. geen besprekingen | voeg een bespreking toe
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Lupercal, Ted Hughes's second book, contains many of the unsettling and vivid animal poems for which Hughes is so rightly celebrated, including 'The Bull Moses', 'Hawk Roosting' and 'Pike'. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)821.914Literature English & Old English literatures English poetry 1900- 1900-1999 1945-1999LC-classificatieWaarderingGemiddelde:
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Sometimes I wasn’t sure how a poem’s title related to the text. One example is “Wilfred Owen’s Photograph.” Another is “February,” in which the speaker regards a photo of the last wolf killed in England (who makes a surprise reappearance in “The Retired Colonel”). That wolf hovers over the entire collection, given the book’s title and its final poem.
Some poems, such as “Esther’s Tomcat,” are very accessible, whereas others are more obscure. For example, I had to read “Mayday at Holderness” three times before I got a feeling for the juxtaposition of the inexorable work of the North Sea (like a vast digestive tract) and a single death amid the ferocious slaughter at Gallipolli.
“Hawk Roosting” is a masterpiece. Another is “The Bull Moses,” an evocation so powerful I felt as if I were peering through the barn’s half-door and inhaling the odors.
Throughout, Hughes employs short words carefully marshaled for full effect of vowels and consonants, appropriate counterpart to his unflinching view of nature. ( )