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Emily has a tendency to live with one foot out the door. For her, the best thing about a family crisis is the excuse to cut and run. When her mother dramatically announces they've found a lump, Emily gladly takes a rain check on life to be by her mother's side, leaving behind her career, her boyfriend, and those pesky, unanswerable questions about who she is and what she's doing with her life. But back in her childhood bedroom, Emily realizes that she hasn't run fast or far enough. One evening, while her mother calls everyone in her Rolodex to brief them on her medical crisis and schedule a farewell martini, Emily opens the door, quite literally, to find her past staring her in the face. How do you forge a relationship with the father who left when you were five years old? As Emily attempts to find balance on the emotional seesaw of her life, with the help of two hopeful suitors and her Park Avenue Princess sister, she takes a no-risk job as a receptionist at her father's law firm and slowly gets to know the man she once pretended was dead. From the brainy, breezy writer who "writes like a professional comic" (The Onion) and is "hard to stop reading once you start" (USA Today) comes a laugh-out-loud tale that confirms you can recover from your parents, the bad habit of missed opportunities, and men who romance you with meat. When opportunity knocks, it's time to stop running and start living.… (meer)
Katymelrose: both chick lit, kind of coming of age stories about 30(ish) year old women. Ask Again Later has less story but is funnier than Baby Proof.
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This may be a perfectly good book, but I wasn't getting into it. When the narrator's mother got sick, I had to stop reading (my mother died last year). ( )
After "Girl's Poker Night" this book was a big disappointment. The laughs were missing and I got to the point where I just wanted to finish it so I could move on to another book. Skip this one, but read Davis' first book. ( )
Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
"Its hard not to see things as beginnings and endings. When someone dies, you want to mark time before or after...but time is time. It's a continuous motion, and we divide it into increments to pretend to have some control over it. To make it neat and manageable." & "But nothing is ever what it seems to be, because you can never see the back while you're looking at the front, or the top while you're looking at the bottom. One side, that's mostly what you get."
Lost people are different. They will drive around in the same circle over and over rather than try a new path. Their fear of getting more lost paralyzed them into staying lost in the area that’s just become familiar. It supersedes their ability to chart a new course. They circle and backtrack and stay comfortably lost because it’s less scary than seeing something different than what’s presently in front of them.
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Informatie afkomstig uit de Engelse Algemene Kennis.Bewerk om naar jouw taal over te brengen.
Emily has a tendency to live with one foot out the door. For her, the best thing about a family crisis is the excuse to cut and run. When her mother dramatically announces they've found a lump, Emily gladly takes a rain check on life to be by her mother's side, leaving behind her career, her boyfriend, and those pesky, unanswerable questions about who she is and what she's doing with her life. But back in her childhood bedroom, Emily realizes that she hasn't run fast or far enough. One evening, while her mother calls everyone in her Rolodex to brief them on her medical crisis and schedule a farewell martini, Emily opens the door, quite literally, to find her past staring her in the face. How do you forge a relationship with the father who left when you were five years old? As Emily attempts to find balance on the emotional seesaw of her life, with the help of two hopeful suitors and her Park Avenue Princess sister, she takes a no-risk job as a receptionist at her father's law firm and slowly gets to know the man she once pretended was dead. From the brainy, breezy writer who "writes like a professional comic" (The Onion) and is "hard to stop reading once you start" (USA Today) comes a laugh-out-loud tale that confirms you can recover from your parents, the bad habit of missed opportunities, and men who romance you with meat. When opportunity knocks, it's time to stop running and start living.
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