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Felon: Poems

door Reginald Dwayne Betts

Andere auteurs: Zie de sectie andere auteurs.

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1562174,953 (4.29)10
"A searing volume by a poet whose work conveys "the visceral effect that prison has on identity" (Michiko Kakutani, New York Times). Felon tells the story of the effects of incarceration in fierce, dazzling poems-canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace-and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person's life. The poems move between traditional and newfound forms with power and agility-from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume's radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates. Challenging the complexities of language, Betts animates what it means to be a "felon.""--… (meer)
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When it’s difficult for me to focus, I tend to read poetry. This short collection surprisingly filled an empathetic void in me I didn’t know I had. Its focus on the emotional experience and effects of incarceration is both eerily timely and educational without being didactic. I mean, I know the stats. I’ve seen Ava Duvernay’s excellent documentary 13th. But I’ve never thought deeply on the heart of someone who has been incarcerated. I know incarceration marks a person indelibly. I had some dim idea of how. But this book made me think of what those marks look like in daily living, and what it takes to heal, or to try to.

(For a more detailed review, check out my website.) ( )
  EQReader | Dec 1, 2020 |
“This is the brick & mortar of the America
that murdered Tamir & may stalk the laughter

in my backseat. I am a father driving
his Black sons to school & the death
of a Black boy rides shotgun & this
could be a funeral procession. The Death
a silent thing in the air, unmentioned-
because mentioning death invites taboo...”

“Lost in what's gone. Reinventing myself with lies:
I walk these streets, ruined by what I hide.
Jesus died for somebody's sins, but not mine.

Did a stretch in prison to be released to a cell.
Returned to freedom penned by Orwell.
My noon temptation is now the Metro's third rail.

In my wallet, I carry around a daguerrotype,
A mugshot, no smiles, my name a tithe.
What must I pay for being this stereotype?”

^These 2 excerpts, are from [Felon: Poems]. It is a beautiful but also hard-hitting collection, directing an insightful spotlight on the Black experience in America today. It may end up being the best collection I have read this year. Warbling loud and clear... ( )
  msf59 | Dec 8, 2019 |
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» Andere auteurs toevoegen (3 mogelijk)

AuteursnaamRolType auteurWerk?Status
Reginald Dwayne Bettsprimaire auteuralle editiesberekend
Kephar, TitusArtiest omslagafbeeldingSecundaire auteursommige editiesbevestigd
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Gangbare titel
Oorspronkelijke titel
Alternatieve titels
Oorspronkelijk jaar van uitgave
Mensen/Personages
Belangrijke plaatsen
Belangrijke gebeurtenissen
Verwante films
Motto
Opdracht
Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
To Terese, Micah, and Miles: for love; for the many moments I cherish, and every regret; for all of it.
Eerste woorden
Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
Name a song that tells a man what to expect after prison; Explain Occam's razor: you're still a suspect after prison.
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Laatste woorden
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Uitgevers redacteuren
Auteur van flaptekst/aanprijzing
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"A searing volume by a poet whose work conveys "the visceral effect that prison has on identity" (Michiko Kakutani, New York Times). Felon tells the story of the effects of incarceration in fierce, dazzling poems-canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace-and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person's life. The poems move between traditional and newfound forms with power and agility-from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume's radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates. Challenging the complexities of language, Betts animates what it means to be a "felon.""--

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