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How to Catch a Mole: Wisdom from a Life Lived in Nature (2019)

door Marc Hamer

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11110245,539 (4.11)Geen
At once a highly original memoir and an ode to the outdoors, this unexpected-and delightfully strange-book reveals, at its core, a rare vision of the natural world. Kneeling in a muddy field, clutching something soft and blue-black, Marc Hamer vows he will stop trapping moles-forever. In this earnest, understated, and sublime work of nonfiction literature, the molecatcher shares what led him to this strange career: from sleeping among hedges as a homeless teen, to toiling on the railway, to weeding windswept gardens in Wales. Hamer infuses his wanderings with radiant poetry and stark, simple observations on nature's oft-ignored details. He also reveals how to catch a mole-a craft long kept secret by its masters-and burrows into the unusual lives of his muses. Moles, we learn, are colorblind. Their blood holds unusual amounts of carbon dioxide. Their vast tunnel networks are intricate and deceptive. And, like Hamer, they work alone.… (meer)
Zoology (23)
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Engels (9)  Duits (1)  Alle talen (10)
1-5 van 10 worden getoond (volgende | toon alle)
Lovely, unique, quiet book. Being with nature and beyond. ( )
  geraldinefm | Apr 26, 2023 |
Fast so gut wie das nachfolgende Buch. Thematisch gleich, trotzdem sehr lesenswert ( )
  Patkue | Apr 6, 2023 |
Marc Hamer had a long career as a mole catcher in England, until one day when he abruptly gave up this form of livelihood. In How to Catch a Mole he writes about the craft of mole catching, interspersed with accounts of an earlier time when, as a young man, he left home with no job or permanent address and had to survive on his own. This period of vagrancy made him value solitude and being close to nature, both of which informed subsequent life choices. After all, mole-catching is solitary work, typically carried out in fields while hunting for the moles’ underground tunnels

This memoir will tell you everything you ever wanted to know about moles, both how they live and the many ways humans have tried to rid themselves of moles, generally for aesthetic reasons. While a large mole population can be damaging for those who earn their living by farming, this book might make you question the need to kill them simply to have a prettier lawn. After all, every species plays a role in our ecosystems.

Alongside the discussion of moles and mole-catching, Hamer also reflects on the aging process and the importance of love and family to a man who experienced little of either during his youth. This personal dimension coupled with his insights on the natural world really worked for me. ( )
  lauralkeet | Mar 29, 2023 |
This is a lovely, quiet little book. A wonderful meditation on life and aging. ( )
  nancenwv | Mar 11, 2023 |
This book was just lovely, far more than I had anticipated. It’s a blend of memoir, natural history writing and poetry. The author was for many years a molecatcher, using traditional methods. He states at the beginning of the book that he’s going to tell you what he knows about moles and how to catch them (if you need to), but he goes about it in a very meandering fashion. There will be one little tidbit of information that starts off a chapter, then gently diverges into a story about how he wandered fields and hedgerows as a homeless young man, or how he feels about the current state of his family, or just observations on the weather and scenery about him as he does his work. You get one piece of the picture about moles every ten pages it seems, with a lot of musings and quiet observations on other nature things in between. Which I didn’t at all mind. For once I also didn’t mind the back-and-forth of the narrative- sometimes about his past, sometimes present tense, sometimes thinking on the future, and not at all in order. There are thoughts on gardening, on why he prefers solitude, on how the landscape has changed as the years pass, as housing and industry slowly replace the fields. There’s a lot about how nature recycles everything back into something new to grow again. I really liked that. In the end, he finally tells about placing the traps and how his knowledge of mole behavior enables him to catch them without fail- and then why he no longer wants to do so. I liked everything about this book. The voice and sentiments immediately resonated with me, the black and white woodcut-style illustrations by Joel McLaren are so nice, I even liked the parts expressed in poetry (which usually isn’t my thing). This is right up there with H is for Hawk, Braiding Sweetgrass and Bringing Nature Home. ( )
  jeane | Feb 10, 2023 |
1-5 van 10 worden getoond (volgende | toon alle)
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Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
There is a man who haunts the forest, that hangs odes upon hawthorns and elegies on brambles. -As You Like It, Act III, Scene 2
I love my Peggy's angel air

Her face so truly, heavenly fair

Her native grace so void of art

But I adore my Peggy's heart.

-Robbie Burns
Sunday I'll go molecatching

hang their smooth soft bodies

from the thorns

where farmers can see my work

and shiny crows can gorge.
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For Kate (Peggy), To whom I owe everything
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Prologue: I am a gardener.
Daybreak: As I sit here writing at my kitchen table, a ladybird is crawling on my leg.
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Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
In the north of England and Scotland they do not ask where you live, or where you come from: they ask, "Where do you stay?" as if living somewhere were just a stop on a journey, as if we were all travellers. ...in reality, we are all travellers. (p. 64)
... I'm thankful to be old; I can rest and take my time and it is okay. It is good to be old, and good to be slow, and have nothng left to fear or gain or lost - I can just dance if I want, and sleep if I want. (p. 110)
There is much birdsong in the trees and hedgerows; I can hear it this afternoon. A "peep peep peep peep" and a "chitterwijee, chitterwijee" and many others. I can hear the calls of four, maybe five different birds looking for mates or defending their territories. I don't know their names or which song belongs to which bird, apart from those brave enough to sit and sing by me, the robin and the blackbirds, and of course i know the crows, magpies, gulls and pigeons. But the smaller flocking birds are just flitting, singing clouds. Once I was a curiosity or a threat to them. Now I am so familiar I have become invisible. I am nobody, and so I have reached the pinnacle of my existence. (p. 138)
Buddhists say that life is full of sadness and the only way to live with it is through compassion. They say that we should feel both sadness and joy in everything we do. There is a joy in being in this field, being like the hawk or the hedgehog. There is a sadness in it, too, in the journey from the place where we start to the place where we end. Mine is not a journey that goes anywhere or delivers anything of any importance, it just goes. Like a poppy it emerges, flowers and fades, then dries and turns to dust. Compassion is born at the interaction between joy and sadness. Compassion for your own life, forgiveness for your own mistakes, is the foundation. (p. 145-6)
Suddenly, as life has become clearly shorter, we have more time. I can allow things to show themselves as they are, rather than trying to bend them to my will. (p. 197)
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At once a highly original memoir and an ode to the outdoors, this unexpected-and delightfully strange-book reveals, at its core, a rare vision of the natural world. Kneeling in a muddy field, clutching something soft and blue-black, Marc Hamer vows he will stop trapping moles-forever. In this earnest, understated, and sublime work of nonfiction literature, the molecatcher shares what led him to this strange career: from sleeping among hedges as a homeless teen, to toiling on the railway, to weeding windswept gardens in Wales. Hamer infuses his wanderings with radiant poetry and stark, simple observations on nature's oft-ignored details. He also reveals how to catch a mole-a craft long kept secret by its masters-and burrows into the unusual lives of his muses. Moles, we learn, are colorblind. Their blood holds unusual amounts of carbon dioxide. Their vast tunnel networks are intricate and deceptive. And, like Hamer, they work alone.

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