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Over a decade in the making, this monumental investigation of the unthinkable: the murder of more than six million Jews by the Nazis. Using no archival footage, Claude Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, and other witnesses), employing a circular, free-associative method in assembling them. The intellectual yet emotionally overwhelming SHOAH is not a film about excavating the past but an intensive portrait in which the past is always present.… (meer)
Per la prima volta pubblicato in Italia in dvd il documentario di Lanzmann, qui in un cofanetto che comprende in una nuova edizione il libro della trascrizione dei dialoghi del film già edito da Bompiani con la prefazione della De Beauvoir, e in aggiunta una intervista a Lanzmann realizzata per il canale Franco-Tedesco Arte in occasione della trasmissione di una versione restaurata del film nel 2005.
As the movie is nine hours long and my local library and DVD rental place didn't have it, I thought I'd read just the text instead. Unfortunately it didn't have as much as an impact on me as I had hoped it would. I think seeing the movie, the people's faces, how they talked, would be better. Very few movies are a good substitute for the novel they're based off of; this book doesn't seem to be an adequate substitute for the movie it came from. ( )
Over a decade in the making, this monumental investigation of the unthinkable: the murder of more than six million Jews by the Nazis. Using no archival footage, Claude Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, and other witnesses), employing a circular, free-associative method in assembling them. The intellectual yet emotionally overwhelming SHOAH is not a film about excavating the past but an intensive portrait in which the past is always present.
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