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Bezig met laden... Throw Like A Girl: Storiesdoor Jean Thompson
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. I love happy endings as much as the next girl. Sunshine, rainbows, fluffy white kittens... what's not to like? There is something satisfying in closing a book with a contented sigh, assured that everything has turned out just as it should. The good guys win, justice is served, love is requited, and they all live happily ever after. I have a secret though. I love unhappy endings more. Well, maybe love isn't the right word. It's not like I enjoy reading about people suffering or dying miserable and alone. It's just that, for me, those stories pack more of an emotional punch. They affect me in a way that no fairy tale ever can. Tragedy, despair, unrealized dreams, missed opportunities, bad things happening to good people - these are the stories that get under my skin and inside my head, the stories I find myself thinking about hours and even days later. [b:Throw Like A Girl: Stories|480270|Throw Like A Girl Stories|Jean Thompson|http://photo.goodreads.com/books/1266565417s/480270.jpg|468666] isn't as extreme in it's bleakness as anything by Flannery O'Connor (whom I love), but rest assured that there are no rainbows or kitties to be found anywhere. Instead you get glimpses into the lives of everyday people, warts and all, behaving as they do when they don't think anyone is watching. We all know that's not always pretty. But it's real, and I loved it. Favorite stories: The Brat, The Five Senses, It Would Not Make Me Tremble to See Ten Thousand Fall, The Family Barcus, Throw Like a Girl geen besprekingen | voeg een bespreking toe
A master of short fiction whose "best pieces are as good as it gets in contemporary cction" (Newsday) returns, as Jean Thompson follows her National Book Award finalist collection Who Do You Love with Throw Like a Girl. Here are twelve new stories that take dead aim at the secrets of womanhood, arcing from youth to experience. Each one of Thompson's indelible characters -- lovers, wives, friends, and mothers -- speaks her piece -- wry, angry, hopeful -- about the world and women's places in it. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.6Literature English (North America) American fiction 21st CenturyLC-classificatieWaarderingGemiddelde:
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This is never the case with Jean Thompson. To illustrate her range, in this collection we have a story of a smart, angry, misfit teenager in "Brat," a driven and troubled late-fifties suburban father and husband in "The Family Barcus," a bitingly self-aware woman trying to put an adulterous affair behind her in "The Inside Passage," and a group-portrait story of a family struggling on after the mental breakdown of the mother in "Hunger." And in terms of tone, we have the wry humor (reminiscent of Lorrie Moore) of "The Woman Taken in Adultery," the darkness of a girl who finds herself helplessly attached to a criminal psychopath in "The Five Senses," a story about the redemptive strength of love in "Holy Week," and another about love's overpowering irrationality in "Lost."
... plus the proverbial "more." But throughout the varied landscapes of this diverse collection, Thompson's writing is uniformly graceful and artistic, her story-telling is invariably compelling, and her characters always feel real and beautifully drawn. ( )