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Oldest Living Confederate Widow Tells All…
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Oldest Living Confederate Widow Tells All (origineel 1989; editie 1990)

door Allan Gurganus

LedenBesprekingenPopulariteitGemiddelde beoordelingAanhalingen
1,6521910,673 (3.72)63
Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and readers alike fell in love with the voice of ninety-nine-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the twentieth century, when she was fifteen and her husband was fifty. If Colonel William Marsden was a veteran of the "War for Southern Independence," Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood. Lucy's story encompasses everything from the tragic death of a Confederate boy soldier to the feisty narrator's daily battles in the Home--complete with visits from a mohawk-coiffed candy striper. Oldest Living Confederate Widow Tells All is a marvel of narrative showmanship and proof that brilliant, emotional storytelling remains at the heart of great fiction.… (meer)
Lid:saranaut
Titel:Oldest Living Confederate Widow Tells All
Auteurs:Allan Gurganus
Info:Ivy Books (1990), Paperback, 718 pages
Verzamelingen:Te lezen
Waardering:
Trefwoorden:Geen

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Oldest Living Confederate Widow Tells All door Allan Gurganus (1989)

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1-5 van 19 worden getoond (volgende | toon alle)
Do not be intimidated by the length of this book. Miss Lucille Marsden will keep you entertained through every single page. Even when she is telling you about the horrors of war, she will keep you riveted every paragraph. Even when the story is not from her point of view, she will have you glued to the sentences. Within Lucy's monologue Gurganus lays out the entire southern society from before the Civil War up to the mid-1980s when Lucy is almost one hundred years old. History breathes in and out with every colorful sentence; from the recognition of Baby Africa and every aspect of owning another human being to life in a nursing home.
Lucy herself is a treat. Married at a mere fifteen years old, she saw the world with a sensitivity and sweetness. She cared about where people came from (Castalia from Africa) or how displaced a foreigner can feel (Wong Chow from China). Even though her husband was in his fifties when they married, Lucy became a baby factory having nine children in eleven years. Her marriage was painful as her husband could be very abusive. Sleeping with a hatchet was not out of the question for Lucy. But I digress. Take your time with Oldest Living Confederate Widow Tells All. Know that every character serves a purpose at the moment of introduction but may not need remembering a hundred pages later. ( )
  SeriousGrace | Apr 1, 2024 |
One of my favorite novels. ( )
  hcubic | Apr 22, 2021 |
Wow I am constantly amazed at how much I dislike books I have a fond memory of enjoying decades ago. ( )
  LoisSusan | Dec 10, 2020 |
I saw the movie years ago and fell in love with the story. When I finally got the chance to read the book, I was very excited. However, the writing style just wasn't my cup of tea and I'm sad to say I wasn't able to get very far into the book. ( )
  book_lady15 | Apr 3, 2020 |
(43) Yikes. This was quite a long book and took me forever to read. As one who loves literature from the Civil War period and who calls central North Carolina home; even knows some of the same people the author does - by all accounts, I should have loved this. But it was just so incredibly rambling. Lucy Marsden married a 55 year old veteran of the Civil War (he joined as a 13 year old bugle boy) when she was 14 - and now at almost 100 years old she carries her husband's eyewitness accounts of the War with her - in all its absurdities and tragedies. She and her husband are from a Mayberry type of small town peopled with characters, including her best friend Castalia Marsden, a former slave of the family. Castalia remembers Africa and her crossing on a slave ship, and Sherman's march through the Marsden's plantation burning all.

Over 700 pages of small print of detailed stories from Lucy, Cap Marsden, and Castalia's lives - all in a frame of the 100 year old Lucy in a nursing home telling some young author. The chronology jumps around and many stories become - well - tedious. Lucy is a fascinating and hilarious character - evoking pathos and admiration, and she is indeed a good story-teller. At times, I will say, I loved the book and certain images haunt - Ned shot from the tree; Lady Marsden playing with the slave children in The Lilacs; Baby Archie's story. But Gawd - some things just dragged - the Africa part, the Shirley interlude, the last weird War story with the Lieutenant that preened in the mirror - WTF.

I have such mixed feelings - I feel that 3 stars is both a stingy and a generous rating for this novel depending on which part I reflect on. Unlike some other books that have been a big time investment where I haven't felt rewarded, (I am thinking of Helprin's 'A Winter's Tale,' and 'Ulysses' to name a few. . .) I am glad I read this and don't begrudge the time. But I really do feel that at times, you can have too much of a good thing. ( )
  jhowell | Oct 5, 2019 |
1-5 van 19 worden getoond (volgende | toon alle)
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» Andere auteurs toevoegen (11 mogelijk)

AuteursnaamRolType auteurWerk?Status
Allan Gurganusprimaire auteuralle editiesberekend
Hermstein, RudolfVertalerSecundaire auteursommige editiesbevestigd
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Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
Motto
Informatie afkomstig uit de Engelse Algemene Kennis. Bewerk om naar jouw taal over te brengen.
Myth is gossip grown old.  --Stanislaw Lec
What the American public always wants us a tragedy with a happy ending. --W. Dean Howells to Edith Wharton in conversation, A Backward Glance
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To my mother and father, with gratitude for standards and tenderness
And, with love, to Mona Simpson
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Died on me finally. He had to.
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"Whoo," she gave a barricaded smile. "They can *do* it, can't they? But, Lucy honey, we gots to consider the source. Look around you at these men. Ain't never had to axe theyselfs one real question. They start out, they a little boy baby with a congratulations in they didies. They don't got to wonder much (like us). They start out like being a state-ment. They never gots to questions nothing. Gliding, like. They born--they name's already signed down at the bottom of the deed. But, Lucy? They the real losers. Those of us as had to start everything for ourselfs, as has woke up every day with questions right in the bed with us--'how to get through it,' '*why* to get through it'--we done turned ourselves flat *in*to somebody. We our own best answers, we a tribe of answers--we self-made."

"But it's so tir-ing honey, always reinventing the wheel , at the bottom of every blooming hill!"

She laughed, "That do point that out. But they tells me: we gone inherit Mother Earth, us meek. Well, semi-meek. Men like yours, like ours in yonder, why they ain't punished *for* they sins to others--they punished *by* they sins. Some justice in this world! He usually stay tied up, he done lost his mind, and us? why, we free. I free, you free, he all troubled in the spirits." (pp. 705-6)
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Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and readers alike fell in love with the voice of ninety-nine-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the twentieth century, when she was fifteen and her husband was fifty. If Colonel William Marsden was a veteran of the "War for Southern Independence," Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood. Lucy's story encompasses everything from the tragic death of a Confederate boy soldier to the feisty narrator's daily battles in the Home--complete with visits from a mohawk-coiffed candy striper. Oldest Living Confederate Widow Tells All is a marvel of narrative showmanship and proof that brilliant, emotional storytelling remains at the heart of great fiction.

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