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The Wicked and the Dead

door Melissa Marr

Reeksen: Faery Bargains (1)

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In near-future New Orleans, draugar, again-walkers, are faster and stronger than most humans, but not venomous until they are a century old. Until then, they shamble and bite. Since not everyone wants to see their relatives end up that way, Geneviève Crowe makes her living beheading the dead. But now, her magic's gone sideways, and the only person strong enough to help her is the one man who could tempt her to think about picket fences: Eli Stonecroft, a faery who chose bar-owner in New Orleans over a life in Elphame. When human businessmen start turning up as draugar, both the queen of the again-walkers and the wealthy son of one of the victims hire Geneviève to figure it out. She works to keep her magic in check, the dead from crawling out of their graves, and enough money for a future that might be a lot longer than she'd like. Neither her heart nor her life are safe now that she's juggling a faery, murder, and magic. "I loved The Wicked and The Dead! A sassy, ass-kicking heroine, a deliciously mysterious fae hero, and a wonderful mix of action and romance. Add that to Melissa's usual great world-building, and I'm already looking forward to book 2!" - Jeaniene Frost, NYT Bestselling Author… (meer)
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This is a great example that you can use common tropes to great effect without appearing unoriginal or boring.
Technically this book is not much different from the hundreds of other UF/PnR books out there, but to me, it has a unique charm that gives it character and distinguishes it from the crowd.

My biggest issue with this was the writing itself. For the most part, I enjoyed the writing style but it has the tendency to become unintentionally rambly and repetitive. Especially in the first half, thoughts get repeated multiple times but worded differently.
This issue makes sections drag unnecessarily and hurts the pacing.

Another common problem is scene consistency. There are numerous examples of things happening without the reader having been told. People just warp through rooms, change positions, stand up or sit down etc. Other stuff is affected by these kinds of issues as well.
Scene setting is largely missing and sometimes even contradictory in places.

Scenes appear unnatural and stilted because everything seems to happen in sequence. Even simple things like walking and talking frequently don't appear to happen at the same time even though it seems natural for the characters to do so.

I think a thorough editing pass by an experienced editor could've massively improved the quality.
To me, those issues were far less noticeable towards the end but I am not sure if this was because I got so invested or because it's actually less of an issue.
Without those basic writing issues, this would've been a 4-star rating.

If you are sensitive to amateurish writing issues like that you will probably hate this but otherwise, I would recommend giving it a try because the ideas are great.
I will for sure listen to the second book in the series as soon as it becomes available as an audiobook.
The narration of the first one was great. ( )
  omission | Oct 19, 2023 |
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In near-future New Orleans, draugar, again-walkers, are faster and stronger than most humans, but not venomous until they are a century old. Until then, they shamble and bite. Since not everyone wants to see their relatives end up that way, Geneviève Crowe makes her living beheading the dead. But now, her magic's gone sideways, and the only person strong enough to help her is the one man who could tempt her to think about picket fences: Eli Stonecroft, a faery who chose bar-owner in New Orleans over a life in Elphame. When human businessmen start turning up as draugar, both the queen of the again-walkers and the wealthy son of one of the victims hire Geneviève to figure it out. She works to keep her magic in check, the dead from crawling out of their graves, and enough money for a future that might be a lot longer than she'd like. Neither her heart nor her life are safe now that she's juggling a faery, murder, and magic. "I loved The Wicked and The Dead! A sassy, ass-kicking heroine, a deliciously mysterious fae hero, and a wonderful mix of action and romance. Add that to Melissa's usual great world-building, and I'm already looking forward to book 2!" - Jeaniene Frost, NYT Bestselling Author

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