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Migrants in the Profane: Critical Theory and the Question of Secularization (The Franz Rosenzweig Lecture Series)

door Peter E. Gordon

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19Geen1,144,744Geen1
'Migrants in the Profane' explores the concept of secularization in the thought of three key figures in the classical phase of critical theory, Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. Following Adorno's dictum that theological concepts must undergo a 'migration into the profane,' the book asks whether it is possible for secular modernity to draw instruction from the normative resources of religion without violating its own principle of modern independence. It pursues this question in three chapters, examining how each author proposed distinctive answers. Interlacing philosophical and historical criticism, the book also addresses the history of Frankfurt School critical theory in its early years. It concludes with broader reflections on the relationship between religion and secular society, and the challenge of ethno-religious pluralism in an era of migration. "A beautifully written exploration of religion's role in a secular, modern politics, by an accomplished scholar of critical theory. Migrants in the Profane takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin's image of a celebrated mechanical chess-playing Turk and its hidden religious animus: "Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane." In this masterful book, Peter Gordon reflects on Adorno's statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion's influence? In answering this question, he explores the work of three of the Frankfurt School's most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity"--… (meer)
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'Migrants in the Profane' explores the concept of secularization in the thought of three key figures in the classical phase of critical theory, Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. Following Adorno's dictum that theological concepts must undergo a 'migration into the profane,' the book asks whether it is possible for secular modernity to draw instruction from the normative resources of religion without violating its own principle of modern independence. It pursues this question in three chapters, examining how each author proposed distinctive answers. Interlacing philosophical and historical criticism, the book also addresses the history of Frankfurt School critical theory in its early years. It concludes with broader reflections on the relationship between religion and secular society, and the challenge of ethno-religious pluralism in an era of migration. "A beautifully written exploration of religion's role in a secular, modern politics, by an accomplished scholar of critical theory. Migrants in the Profane takes its title from an intriguing remark by Theodor W. Adorno, in which he summarized the meaning of Walter Benjamin's image of a celebrated mechanical chess-playing Turk and its hidden religious animus: "Nothing of theological content will persist without being transformed; every content will have to put itself to the test of migrating in the realm of the secular, the profane." In this masterful book, Peter Gordon reflects on Adorno's statement and asks an urgent question: Can religion offer any normative resources for modern political life, or does the appeal to religious concepts stand in conflict with the idea of modern politics as a domain free from religion's influence? In answering this question, he explores the work of three of the Frankfurt School's most esteemed thinkers: Walter Benjamin, Max Horkheimer, and Theodor W. Adorno. His illuminating analysis offers a highly original account of the intertwined histories of religion and secular modernity"--

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