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In het begin een nieuwe uitleg van Genesis (1996)

door Karen Armstrong

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623737,545 (3.82)4
In this fascinating book by the author of A History of God and Jerusalem, one of the best-known and least-understood books of the Bible is clarified for modern readers. Armstrong shows readers how the ancient tales of the Creation, the Fall, Cain and Abel, Noah, Abraham, Jacob, and Joseph illuminate our most profound and impenetrable problems.… (meer)
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1-5 van 7 worden getoond (volgende | toon alle)
Read the book of Genesis first, trying to read not more than 6 chapters a day. As for the meat of the KA book, these are the high points for me:

Two separate authors 'P' and "J". P presents the basic creation story of the earth being created out of nothing. J says the world was already there, but God put things on it like humans, animals, plants, etc. I see this as a serious contradiction in the creation story.

KA presents a theory that God was unaware that Adams would need a mate, and the original thought from god was that he would be satisfied with only animals and such. She makes an implication that some may find offensive.

Noah's moral conduct does not compare favorably to Abraham, and she terms him a "yes man" for not questioning any of the directives the God issued to him during the ark story..
Ab has courage and possesses righteousness for attempting to save Sodom and Gomorrah.
She is highly critical of Jacob, an portrays him as just as overall bad person. His treatment of his baby mommas and children, and overall selfishness. Joseph has a bloated ego and is his own worst enemy.

This book is a psychological study of the major characters in the book of Genesis. ( )
1 stem delta351 | Oct 6, 2021 |
This relatively short discussion of themes found in Genesis is stimulating and several times taught me things I did not notice. For example, Armstrong argues persuasively that Judah is the only one of the sons of Jacob who learns from experience and grows in wisdom and morality over the course of his life. Food for reflection, not a comprehensive, verse by verse guide. ( )
  nmele | Oct 10, 2016 |
In the Beginning: A New Interpretation of Genesis by Karen Armstrong. Age: adult. Karen Armstrong is a talented writer on religious subjects; this book is filled with her new insights on the book of Genesis. This book has two sections, first, her writings about Genesis, and second, in the back, the whole of Genesis itself for easy reference while reading her comments about it. I don’t know exactly what makes this a NEW interpretation; however, as she tells the stories of the Genesis characters – Abraham, Sarah, Noah, Jacob, Leah, Rachel, Joseph and all the rest, these bible personages come truly alive.
I remember while studying Hamlet in high school we watched a film in which an old British actor told us that Hamlet had something for everyone – regicide, revenge, madness, suicide, impending war, ghosts, lots of swash and buckle – imagine seeing it onstage at the Globe Theater in Elizabethan London! In the same way Genesis covers the entire human condition – love, hate, murder, total destruction of the world, revenge, journeys into the unknown, and come-uppances for a variety of characters – Joseph’s brothers, for example. This is what makes it so exciting and meaningful – the characters’ hopes, needs, and foibles mirror our own.
Perhaps it is a new interpretation because Armstrong discusses the extent to which this new monotheistic God of the ancient Hebrews communicates with his early believers. In the beginning of Genesis, God is the main character on center stage – busy creating the universe, and admiring His own handiwork. After the creation of man, God regularly communicates with Adam – he meets him often in the cool of the day in Eden. But as the chapters fly by, God communicates with his human creations less and less. Sometimes he is benevolent (creating a mate for Adam), sometimes demanding (telling Abraham to “get up and go” from his home and clan to a “place I will show you” – how’s that for ambiguity?), sometimes angry and vengeful (creating the flood to destroy all He created). As the centuries go by it seems to me that the less God and man communicate with one another, the more of a mess humankind makes. No wonder God gets fed up with his people from time to time.
But through the generations, God never totally gives up on humankind, a good message to take away from the first book of the Bible. God is always ready to listen, ready to love, ready to aid those who believe in and pray to Him.
I enjoy reading Armstrong’s works – her books are easy for the average person to read, yet very authoritative. Each sentence offers much to ponder with many “a-ha!” moments. In this book she focuses on the relationships: person to person and person to God. It’s endlessly dramatic, really like a psychological study of who did what and why. Our library has two other books by her, A History of God and The Battle for God. All are excellent –check them out! ( )
  Epiphany-OviedoELCA | Aug 26, 2011 |
This is not a new book, but it’s one I enjoyed and want to share. It’s short, especially so when half the book is a reprint of the text of Genesis, which, surely, no one reads.

This is the story of the Bible’s first book, raw and unchurched. Karen introduces us one by one to the characters and their stories, making no effort to turn them into saints, for they are nothing like the impossibly and depressingly flawless characters we met in Sunday School. Throughout, the authors of Genesis remind us that we can expect no clear-cut answers. We wrestle with the text, measuring its inconsistent doctrines and contradictory lessons, as we struggle to grasp the character of God. How can God be omnipotent, but powerless to control his creation? How can God be benevolent but a killer; wise but arbitrary; just but partial and unfair; omniscient but ignorant of human yearning?

Let me tell one story to set the tone of the book.

Jacob and Esau were twin brothers destined to conflict from the moment they emerged from the womb; Esau, first, to claim the coveted birthright, but not for Jacob’s lack of trying, who followed with his hand grasping his brother’s heel. As adults, the day came when the two would meet, and Jacob feared the meeting, for he had stolen his brother’s birthright through deception.

Jacob didn’t sleep the night before. Instead, says the Bible, he wrestled all night with a stranger, and became aware only at the end of the match that he had been fighting with God. Jacob brushed with the divine, and no two people experience God the same way. Was it real, or was it a dream? Psychologists speak of the “dream work” that we all accomplish at night at some profound level of our being, which enables us to look at issues that our conscious, daytime self finds impossible to face. Perhaps in some deep reach of his memory, Jacob recalled his wrestling match with Esau in the womb, as he internally prepared for his meeting with his brother in the morning.

Transformed and enlightened, Jacob set off at daybreak to meet his brother face to face. ( )
1 stem DubiousDisciple | Jun 5, 2011 |
I really enjoyed this book. It shows that religion isn't as black and white as some people try to make it. Armstrong does a good job of showing that religion and the Bible aren't about providing all of the answers, it's about struggling to find the answers and looking at the struggles of past peoples and their ideas to shed light on what it means to be a person of faith. ( )
  ladonna37 | Aug 5, 2009 |
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One of the most haunting scenes in Genesis is surely the occasion when Jacob wrestled all night long with a mysterious stranger and discovered that he had in reality been struggling with God (Genesis 32:24-32).
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In this fascinating book by the author of A History of God and Jerusalem, one of the best-known and least-understood books of the Bible is clarified for modern readers. Armstrong shows readers how the ancient tales of the Creation, the Fall, Cain and Abel, Noah, Abraham, Jacob, and Joseph illuminate our most profound and impenetrable problems.

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Karin Armstrong is een rasvertelster die in boeken als "Jeruzalem" en "Een geschiedenis van God" (a.i.'s 96-37-007-6 en 96-29-008-0) liet blijken hoezeer zij de kunst verstaat de lezer door haar onderwerpen te boeien. Geen wonder dat zij werd gefascineerd door het boek Genesis met oerverhalen uit het begin, 'de eerste stadia van de menselijke relatie tot het goddelijke', verhalen met een 'tijdloze relatie naar het heden'. Ze zoekt naar de achtergrond van verhalen over schepping en aartsvaders en volgt de opvatting dat daarbij verschillende tradities in het spel zijn: P die de ordening van de oerchaos bewondert en J, voor wie de wereld gecompliceerder in elkaar zit. Bij haar weergave van de verhalen probeert ze de drijfveren van de bijbelse personen te achterhalen en zich in hun ervaringen te verplaatsen. Op de uitleg volgt de Nederlandse vertaling van Genesis 1 t/m 50, ontleend aan de onlangs herziene Willibrordvertaling van de Katholieke Bijbelstichting. Intelligente en intrigerende vertellingen voor geïnteresseerde lezers van nu.
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