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Moscardino

door Enrico Pea, Mary De Rachewiltz

Andere auteurs: Zie de sectie andere auteurs.

Reeksen: Il romano di Moscardino (book 1)

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391635,500 (3.5)4
A small masterpiece, Pea’s lyrical autobiographical novel paints a fiery and intimate portrait of an old man through the bold brushstrokes of his grandson. The passions and tensions between the old eccentric and his brothers play themselves out in mythical sketches before a vivid backdrop of the hills of Lunigiana. Moscardino, the first novella of his tetralogy, Il romanzo di Moscardino, is anarchic and haunting. Pound conducts Pea’s vernacular song, allowing images to flow from the land, the flesh, and beyond.… (meer)
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Moscardino, the first novella of the Il romazo di Moscardino tetralogy, was published by the Italian writer Enrico Pea (1881-1958) in 1922. Pea's good friend, Ezra Pound, translated this work into English, and it was eventually published by New Directions Press in 1955. The Pound translation was re-released by Archipelago Books in 2005.

The story is narrated by Moscardino's grandson, toward the end of his grandfather's life. Moscardino lives an idyllic and privileged existence in Lunigiana in the mid-19th century. The boys are incredibly spoiled, and their parents are impossibly demanding, so much so that their servants stay only long enough to receive their monthly wages before quitting. Cleofe, a beautiful young woman from the hills overlooking the town, is hired to care for the household. Don Moscardino falls hopelessly in love with Cleofe, as he is mesmerized by her milky skin and "chestnut rind" colored eyes, as he views her nakedness through the keyhole of her room. He is savagely jealous of her, and tells her that the only way out of his misery will be to kill her. He pulls out a knife but cannot bring himself to take her life. Instead, he falls on the knife and disembowels himself. He is committed to a lunatic asylum, where he regains his sense of sanity, along with his tender love for Cleofe.

This was a beautifully written and translated novella. However, I found the story to be quite dull and aimless, with too many diversions. Several pages toward the end were spent discussing a neighbor's dog, with an additional lengthy description of Moscardino's pet rooster. Some may like this novella better than I did, so I will only marginally recommend it. ( )
  kidzdoc | Jan 31, 2010 |
The story a Shakespearean tale of a husband’s violent jealousy redeemed in later life by paternal affection moves from the mythological passions of an older generation (painted, admittedly, with streaks of Hardyesque hellish red) to the more life-sized childhood of the eponymous narrator. Pound translates this domestic tragicomedy with the sympathetic intensity and tenderness of attention that would characterize the poetry written after his imprisonment and mental breakdown at Pisa four years later. His daughter, Mary de Rachewitz, laments in her preface that Pound’s “humility and gentleness, ” “fun” and “efficiency” in his family life have been overshadowed by his imperious public persona; indirectly, all those qualities are evident in this translation.
toegevoegd door kidzdoc | bewerkTimes Literary Supplement, Jeremy Noel-Tod (betaal website) (Jul 22, 2005)
 

» Andere auteurs toevoegen

AuteursnaamRolType auteurWerk?Status
Enrico Peaprimaire auteuralle editiesberekend
Rachewiltz, Mary Deprimaire auteuralle editiesbevestigd
Pound, EzraVertalerprimaire auteursommige editiesbevestigd

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A small masterpiece, Pea’s lyrical autobiographical novel paints a fiery and intimate portrait of an old man through the bold brushstrokes of his grandson. The passions and tensions between the old eccentric and his brothers play themselves out in mythical sketches before a vivid backdrop of the hills of Lunigiana. Moscardino, the first novella of his tetralogy, Il romanzo di Moscardino, is anarchic and haunting. Pound conducts Pea’s vernacular song, allowing images to flow from the land, the flesh, and beyond.

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