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The Sinner and the Saint: Dostoevsky, a Crime and Its Punishment

door Kevin Birmingham

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1243220,184 (4.04)6
"From the New York Times bestselling author of THE MOST DANGEROUS BOOK, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's CRIME AND PUNISHMENT. THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story-and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph"--… (meer)
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Toon 3 van 3
This book is awesome. Not only do you learn a bunch about Russia and the Nihilists, Petrashevsky Circle etc. but the book is extremely well written. The parts about the french criminal are very enlightening also. I learned a lot about Dostoevsky and in some ways his life seemed familiar as i have read most of his books and his life was definitely mined for material. Just a joy to read no problem being enthralled the whole time. I would read fiction written by this guy. ( )
  soraxtm | Apr 9, 2023 |
I was really intrigued by the premise of this book, and I feel Birmingham did a great job of bringing Dostoevsky's Russia to life. My one quibble knocking off a star? There is actually very very little about the "Gentleman Murderer" in here. I would say 75-80% of the book follows Dostoevsky, which makes the chapters that do look at Lacenaire feel a bit out of place. I think I would have preferred a straight biography of Dostoevsky. ( )
  Jthierer | Mar 15, 2023 |
Crime and Punishment is a murder mystery, though the mystery isn’t who killed the pawnbroker and her sister. The mystery is why. from The Sinner and the Saint by Kevin Birmingham

I was intrigued by the idea of The Sinner and the Saint, this biography/literary criticism/history/true crime book, and found it enjoyable and rewarding reading.

As a biography of Dostoyevsky, I was astonished by his life. He was plagued by poverty and ill health and epilepsy, and cheated by his publishers. He became involved with radical thinkers. He was arrested by the tsar for treason, nearly executed, and sent to Siberia where he studied criminals up close, eliciting them to share their grisly stories. The description of life in Siberia is very affecting. Russia had no prisons, and convict labor in Siberian mines fueled massive wealth.

After four years in prison, Dostoyevsky was required to serve in the Army. He and his brother then tried to run magazines, which failed. He tried gambling in a desperate bid for solvency. The tsar kept tight control with censorship of newspapers, magazines, and books, and yet Dostoyevsky wrote some of the greatest novels ever written.

Russia was in turmoil, reform movements and radicalism spurring the tsar to authoritarianism. One philosophy was to believe in nothing–nilhism. When a man who tried to assassinate the tsar was asked by the tsar what he wanted, he replied “nothing.”

The French murderer Lacenaire, unapologetic and enjoying his notoriety, inspired Dostoyevsky’s character of Raskolnikov. Lacenaire’s wealthy family lost their fortune. He was expelled from schools and hated his jobs, and took up gambling while trying to write. He adopted a philosophy of egoism and decided to become an outlaw. He had no remorse for the murders he committed and met his execution with impersonal interest.

The murderer fascinated Dostoyevsky. He decided to write a murder story from the viewpoint of the murderer. A man who kills for no reason, for nothing. He would not be a monster, he would be someone we could understand.

I enjoyed the book on many levels: learning about Russia under the tsar and the philosophical and political ideas that arose in 19th c Russia; as a biography of Dostoyevsky; for its discussion of Russian literature; and as a vehicle to understand Dostoyevsky’s masterpiece, Crime and Punishment.

I received a free egalley from the publisher though NetGalley. My review is fair and unbiased. ( )
1 stem nancyadair | Oct 7, 2021 |
Toon 3 van 3
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"From the New York Times bestselling author of THE MOST DANGEROUS BOOK, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's CRIME AND PUNISHMENT. THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story-and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph"--

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