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Citizen Cash: The Political Life and Times…
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Citizen Cash: The Political Life and Times of Johnny Cash (editie 2021)

door Michael Stewart Foley (Auteur), Ann Kirchner (Omslagontwerper)

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282838,104 (4.25)5
-- offers a major reassessment of a legendary figure.
Lid:rosalita
Titel:Citizen Cash: The Political Life and Times of Johnny Cash
Auteurs:Michael Stewart Foley (Auteur)
Andere auteurs:Ann Kirchner (Omslagontwerper)
Info:New York, NY : Basic Books, 2021.
Verzamelingen:Jouw bibliotheek, eBooks, Read in 2022
Waardering:****1/2
Trefwoorden:20th century, America, country music, politics, Johnny Cash

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Citizen Cash: The Political Life and Times of Johnny Cash door Michael Stewart Foley

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Johnny Cash' politics transcended divisions. He was no partisan. He was a free thinking rebel he wasn't always right but tried to follow what he believed. He was tolerant of wide array of perspectives. Cash's politics was based on empathy: for the poor, for the native American, for the prisoner, for the lost, for the drunk, for the solider. You want to understand this politics? Listen to the song: Man in Black.

This book is well-researched and does a great job of articulating of Johnny Cash's political worldview, which was based on love/empathy. Johnny was often a bit of a contradiction but deep down, he lived to try to lift the load of others. True art does this. You can't divorce his politics of empathy from his music. It's an integral part of what makes Cash tick. ( )
1 stem ryantlaferney87 | Dec 8, 2023 |
It's always baffled me how anyone could listen to the lyrics of The Man in Black and not think that Johnny Cash had at least a very strong progressive streak in makeup. And yet, fans regularly castigate his daughter, songwriter and musician Rosanne Cash, on Twitter whenever she expresses a liberal viewpoint. "Your father would be ashamed of you," is the general and often literal response from country music fans whose perceptions of her father's political leanings are filtered through their own conservative viewpoint.

Then again, maybe I was doing the same thing — cherrypicking examples and ignoring the overall message in Cash's music and actions. I didn't think so, but then again I wouldn't, would I? So it was with great interest I listened to an interview with Michael Stewart Foley, the author of [Citizen Cash] during a live-streamed session of last fall's Johnny Cash Heritage Festival, and later bought his book. Foley does a great job of meticulously detailing the ways that Cash demonstrated his political viewpoints and how they evolved over the years, though always with a central touchstone — empathy — guiding each turn.

Songwriter Kris Kristofferson once wrote a song (The Pilgrim, Chapter 33) that many listeners thought was describing his good friend Johnny Cash:

He's a poet and he's a picker, he's a prophet and he's a pusher
He's a pilgrim and a preacher, and a problem when he's stoned
He's a walkin' contradiction, partly truth and partly fiction
Takin' every wrong direction on his lonely way back home


The line "walking contradiction, partly truth and partly fiction" seems particularly apt. Foley shows that Cash didn't hew strictly to any particular political ideology, but rather came to his stance on various social and political issues through the lens of empathy — putting himself into the shoes of the person or identity group in question to unearth their essential humanity. That empathy-based values system explains how he could be supportive of Richard Nixon (who promised to end the war in Vietnam with the spectacularly euphemistic slogan "peace with honor") and campaign for a Republican candidate for governor in his home state of Arkansas (who promised to enact comprehensive prison reform of a notoriously inhumane state correctional system).

Sometimes Cash's empathy stemmed directly from his own childhood as the son of a poor sharecropper who nevertheless saw the worse plight of black sharecroppers no further away than across the road, and who listened to and appreciated black music (or "race music" as it was called then) at a time when white people weren't supposed to admit to such things. His own (relatively minor) brushes with the law while in the throes of an addiction to amphetamines and barbiturates led him to perform countless free concerts at prisons around the country, including the most famous ones that were turned into live albums At Folsom Prison and At San Quentin.. At other times he immersed himself in reading historical accounts and talking to people to better understand their lives before writing a concept album like Bitter Tears: Ballads of the American Indian or Blood, Sweat and Tears, a collection of songs about American working men, with an emphasis on black workers.

There are other aspects of Cash's life that don't fit neatly into the progressive box. His devout Christianity led him to be less than forthright in supporting equal rights for women; more than once he asserted that he believed in the Bible's teaching that a woman's role in life is to support her husband. And he was a steadfast supporter of Billy Graham, whose antisemitic and homophobic views were far from exemplary.

The main thing I took away from this book was a growing belief that there are an awful lot of people in this world on all sides of the political spectrum who would benefit from using empathy to guide their values and their votes. I'm going to do my best to take my own advice, even when (especially when) it's a hard road to walk. In the end, I guess we're all walking contradictions in our own way. ( )
1 stem rosalita | Jul 4, 2022 |
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"Everything is political. It just sounds worse if you call it political. I mean, we're talking about life and death and the things that matter."
— Kris Kristofferson
"He had great feeling for the downtrodden and for those who were marginalized from society. He had empathy for the suffering of others...all his political views came from that empathy."
—Rosanne Cash
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In memory of my brother, Kurt Michael Foley
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The only time I've ever set foot in a high-end auction house was to see the estate of Johnny Cash and June Carter Cash sold off in 2004 in Sotheby's.
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The idea that fame makes people less qualified to speak on political issues is connected to the misplaced expectation that everyone—all of us—should have a coherent politics, identifiable, and easily labeled, especially if we are going to open our mouths and share an opinion. But in the same way that a truck driver, teacher, or doctor expects to be able to do their job and also fulfill their duties as citizens, why shouldn't an artist, actress or musician do the same?
As much as Dorothea Lange's and Walker Evans's photos captured both the suffering and dignity of their Depression-era subjects, Cash's songs (and interpretations of others' songs) reflect a desire to put the same social reality before his comfortable record-buying public. ... He saw it as his responsibility to use his art to remind Americans, in a time of affluence, of how the other half lived.
At times, this identification with the "forgotten man" would lead political figures to try to claim him, but for Cash there was nothing partisan about the forgotten man. He preached no doctrine or ideology, though, of course, he was not being apolitical. It's just that his politics were defined by empathy, nothing else.
For Cash, it's clear, patriots are those willing to see their country's strengths and weaknesses for what they are, not to try to puff up the one and diminish the other. ... It is the kind of complicated expression of patriotism that people with an "America: Love It or Leave It" bumper sticker struggle to understand. Both Cash and Kristofferson plainly love their country, but one way of expressing that love is by calling out its failures.
Johnny Cash may have been generally nonpartisan (he only ever publicly backed Jimmy Carter and Al Gore for president), but he would not have known how to be apolitical if the Lord commanded it.
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