A great set of linked short stories. The first is influenced by The Phantom of the Opera and Docter Jeckyll and Mister Hyde, and maybe a bit of Halloween too. Its gory, gruesome, melodramatic, and a damn good read. The second is an elegant and loving pastiche of the gothic horror genre, featuring the best and bloodiest bits from dozens of books. It's witty and blood-drenched and really very good. The third short story is perhaps the most traditional Warhammer story (for 1993 anyway) and features Genevieve as vampire-assassin on a unicorn hun with the dark magic of the Drakwald Forest as backdrop. Fantastic stuff, as good as Warhammer fiction gets. ( )

I was slightly surprised to discover that I hadn't read this, being as I'm such a fan of Newman's work, but there you go. It's probably been a the bottom of a box of books somewhere for the last ten years or so. Anyway, this is back from when, as Jack Yeovil, Kim Newman was writing for the Games Workshop, a series of novels and stories set in the Warhammer universe. By the by, here's Stephen Baxter's fascinating account about how a small group of young writers who had been published in Interzone in the eighties came to write tie-in novels for Games Workshop, with all sorts of interesting results: http://www.vectormagazine.co.uk/article.asp?articleID=42

Anyway, Genevieve Undead is a series of three novellas, featuring the eponymous heroine, a six-hundred year old vampire in a sixteen year old body. The first, Stage Blood, sees an artifact of the evil Drachenfels - defeated in the book of the same name - set out to avenge the dark lord. Genevieve's human lover Detlief, a playwright and actor, has just begin a run of his dark new play, much to the approval of the audience and the Trapdoor Daemon, a phantom-like figure who haunts Detlief's theatre. Newman's literary playfulness is in full force here. The setting of the Warhammer universe is a Germanic Mittle-European 17th century sort of place, and the play is 'The Strange History Of Dr Zhiekhill and Mr Chaida.' Cue lots of troubled angsting about man's dark side and the evil within, while the poor hideous Trapdoor Daemon clings to his innate humanity and the artifact bears down on our cast, bringing out the worst inside whoever it touches.

The Cold Stark House takes the literary games to a whole new level as Genevieve is trapped in a remote, crumbling old house to become part of a horrible family who plot, steal, poison and kill each other in endless, bloody variations of the most insane, twisted, gothic melodramas. The arrival of a revolutionary on the run and a courtesan help break the spell, but it may be too late for all of them.

Unicorn Ivory is the final story. Genevieve is inveigled into a plot to assassinate a political rival, something she is initially reluctant to do. Graf Rudiger, however, turns out to be exactly the sort of person who needs a bit of killing, and Genevieve tags along as he takes his party on a unicorn hunt. The story twists and turns and reverses and tables are turned and humans and vampires become the prey as Genevieve and Rudiger match hunting skills in a deadly game.

This is a quick read: fast-paced, intelligent gory fun. Genevieve proved to be such a compelling character that Newman uses no less than two more alternative versions in his Anno Dracula series and his Diogenes Club series. It'd be interesting to see him return her to the fantasy setting from whence she sprang for another couple of stories, but then it'd be also great to see the Dark Future series finished, and neither seem likely, which is a pity. ( )

Jack Yeovil is Kim Newman writing under a pseudonym and this isn't Kim Newman-lite despite being a Warhammer tie-in novel. Three novellas featuring the vampire Genevieve Dieudonné as the main character (who also appears in his Anno Dracula series of novels). The first is not unlike Voltaire or M. John Harrison's Virconium novels, set in a world which is reminiscent of a decadent pre-industrial Europe. The second is something of a Gothic farce with a twist, with a huge mansion and strange family taking in strangers in the night. The final lets loose Genevieve's feral side, in a story about a duke who enjoys hunting Unicorns. Genevieve has always been one of Newman's one interesting characters, not your typical heroine and this is a worthwhile addition to her myth. ( )

Genevieve tenía la boca llena de sangre. Sus colmillos se deslizaron fuera de las fundas de las encias, y un antiguo instinto se apoderó de ella. Pegó la boca a la herida de Schedoni. Comenzó a succionar y la sangre del anciano bombeó a su interior.
Se le aclaró la mente y tragó Aquella gente no significaba nada para ella, ya que no era más que una visitante entre ellos, como lo eran Alexander d'Aato y la muchacha. No se llamaba Genieve Udolpho, sino Genieve Dieudonné. No tenía dieciseis años sino seiscientos sesenta y nueve. Ni siquiera era humana. Era un vampiro. Genieve bebió y se hizo más fuerte. ( )