StartGroepenDiscussieMeerTijdgeest
Doorzoek de site
Onze site gebruikt cookies om diensten te leveren, prestaties te verbeteren, voor analyse en (indien je niet ingelogd bent) voor advertenties. Door LibraryThing te gebruiken erken je dat je onze Servicevoorwaarden en Privacybeleid gelezen en begrepen hebt. Je gebruik van de site en diensten is onderhevig aan dit beleid en deze voorwaarden.

Resultaten uit Google Boeken

Klik op een omslag om naar Google Boeken te gaan.

Bezig met laden...

The Masks of Macbeth

door Marvin Rosenberg

LedenBesprekingenPopulariteitGemiddelde beoordelingDiscussies
12Geen1,613,485 (4.5)Geen
"The mysteries of Macbeth have long fascinated actors, critics, spectators, and readers. By what art did Shakespeare design two terrible murderers (Macbeth and Lady Macbeth) who would earn the compassion of almost four centuries of audiences of many cultures? Does the very magnitude of the criminals and their crimes stir deep layers in us of recognition and empathy? Do they kill, as well as suffer, for us? Are we mistaken in sympathizing? Are we rocked between sympathy and revulsion, as we see-saw among so many opposites that tense the play?" "To explore the multiplying mysteries of the play, this book examines major interpretations of distinguished actors, directors, scholars, and critics from England, the United States, France, Belgium, Holland, Japan, India, Sweden, Norway, Denmark, Germany, Italy, the Soviet Union, Czechoslovakia, Hungary, Poland, Yugoslavia, Turkey, and South America. In the differences, as well as the striking similarities, of these worldwide interpretations, Mr. Rosenberg finds many illuminations of Macbeth's beckoning complexities. He joins these to his own study and experience of the play, enriched by his opportunity to observe rehearsals and performances of the production at Stratford-upon-Avon, when Peter Hall directed Paul Scofield and Vivien Merchant in the leading roles. This method follows Mr. Rosenberg's practice of integrating critical and theatrical interpretation: for his The Masks of Othello he acted in and directed the play; and he observed a production of Lear through rehearsal and performance for The Masks of King Lear." "As with the latter study, Rosenberg designed an experiment in audience response to discover afresh the effect of Shakespeare's art in arousing expectation about his characters and their action. He arranged three dramatizations of Macbeth for audiences that had never read or seen the play. The often surprisresponses of these "naive" audiences gland) were particularly enlightening for Macbeth, the only major tragedy in which Shakespeare keeps secrets from his audience almost to the last."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved… (meer)
Geen
Bezig met laden...

Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden.

Op dit moment geen Discussie gesprekken over dit boek.

Geen besprekingen
geen besprekingen | voeg een bespreking toe
Je moet ingelogd zijn om Algemene Kennis te mogen bewerken.
Voor meer hulp zie de helppagina Algemene Kennis .
Gangbare titel
Oorspronkelijke titel
Alternatieve titels
Oorspronkelijk jaar van uitgave
Mensen/Personages
Belangrijke plaatsen
Belangrijke gebeurtenissen
Verwante films
Motto
Opdracht
Eerste woorden
Citaten
Laatste woorden
Ontwarringsbericht
Uitgevers redacteuren
Auteur van flaptekst/aanprijzing
Oorspronkelijke taal
Gangbare DDC/MDS
Canonieke LCC

Verwijzingen naar dit werk in externe bronnen.

Wikipedia in het Engels

Geen

"The mysteries of Macbeth have long fascinated actors, critics, spectators, and readers. By what art did Shakespeare design two terrible murderers (Macbeth and Lady Macbeth) who would earn the compassion of almost four centuries of audiences of many cultures? Does the very magnitude of the criminals and their crimes stir deep layers in us of recognition and empathy? Do they kill, as well as suffer, for us? Are we mistaken in sympathizing? Are we rocked between sympathy and revulsion, as we see-saw among so many opposites that tense the play?" "To explore the multiplying mysteries of the play, this book examines major interpretations of distinguished actors, directors, scholars, and critics from England, the United States, France, Belgium, Holland, Japan, India, Sweden, Norway, Denmark, Germany, Italy, the Soviet Union, Czechoslovakia, Hungary, Poland, Yugoslavia, Turkey, and South America. In the differences, as well as the striking similarities, of these worldwide interpretations, Mr. Rosenberg finds many illuminations of Macbeth's beckoning complexities. He joins these to his own study and experience of the play, enriched by his opportunity to observe rehearsals and performances of the production at Stratford-upon-Avon, when Peter Hall directed Paul Scofield and Vivien Merchant in the leading roles. This method follows Mr. Rosenberg's practice of integrating critical and theatrical interpretation: for his The Masks of Othello he acted in and directed the play; and he observed a production of Lear through rehearsal and performance for The Masks of King Lear." "As with the latter study, Rosenberg designed an experiment in audience response to discover afresh the effect of Shakespeare's art in arousing expectation about his characters and their action. He arranged three dramatizations of Macbeth for audiences that had never read or seen the play. The often surprisresponses of these "naive" audiences gland) were particularly enlightening for Macbeth, the only major tragedy in which Shakespeare keeps secrets from his audience almost to the last."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Geen bibliotheekbeschrijvingen gevonden.

Boekbeschrijving
Haiku samenvatting

Actuele discussies

Geen

Populaire omslagen

Snelkoppelingen

Waardering

Gemiddelde: (4.5)
0.5
1
1.5
2
2.5
3
3.5
4 1
4.5
5 1

Ben jij dit?

Word een LibraryThing Auteur.

 

Over | Contact | LibraryThing.com | Privacy/Voorwaarden | Help/Veelgestelde vragen | Blog | Winkel | APIs | TinyCat | Nagelaten Bibliotheken | Vroege Recensenten | Algemene kennis | 204,235,152 boeken! | Bovenbalk: Altijd zichtbaar