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Sunset Boulevard (Special Collector's…
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Sunset Boulevard (Special Collector's Edition) [DVD] [1950] (1950)

door Billy Wilder (Director), William Holden (Primary Contributor), Gloria Swanson (Primary Contributor), John F. Seitz (Cinematographer), Billy Wilder (Writer)8 meer, Arthur P. Schmidt (Redacteur), Charles Brackett (Producer), D. M. Marshman Jr. (Writer), William Holden (Actor), Gloria Swanson (Actor), Erich Von Stroheim (Actor), Nancy Olson (Actor), Fred Clark (Actor)

LedenBesprekingenPopulariteitGemiddelde beoordelingAanhalingen
281393,417 (4.5)9
Pursued by creditors, Joe swerves into a driveway of a seemingly abandoned Sunset Boulevard mansion. He finds Norma, an ex-screen queen dreaming of a dramatic comeback and her husband/servant living there. She takes a fancy to Joe and, learning that he is a scriptwriter, persuades him to help her with her comeback screenplay. Being broke he accepts. He falls in love with young script reader, but Norma breaks up their romance. Thinking she is mad, he tries to leave, but Norma kills him. scene which she believes is the highlight of her comeback movie.… (meer)
Lid:Ogygia
Titel:Sunset Boulevard (Special Collector's Edition) [DVD] [1950]
Auteurs:Billy Wilder (Director)
Andere auteurs:William Holden (Primary Contributor), Gloria Swanson (Primary Contributor), John F. Seitz (Cinematographer), Billy Wilder (Writer), Arthur P. Schmidt (Redacteur)7 meer, Charles Brackett (Producer), D. M. Marshman Jr. (Writer), William Holden (Actor), Gloria Swanson (Actor), Erich Von Stroheim (Actor), Nancy Olson (Actor), Fred Clark (Actor)
Info:Paramount (2003)
Verzamelingen:Movies, (Central European), (N. American), (;)
Waardering:*****
Trefwoorden:DVD, Noir, Fading Screen Star, Movie industry, celebrity, Agéd and ageing, behind-the-scenes, Tinseltown, L.A., Southern California (US). Representation, Calif., w, agedisparity, clichmœv, mtmtm, recluses and reclusive behaviour, M-50s, (cinematographer) John F. Seitz, On screen. North America

Informatie over het werk

Sunset Boulevard [filmopname] door Billy Wilder (Director / Screenwriter) (1950)

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The casting of Gloria Swanson and Erich von Stroheim who both had careers in silent movies, invests the events depicted with a great deal of realism as do the cameos in which Cecil B DeMille, Hedda Hopper, Buster Keaton and others are featured. Shots of Paramount studios and Schwab's Drugstore and the inclusion of an excerpt from "Queen Kelly" (1929) in which Swanson starred and von Stroheim directed also blur the lines between fiction and reality and add greater authenticity to the whole production. ( )
  jgcorrea | Mar 15, 2024 |
An aged star of silent films moves a younger man into her isolated mansion.

I expected a lot more, given its reputation. Everything's good, but Stroheim's character is the only aspect that really lives up to the movie's legendary status.

Concept: C
Story: B
Characters: A
Dialog: A
Pacing: B
Cinematography: A
Special effects/design: B
Acting: B
Music: B

Enjoyment: B

GPA: 3.2/4 ( )
  comfypants | Jan 28, 2016 |
110 minutos
  Miquinba_F | Feb 18, 2012 |
Toon 3 van 3
Although Mr. Wilder is considered a very cynical fellow in Hollywood, he seems to me not cynical enough; he uses bitter chocolate for his icing, but underneath is the stale old cake. Love Conquers All, ultimately...

A genuinely cynical director like Lubitsch would have had Holden stay on with Swanson because he has come to prefer loveless luxury to impoverished love. A real sentimentalist, on the other hand, would have him marry the girl and begin a new, clean life. Mr. Wilder’s ending tries to have it both ways, something as impossible in art as in life, though a feat achieved hourly in Hollywood, whose relation to either is distant.
toegevoegd door SnootyBaronet | bewerkEsquire, Dwight Macdonald
 
Much of the detail is marvellously effective and clever; Miss Swanson watching her young face in an old movie and standing up into the murderous glare of the projector to cry: “They don’t make faces like that any more!” (they certainly don’t and it is our loss)....

The lost people are given splendor, recklessness, an aura of awe; the contemporaries by comparison, are small, smart, safe-playing, incapable of any kind of grandeur, good or bad; and those who think they can improve or redeem the movies are largely just a bunch of what Producer Fred Clark aptly calls Message Kids, and compares with the New York critics. This is certainly a harsh picture of Hollywood; too harsh, considering some of the people who work there. By still quieter inference, of course, Hollywood is still essentially all right because it can produce such a picture as Sunset Boulevard; and with that, the considerable distance it goes, one is bound to agree.

toegevoegd door SnootyBaronet | bewerkSight and Sound, James Agee
 
A young scriptwriter (William Holden), speeding away from the finance-company men who have come to repossess his car (it is Los Angeles, where a man can get along without his honor, but not without his car), turns into a driveway on Sunset Boulevard and finds himself at the decaying mansion of the once great silent star Norma Desmond (Gloria Swanson)... Glint-eyed Swanson clutches at her comeback role almost as if it were Salome, yet the acting honors belong to Holden. When he makes love to the crazy, demanding old woman, his face shows a mixture of pity and guilt and nausea. This brittle satiric tribute to Hollywood’s leopard-skin past—it’s narrated by a corpse—is almost too clever, yet it’s at its best in this cleverness, and is slightly banal in the sequences dealing with a normal girl (Nancy Olson) and modern Hollywood.
toegevoegd door SnootyBaronet | bewerkNew Yorker, Pauline Kael
 

» Andere auteurs toevoegen (11 mogelijk)

AuteursnaamRolType auteurWerk?Status
Wilder, BillyDirector / Screenwriterprimaire auteuralle editiesbevestigd
Brackett, CharlesScreenwriterprimaire auteuralle editiesbevestigd
Marshman, D. M., JrScreenwriterprimaire auteuralle editiesbevestigd
Holden, WilliamSecundaire auteuralle editiesbevestigd
Holden, WilliamActorSecundaire auteuralle editiesbevestigd
Olson, NancyActorSecundaire auteuralle editiesbevestigd
Swanson, GloriaActorSecundaire auteuralle editiesbevestigd
Von Stroheim, ErichActorSecundaire auteuralle editiesbevestigd

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The poor dope - he always wanted a pool. Well, in the end, he got himself a pool.
Salesman: [whispering in Joe's ear] As long as the lady is paying for it, why not take the Vicuna?
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Wikipedia in het Engels (2)

Pursued by creditors, Joe swerves into a driveway of a seemingly abandoned Sunset Boulevard mansion. He finds Norma, an ex-screen queen dreaming of a dramatic comeback and her husband/servant living there. She takes a fancy to Joe and, learning that he is a scriptwriter, persuades him to help her with her comeback screenplay. Being broke he accepts. He falls in love with young script reader, but Norma breaks up their romance. Thinking she is mad, he tries to leave, but Norma kills him. scene which she believes is the highlight of her comeback movie.

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