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Enemy Women

door Paulette Jiles

Andere auteurs: Zie de sectie andere auteurs.

LedenBesprekingenPopulariteitGemiddelde beoordelingAanhalingen
1,0734318,962 (3.65)146
Fiction. Romance. Historical Fiction. HTML:

For the Colleys of southeastern Missouri, the War between the States is a plague that threatens devastation, despite the family's avowed neutrality. For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee. The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison.

But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.

Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise . . . seeking a home and a family that may be nothing more than a memory.

.
… (meer)
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  3. 00
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  4. 00
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  5. 00
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  6. 00
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  7. 00
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  8. 00
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1-5 van 42 worden getoond (volgende | toon alle)
Historical fiction following the plight of Adair Colley whose family lost their farm to the Union Militia who decided who were not loyal to the South during the time of the Civil War. Adair finds herself sent to a women?s prison in St Louis where she meets a Union major in charge of the inmates confessions. They meet regularly and love happens. He aids in her ability to escape by giving her two $25 gold pieces and promise to meet at her family farm after the war. It is quite a read, with historical letters mixed in with the story. Enjoyed a lot.
  bentstoker | Jan 26, 2024 |
Very good Civil War drama about woman captured, jailed in St. Louis and her escape to get back home.
  derailer | Jan 25, 2024 |
Great historical novel during Civil War in Missouri. Gritty and romantic at the same time. Kind of reminds me of True Grit somehow, maybe for the amusing or old style language. Very good. ( )
  kslade | Dec 8, 2022 |
In the last months of 1864, the residents of Missouri are being pushed and pulled between warring factions. Guerrilla groups (not formally enlisted in the Rebel Army) strike out from their hidey-holes in the woods and mountains; Union soldiers man strategic forts but also have empowered a militia to enforce martial law. The “leaders” of the militia use this as an excuse to pillage, seizing property, horses, and goods, and to kill anyone who voices any outrage. When 18-year-old Adair Colley’s father is arrested, and their home and barn set afire, she and her sisters begin the trek north to try to get her father released. Instead, she is renounced as a traitor and imprisoned. In the notoriously squalid conditions of her prison she encounters Major William Neuman, a Union soldier who is tasked with obtaining her confession.

I found this work of historical fiction fascinating and engaging. Adair is a strong woman even though she is barely out of girlhood. She remains resolute despite hardship. No horse – no problem – she will walk. She never loses sight of her goal – to find her father, to get home, to reunite her family.

Major Neuman is an interesting counterpoint. Conflicted about his obligations as a Union officer vs his love for Adair, he finds himself walking the tightrope between his duty and his compassion. I do wish Jiles had explored his story a bit more, but I was nevertheless glad to read so much of Adair’s adventures.

I really appreciated, too, that Jiles includes historical documents – letters, reports, journal entries, etc – at the beginning of each chapter. These glimpses of actual events really informed and added to the truth behind this work of fiction. ( )
  BookConcierge | Nov 29, 2022 |
The road to hell was paved with the bones of men who did not know when to quit fighting. Like the Wild Geese of Ireland they were used and spent like coins by one army after another.

The Civil War was a bloody and costly affair to the men who fought it, and a source of despair for most of our nation's families, who lost their fathers, brothers and sons, but there is another side to the war, and that is its effect on the women who were left to fend for themselves in a world that was unkind to the lone woman. Adair Randolph Colley is one such woman, and Jiles portrays in her a person of wit and intelligence and courage that is astounding.

The war was hard on every state in the South, but in Missouri it was exceptionally violent and cruel. Missouri was a divided state, with as many Confederate as Union sympathizers, and as the war wound down, the atrocities on both sides of the conflict toward the innocent citizenry was appalling. Gangs of marauding men scoured the country, killing at random, and in what is a little explored aspect of the conflict, women were imprisoned for feeding or caring for their own male relatives.

During most of the war, the Colley family has managed to remain neutral and continue to farm their acreage. They have never held any slaves, nor do they have combatants on either side of the conflict. But, the depravity of the Union militia finally catches up to them, and Judge Marquis Colley, Adair’s father, is taken prisoner, the house burned and his three daughters left to their own devices. In an attempt to secure his freedom, Adair, barely 18, travels to the headquarters of the Union army and is there falsely accused of spying and herself imprisoned and sent by train to St. Louis.

Jiles' descriptions of the prison and its inhabitants are vivid and visceral. But, she also brings a kind of poetry to her prose.

The fireplace leaked a slow red light, and the bar shadows lined the opposite wall like thin soldiers or the wraiths of the prisoners gone before.

In St. Louis, we meet another pivotal character in Jiles' saga, Major William Neumann, who has been charged with running the ladies prison, and understandably hates his job. He is a decent man caught in an untenable situation. It is through conversations between Adair and William that we begin to see all the layers of Adair's personality emerge.

Just as she gives us vivid images of the prison, Jiles is equally descriptive of the natural sights in her novel, painting visual scenes that play in your mind like a movie trailer.

Sometimes she walked alongside Whiskey and Dolly in the grassy valleys. The horses drifted along either side of her, grazing. Their lips moved without sound and it seemed they were talking to the earth in a long, complex conversion. On the high barrens of the ridges, the wind tore at her hair and sent her shawl and strands of her black hair streaming behind her. The horses walked beside in protection. They spread the wings of their souls on either side of her. They drank of the air, and Adair walked lightly along with them.

I loved this image of the horses spreading "the wings of their souls". It made a particular scene in the book all the more distressing for me.

Adair is such a strong, reliable, and honest character. We can believe her, and we do, and others see this quality in her as well, but we also see her become a person who will do what is necessary to survive. When we first meet her, traveling down the road with her sisters to seek the freedom of her father, she has dressed her sisters and given them hats, and the imagery is almost clownish and playful, despite the seriousness of the situation. This purity and childishness is not meant to last for long. This is not a world in which anyone is allowed to keep their innocence or naivety.

What makes this book exceptional for me is the grounding it has in the actual history of the time. Jiles has carefully researched her subject, and she opens each chapter with an excerpt from documents of the time detailing the horrors that faced these very real people, in the words of those who experienced it.

The first excerpt is from a letter written by Asey Ladd, a Confederate soldier who writes

Dear Wife and Children; I take my pen with trembling hand to inform you that I have to be shot between 2 & 4 o’clock this evening. I have but few hours to remain in this unfriendly world. There are 6 of us sentenced to die in retaliation of 6 Union soldiers that was shot by Reeves men.

With that harrowing letter, we are warned that this will be a tale of a difficult time; a time that requires strong people; a time of precarious survival. Then Jiles goes on to write a character in the guise of a young girl, who is up to the challenge. I thought of Mattie Ross in True Grit, Ivy Rowe in Fair and Tender Ladies, and Ruby Thewes in Cold Mountain. Adair Randolph Colley belongs to this group: unforgettable women, strong women, survivors. ( )
  mattorsara | Aug 11, 2022 |
1-5 van 42 worden getoond (volgende | toon alle)
I just HATED *Enemy Women*! So bloodthirsty, so much vicious violence - I didn't think women wrote such stuff. And a flat, plodding, repetitive style, devoid even of quote marks for the dialogue.
Come back the glory days of Jane Austen, E. M. Forster, Nancy Mitford, Elizabeth Taylor, Elizabeth Bowen, Barbara Pym, Anita Brookner, Salley
Vickers. What is happening so to brutalise new fiction?
toegevoegd door KayCliff | bewerknewBOOKSmag, Hazel K. Bell (May 31, 2014)
 

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Paulette Jilesprimaire auteuralle editiesberekend
White, KarenVertellerSecundaire auteursommige editiesbevestigd
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For my cousin Susan Jiles Lawson and, as always, for Jim.
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Young men joined up by the thousands in their eagerness to go to war for the state of Missouri; they would go to war and come home with stories to tell as their fathers had come home from the Mexican war with tales of faraway places and cannon fire and the bold charge the Missourians had made at Saltillo.
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There will be trouble in Missouri until the Secesh are subjugated and made to know that they are not only powerless, but that any attempts to make trouble here will bring upon them certain destruction and this … must not be confined to soldiers and fighting men, but must be extended to non-combatant men and women. October 10, 1861 (actual letter)
So it was in the third year of the Civil War in the Ozark Mountains of southeastern Missouri, when Virginia creeper and poison ivy wrapped scarlet, smoky scarves around the throats of trees, and there was hardly anybody left in the country but the women and the children.
She got up again and paced. Then took the quilt out of its linen wrapper for the pleasure of the brilliant colors and the feel of the velvet. The needlework was very fine and regular. Adair hated needlework and she could not imagine sitting and stitching the fine crow’s-foot seams. Writing was the same, the pinching of thoughts into marks on paper and trying to keep your cursive legible, trying to think of the next thing to say and then behind you on several sheets of paper you find you have left permanent tracks, a trail, upon which anybody could follow you. Stalking you through your deep woods of private thought.
They carried, unfurled and lifting slightly in the spring breeze, their State Guard flag, a faded blue silk, and in the middle of it in a battered gold color, the state seal and the growling bears of Missouri. The men lined the road. There was a long silence as Reeves and his officers came down the trail and through Wilderness, past the tavern. As he went past the men’s hats came off, one after the other like a line of birds taking flight They stood holding their rifles or their cut hickory walking sticks, their hats in their hands. Colonel, they said.

Colonel Reeves gazed out from under his hat brim. It was a cavalry officer’s hat pinned up to one side. One boot was kicked out of the stirrup and his uniform was worn through the leather patches at the elbows, the leather hung in little fluttering banners.

Men. Good day, men. God bless you all.

He nodded to each man and looked each man in the eye and then they rode on and the strange flag disappeared into the descending hillside of yellow pine, riding slowly out of the official history of the world.
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Fiction. Romance. Historical Fiction. HTML:

For the Colleys of southeastern Missouri, the War between the States is a plague that threatens devastation, despite the family's avowed neutrality. For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee. The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison.

But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.

Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise . . . seeking a home and a family that may be nothing more than a memory.

.

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