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Bezig met laden... Wheat That Springeth Green (New York Review Books Classics) (origineel 1988; editie 2000)door J. F. Powers
Informatie over het werkWheat that Springeth Green (New York Review Books Classics) door J. F. Powers (1988)
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Meld je aan bij LibraryThing om erachter te komen of je dit boek goed zult vinden. Op dit moment geen Discussie gesprekken over dit boek. Powers' second and final novel, and much better than his pretty damn good Morte D'Durban. Wheat took forever to write, which is usually a very bad thing, but in this case Powers somehow makes it work, perhaps because the usual late style stuff (pessimism, grouchiness and so on) fits so well with the late stages of this book. Father Hackett watches his small world change with good humor and dismay; he might not admit it, but it's fairly clear that he himself is just as much to blame for those changes as anyone. The Walmart-style store takes over from the old mall, and takes over from the church as well. Everything centers more and more on money--which is precisely what Hackett's life has centered on. And his final pilgrimage is a beautiful end to the novel. As with all of Powers' work, it's exceptionally well written, funny and affecting. Is it innovative? No. Is it formally interesting? Not in the slightest. But it's exceptionally well done for all that. I've been a fan of the late J F Powers for probably thirty years. Have read his classic novel of the Church in the 1950s, MORTE D'URBAN, at least 2-3 times. And also read his three books of stories. Can't figure out how I missed this one, WHEAT THAT SPRINGETH GREEN, his only other novel, first published 25 years ago. In any case, I am most grateful to NYRB Classics imprint for reissuing all of Powers' work again. He was a writer much rspected by other writers, but often neglected and underappreciated by the general reading public, probably because of his never-changing, constant subjects: the priesthood and the Catholic Church. This novel is perhaps even better than Morte D'Urban, set in a midwest diocese at the height of the Vietnam war. Father Joe Hackett is a character that will stay with you for a long time, probably because of his very human faults, his utter 'humanity.' You will laugh and wince in recognition, not just at Hackett, but also at some of the other buffoonish priests and prelates depicted here, like Cooney, Mooney and Rooney. Or at the nicknames given: Shorty and Slug, Catfish, Arch (the Archbishop) and others. It is eye-opening and often a bit sad to watch Joe's gradual transformation as this tale of the modern Church spins out and winds down. A favorite line, indicationg Joe's final loss of innocence - "... believing as he did that the separation of of Church and Dreck was a matter of life and death for the world, that the Church was the one force in the world with a chance to save it ..." There is a kind of redemption for Joe, however, as, in the end, he takes up his "cross." I love this book and hope to find time to read it again some day. But then, "so many books ..." Highly recommended. geen besprekingen | voeg een bespreking toe
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'One of the funniest, most socially exact, heartrending and thoroughly enjoyable writers around.' Jonathan Raban ' Powers's sentences are the equal of those concocted by satiric contemporaries like Kingsley Amis and Philip Roth . . . Powers's new novel seems to me the best he has written.' William Pritchard, New Republic Joe Hackett, high school track star and sexual champion, enters the seminary in order to become a saint. But years later, when he gets his own suburban parish, he is content to think of himself as a failed priest. His complacency is shaken, however, by the war in Vietnam and the events of 1968. Geen bibliotheekbeschrijvingen gevonden. |
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Google Books — Bezig met laden... GenresDewey Decimale Classificatie (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC-classificatieWaarderingGemiddelde:
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Dryly funny and obviously written from the point of view of someone greatly irritated by - but with great love for - his fellow man.
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