In Domain of Perfect Affection, Robin Becker explores the conditions under which we experience and resist pleasure: in beauty salon, summer camp, beach, backyard, or museum; New York or New Mexico. "The Mosaic injunction against / the graven image" inspires meditations on drawings by Du rer, Evans, Klee, Marin, and del Sarto. To the consolations of art and human intimacy, Becker brings playfulness-"Worry stole the kayaks and soured the milk"-suffused with self-knowledge: "Worry wraps her long legs / around me, promises to be mine forever." In "The New Egypt," the narrator mines her family's leg